Dead Last

With the soporific Indian summer air wafting through the louvered shutters of his hospital room, and the demons fighting for space in his head, Dave can’t be sure whether his latest visitor is flesh and blood or a spectral reminder of his Louisiana youth. Tee Jolie Melton, a young woman with a troubled past, glides to his bedside and leaves him with an iPod that plays the old country blues song “My Creole Belle.”

What Dave doesn’t know is that Tee Jolie disappeared weeks ago, and no one believes she reappeared to comfort an old man with a bullet wound. Dave becomes obsessed with the song and the vivid memory of Tee Jolie, and when he learns that her sister has turned up dead inside a block of ice floating in the Gulf, he believes that putting the evils of the past to rest is more urgent than ever before.

Meanwhile, an oil spill in the Gulf brings back intense feelings for Dave of losing his father to a rig explosion years ago. As the oil companies continue to risk human lives in pursuit of wealth and power, Dave begins to see links to the Melton sisters, even when no one else shares his suspicions. Dave’s expartner Clete Purcel helps him search for Tee Jolie, though Clete fears for his friend’s mental health and safety. But Clete has his own troubles, too; he’s discovered an illegitimate daughter who may be working as a contract killer—and may have set her sights on someone he loves.

When alcoholic ex-boxer Danny Boy Lorca witnesses a man tortured to death in the desert and reports it, Hack’s investigation leads to the home of Anton Ling, a regal, mysterious Chinese woman whom the locals refer to as La Magdalena and who is known for sheltering illegals. Ling denies having seen the victim or the perpetrators, but there is something in her steely demeanor and aristocratic beauty that compels Hackberry to return to her home again and again as the investigation unfolds. Could it be that the sheriff is so taken in by this creature who reminds him of his deceased wife that he would ignore the possibility that she is just as dangerous as the men she harbors?

The danger in the desert increases tenfold with the return of serial murderer Preacher Jack Collins, whom The New York Times called “one of Burke’s most inspired villains.” Presumed dead at the close of Rain Gods, Preacher Jack has reemerged with a calm, single-minded zeal for killing that is more terrifying than the muzzle flash of his signature machine gun. But this time he and Sheriff Holland have a common enemy.