Hippie Boy A Girls Story

Tess Johnson has it all: her handsome photographer husband Beau, a thriving business, and a newly discovered pregnancy. When Beau accepts an overseas photography assignment, Tess decides to wait to reveal her secret—only she’s never given the chance. Beau’s helicopter crashes in the desert.

Tess struggles with the news of Beau’s death and tries to put her life back together. Alone and dealing with a pregnancy that only reminds her of what she has lost, Tess is adrift in a world of failed plans and fallen expectations. When a new client appears offering more than just a new project, Tess must confront the circumstances of her life head on.

Meanwhile, two Iraqi women who are fleeing honor killings find Beau barely alive in the middle of the desert, his body ravaged by the crash. Suha, a doctor, and Samira, a widow and mother of three young children, nurse him back to health in a makeshift tent. Beau bonds with the women and children, and together, with the help of an underground organization, they continue their dangerous escape.

What happens next is a test of loyalties, strength, and love.

THE MAN WHO LEFT is about the importance of fathers. It's about the men who leave, and the men who stay.

It's a familiar story. Father leaves his wife and children and never looks back. Theresa Weir was five when her father left his family for a better life with a wealthy socialite. Many years passed with only occasional and grudging contact by Theresa's father. When Theresa married into a successful farm family, her father resurfaced, but she couldn't help but be suspicious of his awkward visits.

Years later, when the aging socialite dies and Theresa's father is diagnosed with Alzheimer's, people expect Theresa to move to Florida to care for him. A daughter's duty.

This is Theresa's personal story of a strained and painful father/daughter relationship.

What does a daughter owe the father who abandoned her?

~~~

From the editor:

THE MAN WHO LEFT could be considered a companion to the stunning memoir THE ORCHARD. But where THE ORCHARD is a dark fairy tale, THE MAN WHO LEFT is pure Middle American gothic, told in Theresa Weir's unadorned yet richly powerful and emotionally resonant style. A story about the burdens of remembering and the costs of forgetting, THE MAN WHO LEFT poignantly chronicles the emotional consequences of betrayal and abandonment by those who are supposed to love us the most.

~~~
From the book:
I doubt I’ll ever forgive him.  It’s not in me to forgive him, but my own sense of humanity won’t let me ignore him and his plight.  This would be easier if he were a stranger. Or, if I loved him. If he were a stranger, I could help him without having to listen to stories that pierce my heart, stories of a fabulous life that didn’t include his children. If I loved him, I would swoop him up and carry him off to live with me.
Through the wall, I hear him shift in his bed, and I hear the jingle of a dog collar, and I imagine the two Dalmatians curled beside him in the king-sized bed. The walls are pale blue, covered in framed Irene Spencer prints; soft images of mothers cuddling babies. Long white dressers with gold trim are strewn with Eve’s ornate perfume bottles and tiered glass shelves of jewelry.  A floral spread covers my father in oblivion, his shape undefined and fragile. He doesn’t know it, but he is the man who broke us.

~~~
PRAISE FOR THE ORCHARD
An Oprah Magazine Fall Pick
Featured Review in Entertainment Weekly
Number Two on October Indie Next List
BJ's Book Club Spotlight
LIbrarians'  Best Books of 2011Maclean's Top Books of 2011
On Point (NPR) Best Books of 2011
Abrams Best of 2011
Publishers Lunch (Publishers Weekly) Favorite Books of 2011Best Nonfiction of 2011
One Book, One Community Read
Target Book Club Pick, September 2012

About the author:

Theresa Weir (a.k.a. Anne Frasier) is an award-winning, USA Today bestselling author of twenty-three books and numerous short stories that have spanned the genres of suspense, mystery, thriller, romantic suspense, paranormal, and memoir.  Her titles have been printed in both hardcover and paperback and translated into twenty languages. Her memoir, The Orchard, was a 2011 Oprah Magazine Fall Pick, Number Two on the Indie Next list, a featured B+ review in Entertainment Weekly, and a Librarians’ Best Books of 2011.  Going back to 1988, Weir’s debut title was the cult phenomenon AMAZON LILY, initially published by Pocket Books and later reissued by Bantam Books.   Writing as Theresa Weir she won a RITA for romantic suspense (COOL SHADE), and a year later the Daphne du Maurier for paranormal romance (BAD KARMA).  In her more recent Anne Frasier career, her thriller and suspense titles hit the USA Today list (HUSH, SLEEP TIGHT, PLAY DEAD) and were featured in Mystery Guild, Literary Guild, and Book of the Month Club.  HUSH was both a RITA and Daphne du Maurier finalist.  Well-known in the mystery community, she served as hardcover judge for the Thriller presented by International Thriller Writers, and was guest of honor at the Diversicon 16 mystery/science fiction conference held in Minneapolis in 2008.  Frasier books have received high praise from print publications such as Publishers Weekly, Minneapolis Star Tribune, and Crimespree, as well as online praise from Spinetingler,  Book Loons, Armchair Interviews, Sarah Weinman’s Confessions of an Idiosyncratic Mind, and Ali Karim’s Shots Magazine.  Her books have featured cover quotes from Lisa Gardner, Jane Ann Krentz, Linda Howard, Kay Hooper, and J.A. Konrath. Her short stories and poetry can be found in DISCOUNT NOIR, ONCE UPON A CRIME, and THE LINEUP, POEMS ON CRIME. She is a member of Sisters in Crime and International Thriller Writers.

Title List

Writing as Anne Frasier

Hush, USA Today bestseller, RITA finalist, Daphne du Maurier finalist (2002)

Sleep Tight, USA Today bestseller (2003)

Play Dead, USA Today Bestseller (2004)

Before I Wake (2005)

Pale Immortal (2006)

Garden of Darkness, RITA finalist (2007)

Once Upon a Crime anthology, Santa’s Little Helper (2009)

The Lineup, Poems on Crime, Home (2010)

Discount Noir anthology, Crack House (2010)

Deadly Treats Halloween anthology, editor and contributor, The Replacement (September 2011)

Once Upon a Crime anthology, Red Cadillac (April 2012)

Woman in a Black Veil (July 2012)

Dark: Volume 1 (July 2012)

Dark: Volume 2 (July 2012)

Black Tupelo (July 2012)

Girls from the North Country (July 2012)

Writing as Theresa Weir

The Forever Man (1988)

Amazon Lily, RITA finalist, Best New Adventure Writer award, Romantic Times (1988)

Loving Jenny (1989)

Pictures of Emily (1990)

Iguana Bay (1990)

Forever (1991)

Last Summer (1992)

One Fine Day (1994)

Long Night Moon, Reviewer’s Choice Award, Romantic Times (1995)

American Dreamer (1997)

Some Kind of Magic (1998)

Cool Shade RITA winner, romantic suspense (1998)

Bad Karma, Daphne du Maurier award, paranormal (1999)

Max Under the Stars, short story (2010)

The Orchard, a memoir (September 2011)

The Man Who Left , a memoir (April 2012)

The Girl with the Cat Tattoo (June 2012)

It all began with a line of Persian poetry . . .

Anna and Nouri, both studying in Chicago, fall in love despite their very different backgrounds. Anna, who has never been close to her parents, is more than happy to return with Nouri to his native Iran, to be embraced by his wealthy family. Beginning their married life together in 1978, their world is abruptly turned upside down by the overthrow of the Shah, and the rise of the Islamic Republic.

Under the Ayatollah Khomeini and the Republican Guard, life becomes increasingly restricted and Anna must learn to exist in a transformed world, where none of the familiar Western rules apply. Random arrests and torture become the norm, women are required to wear hijab, and Anna discovers that she is no longer free to leave the country.

As events reach a fevered pitch, Anna realizes that nothing is as she thought, and no one can be trusted…not even her husband.

Emma, by Jane Austen, is a novel about youthful hubris and the perils of misconstrued romance. The novel was first published in December 1815. As in her other novels, Austen explores the concerns and difficulties of genteel women living in Georgian-Regency England; she also creates a lively comedy of manners among her characters.
Before she began the novel, Austen wrote, "I am going to take a heroine whom no one but myself will much like." In the very first sentence she introduces the title character as "Emma Woodhouse, handsome, clever, and rich." Emma, however, is also rather spoiled, headstrong, and self-satisfied; she greatly overestimates her own matchmaking abilities; she is blind to the dangers of meddling in other people's lives, and her imagination and perceptions often lead her astray.

Emma Woodhouse, aged 20 at the start of the novel, is a young, beautiful, witty, and privileged woman in Regency England. She lives on the fictional estate of Hartfield in Surrey in the village of Highbury with her elderly widowed father, a hypochondriac who is excessively concerned for the health and safety of his loved ones. Emma's friend and only critic is the gentlemanly George Knightley, her neighbour from the adjacent estate of Donwell, and the brother of her elder sister Isabella's husband, John. As the novel opens, Emma has just attended the wedding of Miss Taylor, her best friend and former governess. Having introduced Miss Taylor to her future husband, Mr. Weston, Emma takes credit for their marriage, and decides that she rather likes matchmaking.
Against Mr. Knightley's advice, Emma forges ahead with her new interest, and tries to match her new friend Harriet Smith, a sweet, pretty, but none-too-bright parlour boarder of seventeen —described as "the natural daughter of somebody"— to Mr. Elton, the local vicar. Emma becomes convinced that Mr. Elton's constant attentions are a result of his attraction and growing love for Harriet.
But before events can unfold as she plans, Emma must first persuade Harriet to refuse an advantageous marriage proposal. Her suitor is a respectable, educated, and well-spoken young farmer, Robert Martin, but Emma snobbishly decides he isn't good enough for Harriet. Against her own wishes, the easily-influenced Harriet rejects Mr. Martin.
Emma's schemes go awry when Mr. Elton, a social climber, fancies Emma is in love with him and proposes to her. Emma's friends had suggested that Mr. Elton's attentions were really directed at her, but she had misread the signs. Emma, rather shocked and a bit insulted, tells Mr. Elton that she had thought him attached to Harriet; however Elton is outraged at the very idea of marrying the socially inferior Harriet. After Emma rejects Mr. Elton, he leaves for a while for a sojourn in Bath, and Harriet fancies herself heartbroken. Emma feels dreadful about misleading Harriet and resolves—briefly—to interfere less in people's lives.
Mr. Elton, as Emma's misconceptions of his character melt away, reveals himself to be arrogant, resentful, and pompous. He soon returns from Bath with a pretentious, nouveau-riche wife who becomes part of Emma's social circle, though the two women soon loathe each other. The Eltons treat the still lovestruck Harriet deplorably, culminating with Mr Elton very publicly snubbing Harriet at a dance. Mr Knightley, who had until this moment refrained from dancing, gallantly steps in to partner Harriet, much to Emma's gratification.
An interesting development is the arrival in the neighbourhood of the handsome and charming Frank Churchill, Mr. Weston's son, who had been given to his deceased wife's wealthy brother and his wife, the Churchills, to raise. Frank, who is now Mrs. Weston's stepson, and Emma have never met, but she has a long-standing interest in doing so. The whole neighborhood takes a fancy to him, with the partial exception of Mr. Knightley, who becomes uncharacteristically grumpy whenever his name is mentioned and suggests to Emma that while Frank is clever and engaging, he is also a rather shallow character.
A third newcomer is the orphaned Jane Fairfax, the reserved, beautiful, and elegant niece of Emma's impoverished neighbour, the talkative Miss Bates, who lives with her deaf, widowed mother. Miss Bates is an aging spinster, well-meaning but increasingly poor; Emma strives to be polite and kind to her, but is irritated by her constant chattering. Jane, very gifted musically, is Miss Bates' pride and joy; Emma envies her talent, and although she has known Jane all her life has never warmed to her personally. Jane had lived with Miss Bates until she was nine, but Colonel Campbell, a friend of her father's, welcomed her into his own home, where she became fast friends with his daughter and received a first-rate education. But now Miss Campbell has married, and the accomplished but penniless Jane has returned to her Bates relations, ostensibly to regain her health and to prepare to earn her living as a governess. Emma is annoyed to find the entire neighborhood, including Mrs. Weston and Mr. Knightley, singing Jane's praises, but when Mrs. Elton, who fancies herself the new leader of Highbury society, patronizingly takes Jane under her wing and announces that she will find her the ideal governess post, Emma begins to feel some sympathy for Jane's predicament.
Still, Emma sees something mysterious in Jane's sudden return to Highbury and imagines that Jane and Miss Campbell's husband, Mr. Dixon, were mutually attracted, and that is why she has come home instead of going to Ireland to visit them. She shares her suspicions with Frank, who had become acquainted with Jane and the Campbells when they met at a vacation spot a year earlier, and he apparently agrees with her. Suspicions are further fueled when a piano, sent by an anonymous benefactor, arrives for Jane.
Emma tries to make herself fall in love with Frank largely because almost everyone seems to expect it. Frank appears to be courting Emma, and the two flirt and banter together in public, at parties, and on a day-trip to Box Hill, a local beauty spot. However, when his demanding and ailing aunt, Mrs. Churchill, summons Frank home, Emma discovers she does not miss her "lover" nearly as much as she expected and sets about plotting a match between him and Harriet, who seems to have finally gotten over Mr. Elton. Harriet breathlessly reports that Frank has "saved" her from a band of Gypsies, and seems to be confessing her admiration for him. Meanwhile, Mrs. Weston wonders if Emma's old friend Mr. Knightley has taken a fancy to Jane. Emma immediately dismisses that idea and protests that she does not want Mr. Knightley to marry anyone, and that her little nephew Henry must inherit Donwell, the Knightley family property.
When Mr. Knightley scolds her for a thoughtless insult to Miss Bates, Emma is stunned and ashamed and tries to atone by going to visit Miss Bates. Mr. Knightley is surprised and deeply impressed by Emma's recognition of her wrongdoing, but this meaningful rapprochement is broken off when he announces he must leave for London to visit his brother. Meanwhile, Jane reportedly becomes ill, but refuses to see Emma or accept her gifts, and it is suddenly announced that she has accepted a governess position from one of Mrs. Elton's friends.
On the heels of this comes word that Frank Churchill's aunt has died, and with it the astonishing news that Frank and Jane have been secretly engaged since they first met on holiday a year ago. They had been keeping the engagement quiet because they knew that Frank's imperious aunt would disapprove and likely disinherit him if he went through with the match. The strain of the clandestine relationship had been much harder on the conscientious Jane than the carefree Frank, and the two had quarreled bitterly; but now that his aunt has died, his easygoing uncle has already given his blessing. The engagement becomes public, the secrets behind Jane and Frank's behavior are revealed, and Emma is chagrined to discover that once again she has been so wrong about so much.
Emma is certain that Harriet will be devastated by Frank's engagement, but Harriet reassures her that this is not the case. In fact, Harriet tells Emma, it is Mr. Knightley who has captured her heart, and she believes he returns her feelings. Emma is dumbstruck over what she at first thinks is the impropriety of the match, but as she faces her feelings of dismay and jealousy, she realizes in a flash that she has long been in love with Mr. Knightley herself. She is shattered to think that it may be too late and resolves to support her dear friends in whatever they do, even at the cost of her own broken heart. However, when Mr. Knightley hurries back to Highbury to console Emma over what he imagines to be the loss of Frank Churchill, she discovers that he is also in love with her. He proposes and she joyfully accepts.
There is one more match to be made: With encouragement from Mr. Knightley, the farmer Robert Martin proposes again to Harriet, and this time she accepts. Jane and Emma reconcile and all misunderstandings are cleared up before Jane and Frank leave for their wedding and life with his uncle in Yorkshire. Emma and Mr. Knightley decide that after their marriage they will live with Emma's father at Hartfield to spare Mr. Woodhouse loneliness and distress. They seem headed for a union of "perfect happiness," to the great joy of their friends. Mrs. Weston gives birth to a baby girl, to the great satisfaction of Emma, who looks forward to introducing little Miss Weston to her young nephews.