I, Sniper - A Bob Lee Swagger Novel

Who killed Whiskey 2-2?

And why won’t it stay dead?

A marine sniper team on a mission in tribal territories on the Afghan-Pakistan border, Whiskey 2-2 is ambushed by professionals using the latest high-tech shooting gear. Badly wounded, the team’s sole survivor, Gunnery Sergeant Ray Cruz, aka “the Cruise Missile,” is determined to finish his job. He almost succeeds when a mystery blast terminates his enterprise, leaving a thirty-foot crater where a building used to be—and where Sergeant Cruz was meant to be hiding.

Months pass. Ray’s target, an Afghan warlord named Ibrahim Zarzi, sometimes called “The Beheader,” becomes an American asset in the region and beyond, beloved by State, the Administration, and the Agency. He arrives in Washington for consecration as Our Man in Kabul. But so does a mysterious radio transmission, in last year’s code. It’s from Whiskey 2-2.

MISSION WILL BE COMPLETED.

CONFIDENCE IS HIGH.

Is Ray Cruz back? Has he gone rogue, is he insane, or just insanely angry? Will he succeed, though his antagonists now include the CIA, the FBI, and the same crew of bad boys that nearly killed him in Zabol province? Not to mention Bob Lee Swagger and a beautiful CIA agent named Susan Okada who gives Swagger more than just a patriotic reason to take the case.

Swagger, the legendary hero of seven of Hunter’s novels from Point of Impact to last year’s bestselling I, Sniper, is recruited by the FBI to stop the Cruise Missile from reaching his target. The problem is that the more Swagger learns about what happened in Zabol, the more he questions the U.S. government’s support of Zarzi and the more he identifies with Cruz as hunter instead of prey.

Talk about a ride!

Woe unto he who crosses Bob Lee Swagger, especially when his daughter's life is at stake. Forced off the road and into a crash that leaves her in a coma, clinging to life, reporter Nikki Swagger had begun to peel back the onion of a Southernfried conspiracy bubbling with all the angst, resentment, and dysfunction that Dixie gangsters can muster. An ancient, violent crime clan, a possibly corrupt law enforcement structure, gunmen of all stripes and shapes, and deranged evangelicals rear their ugly heads and will live to rue the day they targeted the wrong man's daughter. It's what you call your big-time bad career move. All of it is set against the backdrop of excitement and insanity that only a weeklong NASCAR event can bring to the backwoods of a town as seemingly sleepy as Bristol, Tennessee.

A master at the top of his game, Hunter provides a host of thrilling new reasons to read as fast as we can. When Swagger picks up peeling where his daughter left off, and his swift sword of justice is let loose, we find a true American hero in his most stunning action to date. And -- in the form of Brother Richard, a self-decreed "Sinnerman" out of the old fire-and-brimstone tradition -- Hunter offers up his most diabolical, engaging villain yet. A triumph of story, character, and style, Night of Thunder is Stephen Hunter at his very best.

Ten thousand people jam the aisles, the corridors, the elevators, and the escalators of America, the Mall—a giant Rubik’s Cube of a structure with its own amusement park located in the spacious center atrium. Of those people, nine thousand nine hundred and eighty-eight have come to shop. The other twelve have come to kill.

Stephen Hunter’s hyper-drive, eighth-gear new thriller, Soft Target, chronicles the day when the unthinkable happens: twelve gunmen open fire in the mall corridors, driving the pack before them. Those on the upper floors take cover or get out any way they can; but within a few minutes the gunmen have herded more than a thousand hostages into the amusement park.

Ray Cruz, one of the heroes of Hunter’s last bestseller, Dead Zero, is in the mall with his fiancée and her family. The retired Marine sniper thought he was done with stalking and killing—but among the trapped thousands, he’s the only one with a plan and the guts to confront the self-proclaimed “Brigade Mumbai.” Now all he needs is a gun.

FBI Sniper Dave McElroy has a gun. But positioned on the roof of the vast building, looking down through one of its thickly paned Great Lakes–shaped skylights, and without explosives or fuses—or the go-ahead from his superiors—he is effectively cut off from his targets and forced into the role of witness to the horror unfolding below.

Set during the four hours of the terrifying event, the story follows both hostages and gunmen, detailing the complex strategic police response, the full-press media saturation coverage, even the politics of SWAT as both the Minnesota State Police and the FBI struggle to control, confront, and ultimately defuse the crisis.

Having learned the lessons of Columbine, the feds believe that immediate action is the only solution. But Douglas Obobo, the charismatic and ambitious commandant of the state police, orders cooperation, tolerance, communication, and empathy for the gunmen. He feels that with his superior negotiating skills, he can make contact with the shooters and gently nudge them into surrender. But what if their goal all along has been unparalleled massacre—and they’re only waiting for prime time?

Bob Lee Swagger and Philip Yano are bound together by a single moment at Iwo Jima, 1945, when their fathers, two brave fighters on opposite sides, met in the bloody and chaotic battle for the island. Only Earl Swagger survived.

More than sixty years later, Yano comes to America to honor the legacy of his heroic father by recovering the sword he used in the battle. His search has led him to Crazy Horse, Idaho, where Bob Lee, ex-marine and Vietnam veteran, has settled into a restless retirement and immediately pledges himself to Yano's quest.

Bob Lee finds the sword and delivers it to Yano in Tokyo. On inspection, they discover that it is not a standard WWII blade, but a legendary shin-shinto katana, an artifact of the nation. It is priceless but worth killing for. Suddenly Bob is at the center of a series of terrible crimes he barely understands but vows to avenge. And to do so, he throws himself into the world of the samurai, Tokyo's dark, criminal yakuza underworld, and the unwritten rules of Japanese culture.

Swagger's allies, hard-as-nails, American-born Susan Okada and the brave, cocaine-dealing tabloid journalist Nick Yamamoto, help him move through this strange, glittering, and ominous world from the shady bosses of the seamy Kabukicho district to officials in the highest echelons of the Japanese government, but in the end, he is on his own and will succeed only if he can learn that to survive samurai, you must become samurai.

As the plot races and the violence escalates, it becomes clear that a ruthless conspiracy is in place, and the only thing that can be taken for granted is that money, power, and sex can drive men of all nationalities to gruesome extremes. If Swagger hopes to stop them, he must be willing not only to die but also to kill.

A half-hour by air from Miami, it's the world's hottest -- and most dangerous -- city. From the plush mobster casinos in Centro to the backstreet brothels on Zanja Street, you can get anything you want, for a price. The city is the linchpin of many empires: the Mafia's, the CIA's, numerous American corporations', El Presidente's, and even the vice lords' of Old Havana. It must be protected at all costs.

But now there's a threat. A young lawyer, a kid named Castro, is giving speeches. He speaks of reform, of change, of self-determination. He speaks of...of revolution even.

This danger must be dealt with. So, into the steamy, sunny climate of corruption come two men, both unafraid, both skilled, both tough as ball bearings. They would be friends in a sane world, for they are so similar in their capabilities and experiences. But now they have to be enemies, because the Cold War is at its apogee: one is American, the other Russian.

The American is named Earl Swagger. A Medal of Honor winner on Iwo Jima, a toughened gunman from adventures in Hot Springs and the swamps of Mississippi, Earl has been conned by two young Old Boys of the CIA to become Our Gun in Havana.

The Russian, Speshnev, also a veteran of tough battles (from Spain in '36 to Berlin in '45, with a few stays in the gulag just for seasoning), has a similar assignment: he too is sent by strategic gamesters to pay attention to that same young orator. But his job is protection, not elimination.

Neither man's assignment will be easy. For, like an orchid hot house, Havana's climate grows spectacular specimens: the wise old mobster king Meyer Lansky, who runs the casinos for his nervous New York sponsors; the syndicate hitman Frankie Carbine, Frankie Horsekiller of the famed Times Square massacre; the secret police officer called Ojos Bellos -- Beautiful Eyes -- for his penchant to interrogate at scalpel point; the beautiful Filipina Jean-Marie Augustine, who knows so much; and even those crew-cut, cheery young CIA fellows on the embassy's Third Floor, behind whose baby-blues and tender faces lurk all manner of deviousness. And everybody wants something.

It's 1951, and the last place in America any sane man wishes to visit is Thebes State Penal Farm (Colored) in Thebes, Mississippi. Up a dark river, surrounded by swamps and impenetrable piney woods, it's the Old South at its most brutal -- a place of violence, racial terror, and even more horrific rumors. Of the few who make the journey, black or white, even fewer return.

But in that year, two men will come to Thebes. The first is Sam Vincent, the former prosecuting attorney of Polk County, Arkansas. With great misgivings, Sam accepts a job from a smooth-talking Chicago lawyer to investigate a disappearance. Sam has heard of Thebes and knows that in the Negro culture he only imperfectly understands, the place has a special resonance of horror.

Sam is a careful man. Before he leaves on this dangerous trip, he confesses his fears to his former investigator Earl Swagger, a Marine hero on Iwo Jima, veteran of the mob wars in Hot Springs, and now a sergeant of the Arkansas State Police. Earl pledges that if Sam is not back by a certain time, he will come looking for him. Sam will bring his knowledge of the law, his compassion, and his sense of the rational to Thebes, but Earl will bring only his guns.

What they encounter there is something beyond their wildest imaginations for evil. The dying black town is ruled by white deputies on horseback who are more like an occupying army than a police force. Each citizen of the town is in debt to the Store, the one remaining civic institution, and the only escape is over the wild currents of the dark river that drowns as many people as it liberates.

But nothing in the town can prepare Earl for the prison itself where he becomes the first white inmate. It is a site of fear: Run by an aging madman with insane theories of racial purity, it is administered by a brutally efficient Stalin of a guard sergeant known as Bigboy. The convicts call him The Whip Man -- he can take a man's soul with his nine feet of braided catgut.

Both Sam and Earl will be challenged to the limits of their strength by this place and will struggle not only for their own survival, but with deeper questions: What does a man do when confronted with such evil? Can it be remedied? Can it be rectified, redirected, reformed?

Or must it just be destroyed? And if so, where would you find the men to destroy it?

It’s not even a clue. It’s a whisper, a trace, a ghost echo, drifting down through the decades via chance connections so fragile that they would disintegrate in the puff of a breath. But it’s enough to get legendary former Marine sniper Bob Lee Swagger interested in the events of November 22, 1963, and the third bullet that so decisively ended the life of John F. Kennedy and set the stage for one of the most enduring controversies of our time.

Swagger begins his slow night stalk through a much-traveled landscape. But he’s asking questions that few have asked before: Why did the third bullet explode? Why did Lee Harvey Oswald, about to become the most hunted man on earth, risk it all by returning to his rooming house to secure a pistol he easily could have brought with him? How could a conspiracy that went unpenetrated for fifty years have been thrown together in the two and a half days between the announcement of the president’s route and the assassination itself?

As Bob investigates, another voice enters the narrative: knowing, ironic, almost familiar, that of a gifted, Yale-educated veteran of the CIA Plans Division. Hugh Meachum has secrets and the means and the will to keep them buried. When weighed against his own legacy, Swagger’s life is an insignificant expense—but to blunt the threat, he’ll first have to ambush the sniper.