Goodbye Vietnam

In this wise and intimate new book, Sharon Olds tells the story of a divorce, embracing strands of love, sex, sorrow, memory, and new freedom.

As she carries us through the seasons when her marriage was ending, Olds opens her heart to the reader, sharing the feeling of invisibility that comes when we are no longer standing in love’s sight; the surprising physical bond that still exists between a couple during parting; the loss of everything from her husband’s smile to the set of his hip; the radical change in her sense of place in the world. Olds is naked before us, curious and brave and even generous toward the man who was her mate for thirty years and who now loves another woman. As she writes in the remarkable “Stag’s Leap,” “When anyone escapes, my heart / leaps up.  Even when it’s I who am escaped from, / I am half on the side of the leaver.” Olds’s propulsive poetic line and the magic of her imagery are as lively as ever, and there is a new range to the music—sometimes headlong, sometimes contemplative and deep. Her unsparing approach to both pain and love makes this one of the finest, most powerful books of poetry she has yet given us.

When Napoleon Chagnon arrived in Venezuela’s Amazon region in 1964 to study the Yanomamö Indians, one of the last large tribal groups still living in isolation, he expected to find Rousseau’s “noble savages,” so-called primitive people living contentedly in a pristine state of nature. Instead Chagnon discovered a remarkably violent society. Men who killed others had the most wives and offspring, their violence possibly giving them an evolutionary advantage. The prime reasons for violence, Chagnon found, were to avenge deaths and, if possible, abduct women.

When Chagnon began publishing his observations, some cultural anthropologists who could not accept an evolutionary basis for human behavior refused to believe them. Chagnon became perhaps the most famous American anthropologist since Margaret Mead—and the most controversial. He was attacked in a scathing popular book, whose central allegation that he helped start a measles epidemic among the Yanomamö was quickly disproven, and the American Anthropological Association condemned him, only to rescind its condemnation after a vote by the membership. Throughout his career Chagnon insisted on an evidence-based scientific approach to anthropology, even as his professional association dithered over whether it really is a scientific organization. In Noble Savages, Chagnon describes his seminal fieldwork—during which he lived among the Yanomamö, was threatened by tyrannical headmen, and experienced an uncomfortably close encounter with a jaguar—taking readers inside Yanomamö villages to glimpse the kind of life our distant ancestors may have lived thousands of years ago. And he forcefully indicts his discipline of cultural anthropology, accusing it of having traded its scientific mission for political activism.

Told with the verve and ghoulish fun of a Tim Burton film, The Lady and Her Monsters is a highly entertaining blend of literary history, lore, and early scientific exploration that traces the origins of the greatest horror story of all time–Mary Shelley's Frankenstein

Exploring the frightful milieu in which Frankenstein was written, Roseanne Montillo, an exciting new literary talent, recounts how Shelley's Victor Frankenstein mirrored actual scientists of the period. Montillo paints a rich portrait of Shelley and her husband, Percy Bysshe Shelley, and their contemporaries and their friend Lord Byron. Intellectually curious, they were artists, poets, and philosophers, united in captivation with the occultists and daring scientists risking their reputations and their immortal souls to advance our understanding of human anatomy and medicine.

These remarkable investigations could not be undertaken without the cutthroat grave robbers who prowled cemeteries for a supply of fresh corpses. The newly dead were used for both private and very public autopsies and dissections, as well as the most daring trials of all: attempts at human reanimation through the application of electricity.

Juxtaposing monstrous mechanization and rising industrialism with the sublime beauty and decadence of the legendary Romantics who defined the age, Montillo takes us into a world where poets become legends in salons and boudoirs; where fame-hungry "doctors" conduct shocking performances for rabid, wide-eyed audiences; and where maniacal body snatchers secretly toil in castle dungeons.