It Shouldn't Happen to a Midwife!

Nurses today have very different lives and training from those who embarked upon this career forty years ago.

This is an account of the three-year training of a nurse set in a famous London hospital in the 1960s.

It is the story of one initially naïve student nurse and her colleagues as they struggle from their first days as the junior girls to the day they eventually hold the letter of professional competence in their hands.

In order to arrive at this senior status, they experience many highs and lows, from the day of their arrival in the nurses? home to their induction onto their first wards, where they face the often-terrifying domination of the ward sisters.

We walk with them through partings of ways and the reunions as they are seconded to other branches, while throughout the three years we get to know of not just the hard work and discipline involved but also the laughter, tears, and social dramas. Nurses in training today will probably be horrified at some of the seemingly medieval practices and discipline applied then, but I would be surprised if the modern-day student nurse was not fascinated by this story.

‘On an autumn day in 1944, Ethel Alleyne walked the short distance from her house to Tate & Lyle’s refinery on the shining curve of the Thames. Looking up at the giant gates, Ethel felt like she had been preparing for this moment all her life. She smoothed down her frizzy hair, scraped a bit of dirt off the corner of her shoe and strode through.

She was quite unprepared for the sight that met her eyes …’

In the years leading up to and after the Second World War thousands of women left school at fourteen to work in the bustling factories of London’s East End. Despite long hours, hard and often hazardous work, factory life afforded exciting opportunities for independence, friendship and romance. Of all the factories that lined the docks, it was at Tate and Lyle’s where you could earn the most generous wages and enjoy the best social life, and it was here where The Sugar Girls worked.

The sequel to Jennifer Worth's New York Times bestselling memoir and the basis for the PBS series Call the Midwife

When twenty-two-year-old Jennifer Worth, from a comfortable middle-class upbringing, went to work as a midwife in the direst section of postwar London, she not only delivered hundreds of babies and touched many lives, she also became the neighborhood's most vivid chronicler. Woven into the ongoing tales of her life in the East End are the true stories of the people Worth met who grew up in the dreaded workhouse, a Dickensian institution that limped on into the middle of the twentieth century.

Orphaned brother and sister Peggy and Frank lived in the workhouse until Frank got free and returned to rescue his sister. Bubbly Jane's spirit was broken by the cruelty of the workhouse master until she found kindness and romance years later at Nonnatus House. Mr. Collett, a Boer War veteran, lost his family in the two world wars and died in the workhouse.

Though these are stories of unimaginable hardship, what shines through each is the resilience of the human spirit and the strength, courage, and humor of people determined to build a future for themselves against the odds. This is an enduring work of literary nonfiction, at once a warmhearted coming-of-age story and a startling look at people's lives in the poorest section of postwar London.

‘Gladys changed into her new uniform. The dungarees hung loosely on her boyish frame, the crotch resting somewhere down by her knees and the backside looking like a crumpled sack waiting to be filled with potatoes. The short-sleeved blouse seemed to have been designed with a buxom matron in mind, and one with arms as thick as her legs, not a skinny, flat-chested 14-year-old. What kind of monstrous creatures worked in this Blue Room?’

In the years leading up to and after the Second World War thousands of women left school at fourteen to work in the bustling factories of London’s East End. Despite long hours, hard and often hazardous work, factory life afforded exciting opportunities for independence, friendship and romance. Of all the factories that lined the docks, it was at Tate and Lyle’s where you could earn the most generous wages and enjoy the best social life, and it was here where The Sugar Girls worked.

This is an evocative, moving story of hunger, hardship and happiness, providing a moving insight into a lost way of life, as well as a timeless testament to the experience of being young and female.

Includes Gladys’s own personal photographs of life as a sugar girl.

‘Joan had joined Tate & Lyle expressly for the social life, and she was determined to make the most of it. She could see that her old friend Peggy already had an established group of her own among the sugar girls, so she set about building a new set of friends. It wasn’t difficult for Joan, whose cheerful self-confidence, natural chattiness and naughty sense of humour acted as a magnet to those around her.’

In the years leading up to and after the Second World War thousands of women left school at fourteen to work in the bustling factories of London’s East End. Despite long hours, hard and often hazardous work, factory life afforded exciting opportunities for independence, friendship and romance. Of all the factories that lined the docks, it was at Tate and Lyle’s where you could earn the most generous wages and enjoy the best social life, and it was here where The Sugar Girls worked.

This is an evocative, moving story of hunger, hardship and happiness, providing a moving insight into a lost way of life, as well as a timeless testament to the experience of being young and female.

Includes Joan’s own personal photographs of life as a sugar girl.