Fantastic Women: 18 Tales of the Surreal and the Sublime from Tin House

Women in Victorian England wore jewelry made from each other's hair and wrote poems celebrating decades of friendship. They pored over magazines that described the dangerous pleasures of corporal punishment. A few had sexual relationships with each other, exchanged rings and vows, willed each other property, and lived together in long-term partnerships described as marriages. But, as Sharon Marcus shows, these women were not seen as gender outlaws. Their desires were fanned by consumer culture, and their friendships and unions were accepted and even encouraged by family, society, and church. Far from being sexless angels defined only by male desires, Victorian women openly enjoyed looking at and even dominating other women. Their friendships helped realize the ideal of companionate love between men and women celebrated by novels, and their unions influenced politicians and social thinkers to reform marriage law.

Through a close examination of literature, memoirs, letters, domestic magazines, and political debates, Marcus reveals how relationships between women were a crucial component of femininity. Deeply researched, powerfully argued, and filled with original readings of familiar and surprising sources, Between Women overturns everything we thought we knew about Victorian women and the history of marriage and family life. It offers a new paradigm for theorizing gender and sexuality--not just in the Victorian period, but in our own.

A smart, provocative account of the erotic current running just beneath the surface of a stuffy and stifling Victorian London.

Noctuary is the third volume of Thomas Ligotti's horror stories to appear in a revised, definitive edition from Subterranean Press. The first two collections in this series, Songs of a Dead Dreamer (2010; 1986; expanded edition, 1989) and Grimscribe: His Lives and Works (2011; originally published 1991), are now collector's items. Like its predecessors,Noctuary received numerous plaudits from reviewers upon its initial appearance. According to Library Journal, Noctuary is "another colorful collection of horror stories--which spring on the unsuspecting reader the combination of supernatural characters, natural props, and 'weird' circumstanced." As Booklist observed, "The most disturbing terror comes from within, springs unexpectedly from bland or half-formed memories of the past. This is the terror that Ligotti cultivates in the rich evocative tales of Noctuary--For those willing to immerse themselves in Ligotti's world, the rewards are great."

When an interviewer asked Ligotti the derivation of the word "noctuary," he replied that it was the nocturnal counterpart of "diary," that is, a journal of what occurs on a nightly timetable rather than during the light of day. Echoing the tenebrous tone of the book's name are the section titles into which Noctuary is divided--Studies in Shadow, Discourse on Blackness, Notebook of the Night. Shadow, Blackness, Night: these are substance and signification of the themes of Ligotti's works and the signature of gloom in which they are signed.

New to Noctuary are the tense pieces of the volume's third section. Composed of nineteen dreamy entries, Notebook of the Night is a journal--or perhaps only excerpts of a greater work--of insidious exploits, delirious freaks, hymns to the void, esoteric rituals, and carnivals of the abyss. As an introduction to this and the other segments of Noctuary is "In the Night, in the Dark: A Note on the Appreciation of Weird Fiction." Perhaps the reader will fight guidance in the words of this meditation on what separates the aberrant from the norm, the diseased from the wholesome, and the night from the day.