Friction - An Ethnography of Global Connection

From the author of Cloud Atlas, now a major motion picture starring Tom Hanks, Halle Berry, Susan Sarandon, and Hugh Grant, and directed by Lana and Andy Wachowski and Tom Tykwer

BONUS: This edition contains a discussion guide for The Thousand Autumns of Jacob de Zoet.

The year is 1799, the place Dejima in Nagasaki Harbor, the Japanese Empire’s single port and sole window onto the world, designed to keep the West at bay. To this place of devious merchants, deceitful interpreters, and costly courtesans comes Jacob de Zoet, a devout young clerk who has five years in the East to earn a fortune of sufficient size to win the hand of his wealthy fiancée back in Holland. But Jacob’s original intentions are eclipsed after a chance encounter with Orito Aibagawa, the disfigured midwife to the city’s powerful magistrate. The borders between propriety, profit, and pleasure blur until Jacob finds his vision clouded, one rash promise made and then fatefully broken—the consequences of which will extend beyond Jacob’s worst imaginings.

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THE TIME MACHINE

BY

H.G. WELLS

H.G. Wells began work on what would eventually evolve into The Time Machine nearly eight years before its publication as a novel. The original story was serialized in 1888 as "The Chronic Argonauts" in The Science Schools Journal (which Wells founded and edited) at The Royal College of Science. After two further drafts, now lost, it was published as a series of loosely connected articles under the title "The Time Traveller's Story" in The National Observer, then edited by William Ernest Henley. Seven installments were published beginning in March 1894, and the final installment in June. The magazine never published the conclusion, owing to Henley accepting a position as editor of The New Review. Henley arranged to have the story published again under the title "The Time Machine" in five installments in the New Review from January to May of 1895.

The book especially points out the difficulty in envisioning a greater reality and a greater vision than is commonly observed by any individual in any dimension or society. The authors premise relates to things existing in a plane geometry world as opposed to a Euclidian Geometric three dimensional figure universe. The book carefully illustrates to one denizen of Flatland how the three dimensional world of space works and/or exists. Upon finally understanding the Gospel of Three Dimensions our protagonist goes on to try and apply the same arithmetic logic and geometric analogs to a fourth dimensional universe. Shouldnt there exist a fourth dimensional universe that allows an entity to look down upon the three dimensional universe with as much transparency as one can from three dimensions to two?

Alas, things become different in dimensions other than the first, a world of lines, the second, a world of shapes and the third, a world of objects. In the zero dimension, all things are a point. Mathematically we know that any number raised to the 0 power equals 1 and therefore, all things in the zero dimension resolve into one single omnipotent point. This condition would also exist in the fourth dimension; as those of us in the third dimension have no model to compare it to. Envisioning a fourth dimension, even with time as the fourth dimension is truly difficult or impossible for us in the third dimension.

Interspersed with this witty and intellectual dialogue are comments on society and its structure. He specifically comments multiple times of the degradation of women in society to the lowest social status. Only men are educated in Flatland. Interestingly, he paints a picture of an authoritarian society in which people are judged by their shapes and angles. This reflecting the Victorian societal values around him at the time of his writing.

Though they have the vote and the Pill and haven't been burned as witches since 1727, life isn't exactly a stroll down the catwalk for modern women. They are beset by uncertainties and questions: Why are they supposed to get Brazilians? Why do bras hurt? Why the incessant talk about babies? And do men secretly hate them?

Caitlin Moran interweaves provocative observations on women's lives with laugh-out-loud funny scenes from her own, from the riot of adolescence to her development as a writer, wife, and mother. With rapier wit, Moran slices right to the truth-whether it's about the workplace, strip clubs, love, fat, abortion, popular entertainment, or children-to jump-start a new conversation about feminism. With humor, insight, and verve, How To Be a Woman lays bare the reasons why female rights and empowerment are essential issues not only for women today but also for society itself.

The novella The Metamorphosis (German: Die Verwandlung, also sometimes translated The Transformation) is a novella by Franz Kafka, first published in 1915. It is often cited as one of the seminal works of fiction of the 20th century and is widely studied in colleges and universities across the Western world. The story begins with a traveling salesman, Gregor Samsa, waking to find himself transformed into a monstrous vermin. It is never explained in the story why Samsa transforms, nor did Kafka ever give an explanation.

Franz Kafka (1883 – 1924) was a German-language writer of novels and short stories, regarded by critics as one of the most influential authors of the 20th century. Kafka heavily influenced genres like existentialism. His works, such as "Die Verwandlung" ("The Metamorphosis"), Der Process (The Trial), and Das Schloss (The Castle), are filled with the themes and archetypes of alienation, physical and psychological brutality, parent–child conflict, characters on a terrifying quest, and mystical transformations.
Kafka was born into a middle-class, German-speaking Jewish family in Prague, then part of the Austro-Hungarian Empire, and trained as a lawyer. After completing his legal education, Kafka obtained employment with an insurance company. He began to write short stories in his spare time, and for the rest of his life complained about the little time he had to devote to what he came to regard as his calling.