Among the Mad

In the latest mystery in the New York Times bestselling series, Maisie Dobbs must unravel a case of wartime love and death—an investigation that leads her to a long-hidden affair between a young cartographer and a mysterious nurse.

August 1914. Michael Clifton is mapping the land he has just purchased in California's beautiful Santa Ynez Valley, certain that oil lies beneath its surface. But as the young cartographer prepares to return home to Boston, war is declared in Europe. Michael—the youngest son of an expatriate Englishman—puts duty first and sails for his father's native country to serve in the British army. Three years later, he is listed among those missing in action.

April 1932. London psychologist and investigator Maisie Dobbs is retained by Michael's parents, who have recently learned that their son's remains have been unearthed in France. They want Maisie to find the unnamed nurse whose love letters were among Michael's belongings—a quest that takes Maisie back to her own bittersweet wartime love. Her inquiries, and the stunning discovery that Michael Clifton was murdered in his trench, unleash a web of intrigue and violence that threatens to engulf the soldier's family and even Maisie herself. Over the course of her investigation, Maisie must cope with the approaching loss of her mentor, Maurice Blanche, and her growing awareness that she is once again falling in love.

Following the critically acclaimed bestseller Among the Mad, The Mapping of Love and Death delivers the most gripping and satisfying chapter yet in the life of Maisie Dobbs.

Maisie Dobbs' first assignment for the British Secret Service takes her undercover to Cambridge as a professor—and leads to the investigation of a web of activities being conducted by the emerging Nazi Party.

In the summer of 1932, Maisie Dobbs' career takes an exciting new turn when she accepts an undercover assignment directed by Scotland Yard's Special Branch and the Secret Service. Posing as a junior lecturer, she is sent to a private college in Cambridge to monitor any activities "not in the inter-ests of His Majesty's government."

When the college's controversial pacifist founder and principal, Greville Liddicote, is murdered, Maisie is directed to stand back as Detective Chief Superintendent Robert MacFarlane and Detective Chief Inspector Richard Stratton spearhead the investigation. She soon discovers, however, that the circumstances of Liddicote's death appear inextricably linked to the suspicious comings and goings of faculty and students under her surveillance.

To unravel this web, Maisie must overcome a reluctant Secret Service, discover shameful hidden truths about Britain's conduct during the Great War, and face off against the rising powers of the Nationalsozialistische Deutsche Arbeiterpartei—the Nazi Party—in Britain.

As the storm clouds of World War II gather on the horizon, this pivotal chapter in the life of Maisie Dobbs foreshadows new challenges and powerful enemies facing the psychologist and investigator—and will engage new readers and loyal fans of this "outstanding" series (Marilyn Stasio, New York Times Book Review).

The death of an Indian immigrant leads Maisie Dobbs into a dangerous yet fascinating world and takes her in an unexpected direction in this latest chapter of the New York Times bestselling series "that seems to get better with each entry" (Wall Street Journal).

London, 1933. Two months after the body of an Indian woman named Usha Pramal is found in the brackish water of a South London canal, her brother, newly arrived in England, turns to Maisie Dobbs to find out the truth about her death. Not only has Scotland Yard made no arrests, evidence indicates that they failed to conduct a full and thorough investigation.

Before her death, Usha was staying at an ayah's hostel alongside Indian women whose British employers turned them out into the street—penniless and far from their homeland—when their services were no longer needed. As Maisie soon learns, Usha was different from the hostel's other lodgers. But with this discovery comes new danger: another Indian woman who had information about Usha is found murdered before she can talk to Maisie.

As Maisie is pulled deeper into an unfamiliar yet captivating subculture, her investigation becomes clouded by the unfinished business of a previous case as well as a growing desire to see more of the world, following in the footsteps of her former mentor, Maurice Blanche. And there is her lover, James Compton, who gives her an ultimatum she cannot ignore.

Bringing a crucial chapter in the life and times of Maisie Dobbs to a close, Leaving Everything Most Loved marks a pivotal moment in this remarkable series.

After writing sixteen Inspector Lynley novels, New York Times bestselling author Elizabeth George has millions of fans waiting for the next one. As USA Today put it, It's tough to resist George's storytelling, once hooked." With Believing the Lie, she's poised to hook countless more.

Inspector Thomas Lynley is mystified when he's sent undercover to investigate the death of Ian Cresswell at the request of the man's uncle, the wealthy and influential Bernard Fairclough. The death has been ruled an accidental drowning, and nothing on the surface indicates otherwise. But when Lynley enlists the help of his friends Simon and Deborah St. James, the trio's digging soon reveals that the Fairclough clan is awash in secrets, lies, and motives.

Deborah's investigation of the prime suspect-Bernard's prodigal son Nicholas, a recovering drug addict-leads her to Nicholas's wife, a woman with whom she feels a kinship, a woman as fiercely protective as she is beautiful. Lynley and Simon delve for information from the rest of the family, including the victim's bitter ex-wife and the man he left her for, and Bernard himself. As the investigation escalates, the Fairclough family's veneer cracks, with deception and self-delusion threatening to destroy everyone from the Fairclough patriarch to Tim, the troubled son Ian left behind.

Trying to help a woman in distress, World War I nurse and accidental sleuth Bess Crawford learns that no good deed goes unpunished

When battlefield nurse Bess Crawford returns from France for a well-earned Christmas leave, she finds a bruised and shivering woman huddled in the doorway of her London residence. The woman has nowhere to turn, and propelled by a firm sense of duty, Bess takes her in.

Once inside Bess’s flat, the woman reveals that a quarrel with her husband erupted into violence, yet she wants to return home—if Bess will go with her to Sussex. Realizing that the woman is suffering from a concussion, Bess gives up a few precious days of leave to travel with her. But she soon discovers that this is a good deed with unforeseeable consequences.

What Bess finds at Vixen Hill is a house of mourning. The woman’s family has gathered for a memorial service for the elder son, who died of war wounds. Her husband, home on compassionate leave, is tense, tormented by jealousy and his own guilty conscience.

Then, when a troubled houseguest is found dead, Bess herself becomes a prime suspect in the case. This murder will lead her to a dangerous quest in war-torn France, an unexpected ally, and a startling revelation that puts her in jeopardy before a vicious killer can be exposed.

World War I nurse Bess Crawford, introduced in A Duty to the Dead, returns in an exciting new mystery in which a murder draws her inexorably into the sights of a cunning killer

It is the early summer of 1917. Bess Crawford has returned to England from the trenches of France with a convoy of severely wounded men. One of her patients is a young pilot who has been burned beyond recognition, and who clings to life and the photo of his wife that is pinned to his tunic.

While passing through a London train station, Bess notices a woman bidding an emotional farewell to an officer, her grief heart-wrenching. And then Bess realizes that she seems familiar. In fact, she's the woman in the pilot's photo, but the man she is seeing off is not her husband.

Back on duty in France, Bess discovers a newspaper with a drawing of the woman's face on the front page. Accompanying the drawing is a plea from Scotland Yard seeking information from anyone who has seen her. For it appears that the woman was murdered on the very day Bess encountered her at the station.

Granted leave to speak with Scotland Yard, Bess becomes entangled in the case. Though an arrest is made, she must delve into the depths of her very soul to decide if the police will hang an innocent man or a vicious killer. Exposing the truth is dangerous—and will put her own life on the line.