Eels - An Exploration, from New Zealand to the Sargasso, of the World's Most Mysterious Fish

On November 5, 1688, William of Orange, Protestant ruler of the Dutch Republic, landed at Torbay in Devon with a force of twenty thousand men. Five months later, William and his wife, Mary, were jointly crowned king and queen after forcing James II to abdicate. Yet why has history recorded this bloodless coup as an internal Glorious Revolution rather than what it truly was: a full-scale invasion and conquest by a foreign nation?

The remarkable story of the relationship between two of Europe's most important colonial powers at the dawn of the modern age, Lisa Jardine's Going Dutch demonstrates through compelling new research in political and social history how Dutch tolerance, resourcefulness, and commercial acumen had effectively conquered Britain long before William and his English wife arrived in London.

A bold, illuminating new take on the love of animals that drove human evolution.

How do you train a horse to get in and out of a trailer safely and calmly?  With the renowned trailer-training method taught by the late Dr. Edwin Goodwin, long-time equine professor at the University of Maryland, it's simple.

In Trailer Training Your Horse, journalist and equine enthusiast Laura Harrison McBride brings to publication for the first time the lessons and advice of Dr. Goodwin.  The step-by-step training technique works quickly on green horses, it works fairly quickly on older horses that have already been led; and it works a bit more slowly on horse that have have negative trailering experiences.  Most important, it works, almost without fail, and it can help your horse overcome fear, stubbornness, bad training, and bad handling.

To accompany the training, you'll learn how to choose the right trailer, as well as how to prepare your horse for the trip and what supplies you need to make the trip as comfortable and stress-free as possible.

In the sibling relationship, “there are no first impressions, no seductions, no getting to know each other,” says Denise Kranis. For her and her brother, Nik, now in their forties, no relationship is more significant. They grew up in Los Angeles in the late seventies and early eighties. Nik was always the artist, always wrote music, always had a band. Now he makes his art in private, obsessively documenting the work, but never testing it in the world. Denise remains Nik’s most passionate and acute audience, sometimes his only audience. She is also her family’s first defense against the world’s fragility. Friends die, their mother’s memory and mind unravel, and the news of global catastrophe and individual tragedy haunts Denise. When her daughter, Ada, decides to make a film about Nik, everyone’s vulnerabilities seem to escalate.

In 1976, on the day of his wife's funeral, Wylie Greer drops off his five-year-old daughter, Holly, at his father-in-law's dairy farm on the outskirts of Columbia, South Carolina. Wylie tells her he just needs a little time to clear his head, but thirty years pass before Holly sees her father again -- "time I spent wondering what I'd done to make him leave," she says, "and what I could do to make him come back."

What You Have Left is about a father and daughter trying to make their way back to one another across decades of uncertainty and ambivalence -- all the while hoping to discover that what they have left is worth salvaging. It's also the story of a grandfather bent on suicide, a pioneering female NASCAR driver, a heartbroken amnesiac, a video poker junkie, and assorted other liars, cheaters, and lovers who, despite their best intentions, never quite live up to their own expectations.

Are we doomed to repeat our parents' mistakes? Can lies save love instead of destroying it? Is letting go the same as giving up? Shot through with sly humor and a knowing sympathy for human weakness, What You Have Left takes up these and other questions as it examines the weight of history, the nature of loss, and the possibility of forgiveness. Making use of bold shifts in viewpoint and time, Allison proves a brilliant observer of the emotional legacies handed down from parent to child and the ways loss defines us. This stunning debut brims with an affection for humanity exactly as it is -- in all its ignorance and awareness, its swagger and humility, its despair and hope.