Girl Goddess #9 - Nine Stories

The girl in the mirror wasn’t who I wanted to be, and her life wasn’t the one I wanted to have.

Despite how much Louise insists, no one will call her Weetzie. It’s her dad’s nickname for her, but it won’t stay put. Neither will her dad. Charlie left Louise and her mom and he took everything with him: her family, her home—and her understanding of who she’s meant to be.

But Los Angeles is a city full of strange angels, and Louise embarks on a journey to sift through the smog of her heartbreak, to grow her own wings, to become Weetzie.

In a stunning departure from her enormously popular Weetzie Bat books, Francesca Lia Block weaves a darkly exhilarating tale of shattered passions and family secrets.

This is the story of two girls, racing through space like shadow and light. A photo negative, together they make the perfect image of a girl. Violet is the dark one, dressed in forever black, dreaming Technicolor dreams of spinning the world into her very own silver screen creation. Claire is like a real-life Tinker Bell, radiating love and light, dressing herself in wings of gauze and glitter, writing poems to keep away the darkness. The setting is L.A., a city as beautiful as it is dangerous, and within this landscape of beauty and pain Violet and Claire vow to make their own movie. Together they will show the world the way they want it to be, and maybe then the world will become that place--a place where people no longer hate or fight or want to hurt. But when desire and ambition threaten to rip a seamless friendship apart, only one thing can make two halves whole again--the power of love.

Francesca Lia Block's latest novel is a beautifully told story that boldly combines the world of film with the lyrical graceful language of poetry. The voices of two friends--one dark, one light--combine to tell a larger tale of love and loss, and the strength that comes from believing in dreams.

A celebration of girls and women in a three part poetry collection that is powerful, hopeful, authentic, and universal.

People pity me, but mostly they feel envy. I have all the luxury and freedom a girl my age could want.

Something is happening to Charlotte Emerson. Like the fires that are ravaging the hills of Los Angeles, it consumes her from the inside out. But whether it is her eternal loneliness, the memory of her brother, the return of her first love, or the brooding, magnetic Jared—she cannot say. What if it's something more . . .

Something to do with the sudden tear in her perfect nails. The heat she feels when she's with Jared. The blood rushing once again to her cheeks and throughout her veins.

For Charlotte is a vampire, witness to almost a century's worth of death and destruction. But not since she was a human girl has mortality touched her.

In what way will you be transformed?

Until now.

Hazel Hunnicutt's Used World Emporium is a sprawling antique store that is "the station at the end of the line for objects that sometimes appeared tricked into visiting there." Hazel, the proprietor, is in her sixties, and it's a toss-up as to whether she's more attached to her mother or her cats. She's also increasingly attached to her two employees: Claudia Modjeski -- freakishly tall, forty-odd years old -- who might finally be undone by the extreme loneliness that's dogged her all of her life; and Rebekah Shook, pushing thirty, still living in her fervently religious father's home, and carrying the child of the man who recently broke her heart. The three women struggle -- separately and together, through relationships, religion, and work -- to find their place in this world. And it turns out that they are bound to each other not only by the past but also by the future, as not one but two babies enter their lives, turning their formerly used world brand-new again.

Astonishing for what it reveals about the human capacity for both grace and mischief, The Used World forms a loose trilogy with Kimmel's two previous novels, The Solace of Leaving Early and Something Rising (Light and Swift). This is a book about all of America by way of a single midwestern town called Jonah, and the actual breathing histories going on as Indiana's stark landscape is transformed by dying small-town centers and proliferating big-box stores and SUVs. It's about generations of deception, anguish, and love, and the idiosyncratic ways spirituality plays out in individual lives. By turns wise and hilarious, tender and fierce, heartrending and inspiring, The Used World charts the many meanings of the place we call home.

What shall we do, all of us?

All of us passionate girls who fear crushing the boys we love with our mouths like caverns of teeth, our mushrooming brains, our watermelon hearts?

What's real is what's imagined in nine tales of transformation by Francesca Lia Block.