MISREPRESENTING JESUS - Debunking Bart D. Ehrman's Misquoting Jesus

To some, the concept of having faith in a higher power or a set of religious beliefs is nonsensical. Indeed, many view religion in general, and Christianity in particular, as unfounded and unreasonable. 

Norman Geisler and Frank Turek argue, however, that Christianity is not only more reasonable than all other belief systems, but is indeed more rational than unbelief itself. With conviction and clear thinking, Geisler and Turek guide readers through some of the traditional, tested arguments for the existence of a creator God. They move into an examination of the source of morality and the reliability of the New Testament accounts concerning Jesus. The final section of the book deals with a detailed investigation of the claims of Christ. This volume will be an interesting read for those skeptical about Christianity, as well as a helpful resource for Christians seeking to articulate a more sophisticated defense of their faith. 

For years Bart Ehrman has been routinely bombarded with one question: Did Jesus Exist? As a leading Bible expert, fans and critics alike have sent letters, emails, posted blogs, and questioned Ehrman during interviews wanting his opinion about this nagging question that has become a conspiracy theorist cottage industry the world over. The idea that the character of Jesus was an invention of the early church—and later a tool of control employed by the Roman Catholic Church—is a widely held belief and Ehrman has decided it’s time to put the issue to rest. Yes, the historical Jesus of Nazareth did exist.

Known as a master explainer with deep knowledge of the field, Ehrman methodically demolishes both the scholarly and popular “mythicist” arguments against the existence of Jesus. Marshaling evidence from within the Bible and the wider historical record of the ancient world, Ehrman tackles the key issues that surround the popular mythologies associated with Jesus and the early Christian movement. Throughout Did Jesus Exist? Ehrman establishes the criterion for any genuine historical investigation and provides a robust defense of the methods required to discover the Jesus of history.

Those committed to the “non-existence” theory will need to read this formidable scholar’s counter argument while the more traditionally minded will enthusiastically support Ehrman’s definitive answer to the question. Perfect for the vigorous online debating community, this eBook original will be a must read for anyone interested in Jesus, the Bible, and the birth of Christianity.

In the 1993 edition, I considered black madonnas a metaphor for a memory of the time when the earth was belived to be the body of woman and all creatures were equal, a memory transmitted in vernacular traditions of earth-bounded cultures, historically expressed in cultural and poltical resistance, and glimpsed today in movements aiming for transformation.

Sine then my understanding of black madonnas has been deepened by genetics finding that the orgin of modern humans is Africa, that migrations from Africa carried a primordial belief in a dar woman divinity to all continents. Black madonnas and other dark women of the world suggest a metaphor for healing millennial divisions of gender and race and concerted movements for justice.

The Triumph of the Necrophiles is the product of over forty years of research and is the most thorough, comprehensive, and penetrating critique of the mechanical world view ever written. Modrow meticulously traces the prescientific sources of that world view back to our Judeo-Christian heritage and to the metaphysics of Plato and Pythagoras. He documents that Plato was in fact a necrophile and that his metaphysics can best be understood as a sublimation of his necrophilia. He discusses the influence that Plato and Pythagoras had on Copernicus, Kepler and Galileo. He especially emphasizes how the necrophilic world view of Plato essentially became the world view of Galileo, Descartes, and other seventeenth- century thinkers. He also discusses how Newton's world view was shaped by his religious beliefs.

Modrow contends that the mechanical world view is totally at odds with every major scientific advance that has occurred since the mid nineteenth century. He painstakingly explains how and why these scientific advances discredit that world view. He discusses the philosophical implications of the theory of evolution, the theory of relativity, quantum theory, Bell's theorem, and Godel's proof and presents an alternative world view that is more consistent with current scientific knowledge.

In a final chilling chapter, Modrow shows where the necrophilic world view of Plato and his modern mechanistic followers are taking us.

Th e art of vernacular painting in India is not only varied and rich but also intriguing for several reasons. With such observations the book addresses certain issues, like the validity of the historical information on Indian Art that excludes vernacular trends. The information on vernacular art in India has either been ignored such as in ancient literary discourses or inadvertently misconstrued within the theoretical purviews of modern days. If the hierarchy of the Hindu caste system has marginalised the culture of the lower rung groups, the lexicon of twentieth century anthropological studies has seen this art as material evidence of undeveloped societies; both creating the same value: to be patronised but not ‘art’. Can art be weighed on a scale of development? Arguments have been developed within the specifi c focus on scroll paintings by the itinerant painter bards in Bengal. Th e bardic tradition has been known to exist in India since a pre-Christian era and still continues within two vibrant trends of vernacular art forms – Bangla and Santhal pat. Th e book redefi nes and repositions the notion of art with contemporary folk art. As the picture Plates are self-evident, the book draws attention on a world of art that has not been present in Indian Art History.