Great American Prose Poems - From Poe to the Present

Almost as soon as he arrives, three eNoli -- people who look human but are otherworldly -- try to kill him. In fact, it seems as if everyone in Midlandia is trying to kill Louis and the other two human teens, Cyndi Victoria Chase and Devon Alexander. The three are Favorites. If they survive Midlandia, they will have great powers. That's a big "if," though.

Louis must find Cyndi and Devon, who've been flung to different parts of Midlandia. Only when the three are together will Olivion's Gate appear. Then they will be able to cross the Gate, meet the Olivion, and return home. The three teens must also pay attention to everything on their journey. It is not enough to be a Favorite; they need to learn how to use their newfound abilities. Tremendous challenges await them at home. But as they're about to learn, those challenges are only the beginning. A threat is coming that is greater than anyone -- human or eNoli or iLone -- can imagine....

Kahlil Gibran’s masterpiece, The Prophet, is one of the most beloved classics of our time. Published in 1923, it has been translated into more than twenty languages, and the American editions alone have sold more than nine million copies.

The Prophet is a collection of poetic essays that are philosophical, spiritual, and, above all, inspirational. Gibran’s musings are divided into twenty-eight chapters covering such sprawling topics as love, marriage, children, giving, eating and drinking, work, joy and sorrow, housing, clothes, buying and selling, crime and punishment, laws, freedom, reason and passion, pain, self-knowledge, teaching, friendship, talking, time, good and evil, prayer, pleasure, beauty, religion, and death.

Each essay reveals deep insights into the impulses of the human heart and mind. The Chicago Post said of The Prophet: “Cadenced and vibrant with feeling, the words of Kahlil Gibran bring to one’s ears the majestic rhythm of Ecclesiastes . . . If there is a man or woman who can read this book without a quiet acceptance of a great man’s philosophy and a singing in the heart as of music born within, that man or woman is indeed dead to life and truth.”

Long before there were creative-writing workshops and degrees, how did aspiring writers learn to write? By reading the work of their predecessors and contemporaries, says Francine Prose.

In Reading Like a Writer, Prose invites you to sit by her side and take a guided tour of the tools and the tricks of the masters. She reads the work of the very best writers—Dostoyevsky, Flaubert, Kafka, Austen, Dickens, Woolf, Chekhov—and discovers why their work has endured. She takes pleasure in the long and magnificent sentences of Philip Roth and the breathtaking paragraphs of Isaac Babel; she is deeply moved by the brilliant characterization in George Eliot's Middlemarch. She looks to John Le Carré for a lesson in how to advance plot through dialogue, to Flannery O'Connor for the cunning use of the telling detail, and to James Joyce and Katherine Mansfield for clever examples of how to employ gesture to create character. She cautions readers to slow down and pay attention to words, the raw material out of which literature is crafted.

Written with passion, humor, and wisdom, Reading Like a Writer will inspire readers to return to literature with a fresh eye and an eager heart.