Charm City

Until her paper, the Baltimore Star, crashed and burned, Tess Monaghan was a damn good reporter who knew her hometown intimately -- from historic Fort McHenry to the crumbling projects of Cherry Hill. Now gainfully unemployed at twenty-nine, she's willing to take any freelance job to pay the rent -- including a bit of unorthodox snooping for her rowing buddy, Darryl "Rock" Paxton.

In a city where someone is murdered almost everyday, attorney Michael Abramowitz's death should be just another statistic. But the slain lawyer's notoriety -- and his noontime trysts with Rock's fiancee -- make the case front page news...and points to Rock as the likely murderer. But trying to prove her friend's innocence couls prove costly to Tess -- and add her name to that infamous ever-growing list.

A client named Ruthie -- who seems to know Tess's father a little too well -- asks the newspaperwoman-turned-p.i. to investigate a year-old "Jane Doe" murder and its grim aftermath. Ruthie's low-life brother, Henry, confessed to killing a teenager runaway over a bottle of glue -- and, a month into his prison term, he met the same fate as his victim. Following a precious few tantalizing clues, Tess sets off on a path that is leading her from Baltimore's exclusive Inner Harbor to the city's seediest neighborhoods. But it's the shocking discovery of the runaway's true identity that turns her hunt deadly. Suddenly a supposedly solved murder case is turning up newer, fresher corpses and newer, scarier versions of the Sugar House -- places that look sweet and safe...but only from the outside.

It is a treasured Charm City tradition. Every year on Edgar Allan Poe's birthday a figure wrapped in a dark cloak visits the renowned author's Baltimore gravesite and leaves behind three roses and half a bottle of cognac. No Baltimorean worth his or her salt would ever dream of trying to determine the true identity of the "Poe Toaster," thereby possibly destroying a cherished ritual. That's why Tess Monaghan refuses to help the odd, piglike man who wants to hire her to unmask the Visitor, who the Porcine One claims has deceived and cheated him.

If nothing else, the rejected client's story has whetted Tess's curiosity—and so the following evening she and her enthusiastic boyfriend, Crow, are braving the winter chill and the graveyard dark to observe the strange, beloved rite from a respectful distance. But on this particular January 19, two caped figures approach Poe's resting place. One leaves the tribute and escapes into the night. The other dies there, felled by an assassin's bullet.

Tess sees nothing that the other witnesses didn't see. She isn't working for anyone at the moment—and the homicide detective who caught this particular "red ball" is an old and dangerous nemesis—so it might be worth her while to avoid this case like the plague. But someone else wants Tess involved in the worst way. A stranger is surreptitiously leaving her roses and cognac and bizarre, cryptic clues—someone who knows Tess's habits, someone who knows who she knows and where she lives. And suddenly home is a safe haven no longer.

Like it or not, Tess Monaghan is now a prime player in the murderous drama. And as the body count rises even higher, she uncovers links in a chain of greed, lies, false histories, and deadly acquisitiveness, a dangerously twisted mystery worthy of Poe himself.

Five lives in the Baltimore area have been brutally destroyed over the past six years -- five unsolved homicides, seemingly unconnected except for the suspicion that each death was the result of domestic violence. In hot legal water -- and court-ordered therapy -- Tess Monaghan accepts an assignment with a local nonprofit organization, agreeing to review police documents on each case for inconsistencies and investigative blunders. But curiosity is leading the disgraced P.I. off the paper trail as she follows scant leads and intuitions into the most remote corners of Maryland -- where a psychopath can hide as easily in the fabric of a tiny fishing community as in the alleys and shadows of Charm City. Because a single common thread to five senseless murders is beginning to emerge with shocking clarity to tie the loose ends together into one bloody knot -- and the link is Tess Monaghan herself.

Mark Rubin claims he and his beautiful wife had a flawless, happy marriage. Yet one day, without warning, Natalie gathered up their children and vanished. The police can't do anything because all the evidence indicates she left willingly. So the successful Baltimore furrier turns to private investigator Tess Monaghan.

Tess doesn't know quite what to make of her client, a wealthy Orthodox Jew who refuses to shake her hand and doles out vitally important information in grudging dribs and drabs. But the deeper she digs, the more Tess suspects that the motive behind Natalie's reckless flight lies somewhere in the gap between what Rubin will not say and what he refuses to believe. An intricate web of betrayal and vengeance is already beginning to unravel, as memory begets rage, and rage leads to desperation -- and murder. And suddenly the lives of three innocent children are dangling by the slenderest of threads.

The California dream weavers have invaded Charm City with their cameras, their stars, and their controversy. . . .

When private investigator Tess Monaghan literally runs into the crew of the fledgling TV series Mann of Steel while sculling, she expects sharp words and evil looks, not an assignment. But the company has been plagued by a series of disturbing incidents since its arrival on location in Baltimore: bad press, union threats, and small, costly on-set "accidents" that have wreaked havoc with its shooting schedule. As a result, Mann's creator, Flip Tumulty, the son of a Hollywood legend, is worried for the safety of his young female lead, Selene Waites, and asks Tess to serve as her bodyguard/babysitter. Tumulty's concern may be well founded. Not long ago a Baltimore man was discovered dead in his own home, surrounded by photos of the beautiful, difficult superstar-in-the-making.

In the past, Tess has had enough trouble guarding her own body. Keeping a spoiled movie princess under wraps may be more than she can handle-even with the help of Tess's icily unflappable friend Whitney-since Selene is not as naive as everyone seems to think, and far more devious than she initially appears to be. This is not Tess's world. And these are not her kind of people, with their vanities, their self-serving agendas and invented personas, and their remarkably skewed visions of reality-from the series' aging, shallow, former pretty-boy leading man to its resentful, always-on-the-make cowriter to the officious young assistant who may be too hungry for her own good.

But the fish-out-of-water P.I. is abruptly pulled back in by an occurrence she's all too familiar with-murder. Suddenly the wall of secrets around Mann of Steel is in danger of toppling, leaving shattered dreams, careers, and lives scattered among the ruins-a catastrophe that threatens the people Tess cares about . . . and the city she loves.

No good deed goes unpunished . . .

Working as a consultant for a Baltimore newspaper, p.i. Tess Monaghan seems far removed from the unsolved slaying of a young federal prosecutor—until her well-meaning boyfriend, Crow, brings a street kid into their lives, a juvenile con artist who doesn't even realize he holds an important key to the sensational homicide. But Tess's ethical decision to protect the boy's identity no matter what could have dire consequences—especially when one of his friends is murdered in what appears to be a case of mistaken identity.

With federal agents threatening her with felony charges—and a killer threatening far worse—Tess couldn't deliver the kid to investigators even if she wanted to once Crow goes into hiding with his young protégé. So her only recourse is to get to the heart of the sordid and deadly affair while they're all still free . . . and still breathing.

In the third trimester of her pregnancy, Baltimore private investigator Tess Monaghan is under doctor's orders to remain immobile. Bored and restless, reduced to watching the world go by outside her window, she takes small comfort in the mundane events she observes . . . like the young woman in a green raincoat who walks her dog at the same time every day. Then one day the dog is running free and its owner is nowhere to be seen. Certain that something is terribly wrong, and incapable of leaving well enough alone, Tess is determined to get to the bottom of the dog walker's abrupt disappearance, even if she must do so from her own bedroom. But her inquisitiveness is about to fling open a dangerous Pandora's box of past crimes and troubling deaths . . . and she's not only putting her own life in jeopardy but also her unborn child's.

Previously serialized in the New York Times, and now published in book form for the very first time, The Girl in the Green Raincoat is a masterful Hitchcockian thriller from one of the very best in the business: multiple award-winner Laura Lippman.

Two little girls banished from a neighborhood birthday party take a wrong turn down an unfamiliar Baltimore street—and encounter an abandoned stroller with an infant inside. What happens next is shocking and terrible, and three families are irreparably destroyed.

Seven years later, Alice Manning and Ronnie Fuller, now eighteen, are released from "kid prison" to begin their lives over again. But the secrets swirling around the original crime continue to haunt the parents, the lawyers, the police—all the adults in Alice and Ronnie's lives. And now another child has disappeared, under freakishly similar circumstances ...