Fatal Error

By the Sword takes up the adventures of Repairman Jack directly after Bloodline.  Jack is hired to find a legendary Japanese sword, a katana stolen from the Hiroshima Peace Museum and brought to New York City. Central characters include the members of a weird Japanese cult, a young Japanese businessman and his three Yakuza bodyguards, plus Hank Thompson, the Kicker cult leader from Bloodline. The cult, the businessman, the Yakuza, and the Kickers are looking for the sword as well.

Also in the mix is the pregnant teenager carrying a child, loaded with abnormal DNA, who will be a decisive force in the cosmic shadow war raging behind the scenes. She becomes a pawn in the game, hunted by both sides. Following his usual m.o., Jack maneuvers all sides into a bloody melee from which he plans to waltz away with the fabled katana. Of course, when things don’t go as planned, Jack must improvise (and he hates to improvise). By the Sword takes F. Paul Wilson’s trademark breakneck pacing and interweaving storylines to a new level.

“Who am I? Why, I’m you. Or parts of you. The best parts. I’m the touch of Richard Speck, Ed Gein, John Wayne Gacy, Ted Bundy, and Bin Laden in all of you. I am the thousand tiny angers and fleeting rages of your day—at the car that cuts you off on the freeway, at the kid who sneaks ahead of you in line at the movies, at the old fart with the full basket in the eight-items-only express checkout at the supermarket. I’m the nasty glee in the name-callers and the long-suffering pain, the self-loathing, the smoldering resentment, the suppressed rage, and the never-to-be-fulfilled promises of revenge in their targets. I’m the daily business betrayals and the corporate men’s room character assassinations. I’m the husband who beats his wife, the mother who scalds her child, I’m the playground beatings of your little boys, the backseat rapes of your daughters. I’m your rage toward a child molester and I’m the pederast’s lust for your child, for his own child. I’m the guards’ contempt for their prisoners and the prisoners’ hatred for their guards, I’m the shank, I’m the truncheon, I’m the shiv. I’m the bayonet in the throat of the political dissident, the meat hook on which he is hung, the cattle prod that caresses his genitals. You’ve kept me alive, you’ve made me strong. I am you.”

The immortal evil defeated in The Keep and reincarnated in Reborn has come of age and begun to settle scores. He targets a few unlucky individuals for destruction now, but soon the whole world will suffer. And he will feed on our tears and our pain.