A Breath of Fresh Air

To Soorya Giri, arranged marriages have always seemed absurd. But while her career as an environmental lawyer has flourished, Soorya is still a virgin, living with her parents in suburban New Jersey. She wants to be married. And she is finally ready to do the unthinkable…

Soorya's first bridal viewings are as awkward as she anticipated. But then she's introduced to Roger Vadepalli. Self-possessed, intelligent, and charming, Roger is clearly interested in marriage and seems eager to clinch the deal. Attracted to him in spite of her mistrust, Soorya is also drawn into a flirtation with Lou, a widowed colleague who is far from her family's idea of an acceptable husband.

In choosing between two very different men, Soorya must reconcile her burgeoning independence and her conservative background. And she must decide what matters most to her-not just in a husband, but in a family, a culture, and a life…

"One of the best [novels] I've read this year. I couldn't put it down…this book is a gem!” --Mary Monroe, New York Times bestselling author on The Unexpected Son

"Compelling and memorable.” -Mary Jo Putney, New York Times bestselling author on The Forbidden Daughter

"Vivid, rich...expertly portrays a young woman caught between love and duty, hope and despair.” -Anjali Banerjee on The Dowry Bride

From the author of the number one Canadian bestseller The Birth House comes the story of a young girl abandoned to the streets of post-Civil War New York City.

"I am Moth, a girl from the lowest part of Chrystie Street, born to a slum-house mystic and the man who broke her heart."

Set on the streets of Lower Manhattan in 1871, The Virgin Cure is the story of Moth, a girl abandoned by her father and raised by a mother telling fortunes to the city's desperate women. One summer night, twelve-year-old Moth is pulled from her bed and sold as a servant to a finely dressed woman. It is this betrayal suffered at the hands of her own mother that changes her life forever.

Knowing that her mother is so close while she is locked away in servitude, Moth bides her time until she can escape, only to find her old home deserted and her mother gone without a trace. Moth must struggle to survive alone in the murky world of the Bowery, a wild and lawless enclave filled with thieves, beggars, sideshow freaks, and prostitutes. She eventually meets Miss Everett, the proprietress of an "Infant School," a brothel that caters to gentlemen who pay dearly for "willing and clean" companions-desirable young virgins like Moth.

Moth also finds friendship with Dr. Sadie, a female physician struggling against the powerful forces of injustice, who teaches Moth to question and observe the world around her. The doctor hopes to protect Moth from falling prey to a terrible myth known as the "virgin cure"-the tragic belief that deflowering a "fresh maid" can cleanse the blood and heal men afflicted with syphilis-that has destroyed the lives of other Bowery girls.

Ignored by society, unprotected by the law, Moth dreams of independence. But there's a high price to pay for freedom, and no one knows that better than a girl from Chrystie Street.

At thirty-one, Meena Shenoy has a fulfilling career at a New Jersey high-tech firm. Not that it impresses her mother and aunts, who make dire predictions about her ticking biological clock. Men are drawn to Meena's dainty looks and she dates regularly, but hasn't met someone who really intrigues her. Someone professional, ambitious, confident, caring. Someone like her new boss, Prajay Nayak.

Just as Meena's thoughts turn to romance, Prajay makes an astonishing request. He wants her to craft a personal ad that will help him find a suitable wife: a statuesque, sophisticated Indian-American woman who will complement his striking height.

Despite her attraction to Prajay and the complications of balancing work and her "marriage consultant" role, Meena can't refuse the generous fee. And as her family is thrown into turmoil by her brother's relationship with a Muslim woman, Meena comes to surprising realizations about love, tradition, and the sacrifices she will--and won't--make for the sake of both.

"One of the best [novels] I've read this year. I couldn't put it down. . .this book is a gem!" --Mary Monroe, New York Times bestselling author on The Unexpected Son

"Compelling and memorable." --Mary Jo Putney, New York Times bestselling author on The Forbidden Daughter

"Vivid, rich. . .expertly portrays a young woman caught between love and duty, hope and despair." --Anjali Banerjee on The Dowry Bride

Each morning, Bhima, a domestic servant in contemporary Bombay, leaves her own small shanty in the slums to tend to another woman's house. In Sera Dubash's home, Bhima scrubs the floors of a house in which she remains an outsider. She cleans furniture she is not permitted to sit on. She washes glasses from which she is not allowed to drink. Yet despite being separated from each other by blood and class, she and Sera find themselves bound by gender and shared life experiences.

Sera is an upper-middle-class Parsi housewife whose opulent surroundings hide the shame and disappointment of her abusive marriage. A widow, she devotes herself to her family, spending much of her time caring for her pregnant daughter, Dinaz, a kindhearted, educated professional, and her charming and successful son-in-law, Viraf.

Bhima, a stoic illiterate hardened by a life of despair and loss, has worked in the Dubash household for more than twenty years. Cursed by fate, she sacrifices all for her beautiful, headstrong granddaughter, Maya, a university student whose education -- paid for by Sera -- will enable them to escape the slums. But when an unwed Maya becomes pregnant by a man whose identity she refuses to reveal, Bhima's dreams of a better life for her granddaughter, as well as for herself, may be shattered forever.

Poignant and compelling, evocative and unforgettable, The Space Between Us is an intimate portrait of a distant yet familiar world. Set in modern-day India and witnessed through two compelling and achingly real women, the novel shows how the lives of the rich and the poor are intrinsically connected yet vastly removed from each other, and vividly captures how the bonds of womanhood are pitted against the divisions of class and culture.