Digressions on Some Poems by Frank O'Hara - A Memoir

On February 25 , 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter—now one of the most famous in all of literary history—was recorded by Plath in her journal, where she described Hughes as a “big, dark, hunky boy.” Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured her life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth.

Before she met Ted, Plath had lived a complex, creative, and disturbing life. Her father had died when she was only eight; she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide, and had written more than two hundred poems. Mad Girl’s Love Song chronicles these early years, traces the sources of her mental instability, and examines how a range of personal, economic, and societal factors—the real disquieting muses— conspired against her.

Luminous and intensely personal, Art and Madness recounts the lost years of Anne Roiphe’s twenties, when the soon-to-be-critically-acclaimed author put her dreams of becoming a writer on hold to devote herself to the magnetic but coercive male artists of the period.
 
Coming of age in the 1950s, Roiphe, the granddaughter of Jewish immigrants, grew up on Park Avenue and had an adolescence defined by privilege, petticoats, and social rules. At Smith College her classmates wore fraternity pins on their cashmere sweaters and knit argyle socks for their boyfriends during lectures. Young women were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes and sought out the chaos of New York’s White Horse Tavern and West End Bar.
 
She was unmoored and uncertain, “waiting for a wisp of truth, a feather’s brush of beauty, a moment of insight.” Salvation came in the form of a brilliant playwright whom she married and worked to support, even after he left her alone on their honeymoon and later pawned her family silver, china, and pearls. Her near-religious belief in the power of art induced her to overlook his infidelity and alcoholism, and to dutifully type his manuscripts in place of writing her own.
 
During an era that idolized its male writers, she became, sometimes with her young child in tow, one of the girls draped across the sofa at parties with George Plimpton, Terry Southern, Doc Humes, Norman Mailer, Peter Matthiessen, and William Styron. In the Hamptons she socialized with Larry Rivers, Jack Gelber and other painters and sculptors. “Moderation for most of us is a most unnatural condition . . . . I preferred to burn out like a brilliant firecracker.” But while she was playing the muse reality beckoned, forcing her to confront the notion that any sacrifice was worth making for art.
 
Art and Madness recounts the fascinating evolution of a time when art and alcohol and rebellion caused collateral damage and sometimes produced extraordinary work. In clear-sighted, perceptive, and unabashed prose, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.

In her riveting memoir Lies My Mother Never Told Me, Kaylie Jones—the daughter of author James Jones (From Here to Eternity) and an acclaimed author in her own right (A Soldier’s Daughter Never Cries; Celeste Ascending; As Soon As It Rains)—tells the poignant story of her relationship with her famous father and her alcoholic mother, and of her own struggles with the disease. A true story of privilege, loss, self-discovery, and redemption, Lies My Mother Never Told Me is Jones’s unforgettable account of a not-quite-fairy-tale childhood and adulthood defined by two constants: literature and alcohol.

Yet in 2005, investigators arrested Christopher McCowen, a thirty-four-year-old African-American garbage collector with an IQ of 76. The local headlines screamed, “Black Trash Hauler Ruins Beautiful White Family” and “Black Murderer Apprehended in Fashion Writer Slaying,” while the sole evidence against McCowen was a DNA match showing that he’d had sex with Worthington prior to her murder. There were no fingerprints, no witnesses, and although the state medical examiner acknowledged there was no evidence of rape, the defendant was convicted after a five-week trial replete with conflicting testimony, accusations of crime scene contamination, and police misconduct—and was condemned to three lifetime sentences in prison with no parole.

Rarely has a homicide trial been refracted so clearly through the prism of those who engineered it, and in Reasonable Doubt, bestselling author and biographer Peter Manso is determined to rectify what has become one of the most grossly unjust verdicts in modern trial history. In his riveting new book he bares the anatomy of a horrific murder—as well as the political corruption and racism that appear to be endemic in one of America’s most privileged playgrounds, Cape Cod.

Exhaustively researched and vividly accessible, Reasonable Doubt is a no-holds-barred account of not only Christa Worthington’s murder but also of a botched investigation and a trial that was rife with bias. Manso dug deep into the case, and the results were explosive. The Cape DA indicted the author, threatening him with fifty years in prison.