Enemies of the People - My Family's Journey to America

PARIS: A LOVE STORY

is for anyone who has ever had their heart broken or their life upended.

In 1939, as the Nazi occupation grew from threat to reality, the Jewish population throughout Europe faced heart-wrenching decisions—to flee and lose their homes or to go into hiding, hoping against all odds to avoid the fate of being discovered. Holocaust survivor Flory A. Van Beek faced this terrible choice, and in this poignant testament of hope she takes us on her personal journey into one of history's darkest hours.

Only a teenage girl when the Nazis invaded her neutral homeland of Holland, Flory watched the only life she had ever known disappear. Tearfully leaving her family, Flory tried to escape on the infamous SS Simon Bolivar passenger ship with Felix, the young Jewish man from Germany who would later become her husband. Their voyage brought not safety but more peril as their ship was blown up by Nazi planted mines, one of the first passenger ships destroyed by the Germans during World War II, sending nearly all of its passengers to a watery end. Miraculously, both Flory and Felix survived.

After recovering from their injuries in England, they returned to their homeland, overjoyed to be reunited with their families yet shocked to discover their beloved Holland a much-changed place. As the Nazi grip tightened, they were forced into hiding. Sheltered by compassionate strangers in confined quarters, cut off from the outside world and their relatives, they faced hunger and the stress of daily life shadowed by the ever-present threat of certain death. Yet they also discovered, with the remarkable and brave families who sacrificed their own safety to help keep Flory and Felix alive, a set of friends that remain as close as family to this day.

A tribute to family, faith, and the power of good in the face of disparate evil, this gripping account captures the terror of the Holocaust, the courage of those who risked their lives to protect their fellow compatriots, and the faith of those who, against all odds, managed to survive.

On May 13, 1945, twenty-four American servicemen and WACs boarded a transport plane for a sightseeing trip over Shangri-La, a beautiful and mysterious valley deep within the jungle-covered mountains of Dutch New Guinea. Unlike the peaceful Tibetan monks of James Hiltons bestselling novel Lost Horizon, this Shangri-La was home to spear-carrying tribesmen, warriors rumored to be cannibals.

But the pleasure tour became an unforgettable battle for survival when the plane crashed. Miraculously, three passengers pulled through. Margaret Hastings, barefoot and burned, had no choice but to wear her dead best friends shoes. John McCollom, grieving the death of his twin brother also aboard the plane, masked his grief with stoicism. Kenneth Decker, too, was severely burned and suffered a gaping head wound.

Emotionally devastated, badly injured, and vulnerable to the hidden dangers of the jungle, the trio faced certain death unless they left the crash site. Caught between man-eating headhunters and enemy Japanese, the wounded passengers endured a harrowing hike down the mountainside-a journey into the unknown that would lead them straight into a primitive tribe of superstitious natives who had never before seen a white man-or woman.

Drawn from interviews, declassified U.S. Army documents, personal photos and mementos, a survivors diary, a rescuers journal, and original film footage, Lost in Shangri-La recounts this incredible true-life adventure for the first time. Mitchell Zuckoff reveals how the determined trio-dehydrated, sick, and in pain-traversed the dense jungle to find help; how a brave band of paratroopers risked their own lives to save the survivors; and how a cowboy colonel attempted a previously untested rescue mission to get them out.

By trekking into the New Guinea jungle, visiting remote villages, and rediscovering the crash site, Zuckoff also captures the contemporary natives remembrances of the long-ago day when strange creatures fell from the sky. A riveting work of narrative nonfiction that vividly brings to life an odyssey at times terrifying, enlightening, and comic, Lost in Shangri-La is a thrill ride from beginning to end.

The Ephrussis were a grand banking family, as rich and respected as the Rothschilds, who “burned like a comet” in nineteenth-century Paris and Vienna society. Yet by the end of World War II, almost the only thing remaining of their vast empire was a collection of 264 wood and ivory carvings, none of them larger than a matchbox.

The renowned ceramicist Edmund de Waal became the fifth generation to inherit this small and exquisite collection of netsuke. Entranced by their beauty and mystery, he determined to trace the story of his family through the story of the collection.

The netsuke—drunken monks, almost-ripe plums, snarling tigers—were gathered by Charles Ephrussi at the height of the Parisian rage for all things Japanese. Charles had shunned the place set aside for him in the family business to make a study of art, and of beautiful living. An early supporter of the Impressionists, he appears, oddly formal in a top hat, in Renoir’s Luncheon of the Boating Party. Marcel Proust studied Charles closely enough to use him as a model for the aesthete and lover Swann in Remembrance of Things Past.

Charles gave the carvings as a wedding gift to his cousin Viktor in Vienna; his children were allowed to play with one netsuke each while they watched their mother, the Baroness Emmy, dress for ball after ball. Her older daughter grew up to disdain fashionable society. Longing to write, she struck up a correspondence with Rilke, who encouraged her in her poetry.

The Anschluss changed their world beyond recognition. Ephrussi and his cosmopolitan family were imprisoned or scattered, and Hitler’s theorist on the “Jewish question” appropriated their magnificent palace on the Ringstrasse. A library of priceless books and a collection of Old Master paintings were confiscated by the Nazis. But the netsuke were smuggled away by a loyal maid, Anna, and hidden in her straw mattress. Years after the war, she would find a way to return them to the family she’d served even in their exile.

In The Hare with Amber Eyes, Edmund de Waal unfolds the story of a remarkable family and a tumultuous century. Sweeping yet intimate, it is a highly original meditation on art, history, and family, as elegant and precise as the netsuke themselves.