Bad Blood - A Novel

Teaming up with longtime friends -- NYPD's Mike Chapman and Mercer Wallace -- Assistant DA Alex Cooper investigates the disappearance of world-famous dancer Natalya Galinova, who has suddenly vanished backstage at Lincoln Center's Metropolitan Opera House -- during a performance.

The three colleagues are soon drawn into the machinations of New York City's secretive theatrical community, where ambition takes many forms, including those most deadly. Among Galinova's lovers is Joe Berk, the colorful, strong-willed boss of the Berk Organization, one of four family companies that own all the legitimate theaters on Broadway. The aging ballerina was using Berk to help revive her career at the time of her disappearance.

Cooper, Chapman, and Wallace go underground and backstage at the Met, explore Berk's unusual apartment on top of the Belasco Theatre with its rumored ghostly resident, and then discover bizarre circumstances at City Center, which has a peculiar history not one of them knew about until now.

Within the glamorous but sordid inner sanctums of the Broadway elite, the team confronts the ruthless power brokers who control both the stars and the stages where they appear. They meet Joe's niece Mona Berk, who is mounting a vicious campaign to extract her share of the family fortune, and stunning starlet Lucy DeVore, whose beauty may be her fatal undoing. Chet Dobbis is the artistic director of the Metropolitan Opera, and therefore privy to the most scandalous exploits among its famous inhabitants. He also knows every inch of the labyrinthine building into which the ballerina disappeared...

Meanwhile, Alex is working on a very different case, using a creative technique to nab a physician who has been drugging women in order to assault them. As Dr. Selim Sengor eludes capture, Alex must navigate the new investigative world of DFSA -- drug-facilitated sexual assault -- intent on proving him guilty.

Complicating her quest is the explosive legal and ethical dilemma of using the existing DNA databank to solve new cases. Can Alex convince a judge to let her prosecute a man for a violent crime using DNA that was collected for a prior case in which he was never charged? Or do the suspect's civil rights prevent law enforcement from keeping his DNA on file to be used against him at any future time?

Death Dance is a spellbinding thriller combining a former prosecutor's fresh insight into hot-button legal issues with the unique history and spectacle of New York theater, and its shocking twists make this novel Linda Fairstein's most chilling adventure yet.

The raves are in for Linda Fairstein's Alexandra Cooper novels. "Riveting authenticity," says Vanity Fair. "Grisham-esque," says Time. "There is an anger and a passion in Alex Cooper that is clearly not fictional," says The London Times.

From its dramatic opening scene when a silk-clad corpse washes up from the turbulent waters at Manhattan's northern tip to its stunning conclusion when Alexandra runs for her life, Cold Hit transports the reader behind the scenes with the cops, the criminals, the victims, and the denizens of the art world. Here is the authenticity, the vision, that only Linda Fairstein can provide.

On a steamy August evening, after an exhausting day in the courtroom, Assistant District Attorney Alexandra Cooper joins her longtime pals and partners-in-investigation, NYPD detectives Mike Chapman and Mercer Wallace, at a somber crime scene. In her ten years as a sex crimes prosecutor, Alex has seen many victims, but few more poignant than this one, pulled from the water with her hands and feet obscenely tied to a ladder.

Sleep comes uneasily after such a vision, but the knowledge that monsters walk the city's streets, preying on the innocent, motivates Alex and her colleagues in their sometimes heartbreaking work. Perhaps this time they will be lucky. A "cold hit" could match DNA from the crime scene with a suspect's DNA profile in the police database. Or is this case a more sinister kind of "cold hit"? Who was this latest victim?

From a luxurious Fifth Avenue apartment to famous midtown auction houses to the avant-garde galleries of Chelsea, Alex, Mike, and Mercer hunt for a killer in a very special world where priceless art meets big money in a lethal mix. Whether it's a missing Rembrandt, a Vermeer in need of authentication, or doors paneled with precious amber and missing since the great Nazi art thefts, the stakes are high, the consequences potentially fatal.

It's going to be a tough trial. Manhattan sex-crimes prosecutor Alexandra Cooper's case, involving an attack on investment banker Paige Vallis, would be difficult to prove even without the latest development -- it seems that Paige has something to hide.

Most of her story is clear. She'd had dinner with New York consultant Andrew Tripping three times before the March evening when she accepted his invitation to accompany him to his apartment. But what occurred that night? Why didn't she leave the apartment when he started to act strangely? What about Tripping's little boy, Dulles? What happened to the child that fateful evening? And who is the strange man whose appearance in the courtroom seems to terrify Paige?

While Alex's police detective friend Mercer Wallace helps her learn more of the sad details behind the increasingly puzzling rape case, colleague Mike Chapman is uptown in a decaying Harlem brownstone where eighty-two-year-old McQueen Ransome has been murdered, her apartment ransacked.

What could this impoverished, elderly woman have possessed that could have inspired such violence? Photographs on the wall suggest that "Queenie" was once a beautiful and voluptuous young woman who traveled to faraway places. Could there be a clue to her murder in her exotic background?

Her murder will be only the first. Others follow, as the tragic strands of the Paige Vallis and McQueen Ransome cases begin to converge in a poignant alliance of two women from very different worlds.

Faced with formidable personal and professional choices, Alex must learn the old lesson that appearances can deceive, even as she heads for a showdown in which her wits and her courage will be tested as never before.

The Bone Vault begins in the Metropolitan Museum of Art's glorious Temple of Dendur, where wealthy donors have gathered to celebrate a controversial new exhibit.

An uneasy mix of scholarship, showbiz, and aggressive marketing, "A Modern Bestiary" will be a joint venture of the Met and the American Museum of Natural History. With its IMAX time trips and Rembrandt refrigerator magnets, the "Bestiary" has raised fierce opposition from some of New York's museum elite.

Assistant DA Alexandra Cooper, off duty for the evening, observes the developing tensions with bemused interest until Met director Pierre Thibodaux pulls her aside. He needs her advice. There's an urgent problem out at a loading dock on a New Jersey pier.

A Twelfth Dynasty mummified princess, enclosed for eternity in a huge stone sarcophagus, is about to take a long voyage to Cairo as part of a routine museum exchange. But Cleopatra is missing, and in her place is the not-so-mummified body of a woman many centuries younger than her royal predecessor.

Who is this woman with the small physique, the dark hair, and the shiny barrette? What is her connection, if any, to the rarefied world of priceless art and objects? And how and when did she become entombed in the sarcophagus?

Teaming with cops Mike Chapman and Mercer Wallace, Alex must explore behind the scenes at the elegant but severe Metropolitan, travel uptown to the remote setting of the Cloisters and its medieval trove of funerary art, and on to the massive array of beasts and bones at the Museum of Natural History. Somewhere deep within the bowels of one of these great cultural centers, a killer may wait.

Following on the bestselling success of Cold Hit, Likely to Die, and Final Jeopardy, top Manhattan sex crimes DA Linda Fairstein brings her unique blend of authenticity and style to a mesmerizing tale of murder and deceit.

It's the holiday season but there's little reason for cheer at one of New York's most elite colleges. A respected professor is dead; strangled and dumped in an elevator shaft. Lola Dakota's lifeless fingers clutch a few strands of hair, and a piece of paper in her pocket reads "The Deadhouse."

What brought a distinguished academic to such a tragic end? Opportunistic murder seems unlikely as assistant DA Alexandra Cooper, working with detectives Mike Chapman and Mercer Wallace, uncovers a distressing pattern of betrayal and terror.

There's proof that Lola's husband, Ivan, wanted her dead. He has an alibi, but could he have hired a killer? Or could one of Lola's colleagues have erupted into unexpected violence? Some of their stories don't quite ring true. And why did Lola have a photograph of twenty-year-old Charlotte Voight pinned to her office bulletin board? Charlotte left her dorm room eight months ago and vanished into the night. Is she dead? Could she and Lola have become victims of the same predator?

Perhaps most puzzling of all are the words "The Deadhouse." What was Lola's connection to this desolate place where people once endured slow and agonizing deaths? And what danger awaits Alex there or on the streets of Manhattan as she targets Lola's killer?

New York City's oldest and largest medical center is the scene of a ghastly attack: top neurosurgeon Gemma Dogen is found in her blood-soaked office, where she has been sexually assaulted, stabbed, and designated by the cops as a "likely to die." By the time Alex has plunged into the case, it's a high-profile, media-infested murder investigation with a growing list of suspects from among those who roam the hospital's labyrinthine halls. As Alex's passion to find the killer intensifies, she discovers this hospital is not a place of healing but of deadly peril -- and that she is the next target for lethal violence.