Gangland - How the FBI Broke the Mob

He dissolved the bodies of some of his victims in acid and poured them down the sewer. He hung grisly souvenirs on nails in his junkyard.

Charles Carneglia was a stone-cold killer who fell in with the bloodthirsty John Gotti crew. As the infamous crime family rose to power with their murderous trail of sex, jealousy, greed, and revenge, Carneglia rose with them.

This is the horrifying story of a misfit who fit perfectly into the New York mafia. In a harrowing journey inside a ruthless criminal underworld, Pulitzer Prize-winning reporter Anthony M. DeStefano chronicles one mans life in a world of depraved acts of violence and the horrors that went with being a member of the Gambino family.

"Thrilling American crime writing.” -Jimmy Breslin on King of the Godfathers

From Karen Gravano, a star of the hit VH1 reality show Mob Wives, comes a revealing memoir of a mafia childhood, where love and family come hand-in-hand with murder and betrayal.

Karen Gravano is the daughter of Sammy “the Bull” Gravano, once one of the mafia's most feared hit men. With nineteen confessed murders, the former Gambino Crime Family underboss—and John Gotti’s right-hand man—is the highest ranking gangster ever to turn State’s evidence and testify against members of his high-profile crime family.

But to Karen, Sammy Gravano was a sometimes elusive but always loving father figure. He was ever-present at the head of the dinner table. He made a living running a construction firm and several nightclubs. He stayed out late, and sometimes he didn’t come home at all. He hosted “secret” meetings at their house, and had countless whispered conversations with “business associates.” By the age of twelve, Karen knew he was a gangster. And as she grew up, while her peers worried about clothes and schoolwork, she was coming face-to-face with crime and murder. Gravano was nineteen years old when her father turned his back on the mob and cooperated with the Feds. The fabric of her family was ripped apart, and they were instantly rejected by the communities they grew up in.

This is the story of a daughter’s struggle to reconcile the image of her loving father with that of a murdering Mafioso, and how, in healing the rift between the two, she was able to forge a new life.

Crime and Punishment has become one of the most widely read and influential books ever written. 

It reveals the astounding range, subtlety, artistry, and depth of a true original, Fyodor Dostoyevsky, author of The Brothers Karamazov, The Idiot, Notes From The Underground,, and countless other literary masterpieces.

Published in hundreds of editions and translated into virtually every modern language, it has not been out of print since 1866.

● Contains extended historical context and a critical essay: Fyodor Dostoyevsky: The Petrashevsky Circle, by Pyotr Levitch.

Reviews:
Crime and Punishment has emerged over time as one of the greatest testaments to individualism, assuring the reader of the enduring value, power, and beauty of the unfettered self.
— Jacob Thorndyke

The appearance of this sumptuously produced twenty-first century edition of Crime and Punishment will delight the countless admirers of Fyodor Dostoyevsky.

—Matt Travers

FYODOR DOSTOYEVSKY (1821-1881), one of the greatest of Russian authors, transformed the art of fiction. Author of numerous novels and short stories, including Crime and Punishment, The Idiot, and The Brothers Karamazov, he is considered to be a literary colossus, and a central figure in the development of the modern novel.

PHILIP DOSSICK is the New York Times critically acclaimed writer and director of the motion picture The P.O.W. He has written for television, including the outstanding drama, Transplant, produced by David Susskind for CBS. His most recent books include Aztecs: Epoch Of Social Revolution, Sex And Dreams, Mark Twain In Seattle, The Naked Citizen: Notes On Privacy In The Twenty-First Century, Raymond Chowder And Bob Skloot Must Die, and The Deposition.

Based on more than forty interviews with Jobs conducted over two years—as well as interviews with more than a hundred family members, friends, adversaries, competitors, and colleagues—Walter Isaacson has written a riveting story of the roller-coaster life and searingly intense personality of a creative entrepreneur whose passion for perfection and ferocious drive revolutionized six industries: personal computers, animated movies, music, phones, tablet computing, and digital publishing.

At a time when America is seeking ways to sustain its innovative edge, and when societies around the world are trying to build digital-age economies, Jobs stands as the ultimate icon of inventiveness and applied imagination. He knew that the best way to create value in the twenty-first century was to connect creativity with technology. He built a company where leaps of the imagination were combined with remarkable feats of engineering.  

Although Jobs cooperated with this book, he asked for no control over what was written nor even the right to read it before it was published. He put nothing off-limits. He encouraged the people he knew to speak honestly. And Jobs speaks candidly, sometimes brutally so, about the people he worked with and competed against. His friends, foes, and colleagues provide an unvarnished view of the passions, perfectionism, obsessions, artistry, devilry, and compulsion for control that shaped his approach to business and the innovative products that resulted.