Me, Myself and Prague: An unreliable guide to Bohemia

And so begins the rise of Hassan Haji, the unlikely gourmand who recounts his life’s journey in Richard Morais’s charming novel, The Hundred-Foot Journey. Lively and brimming with the colors, flavors, and scents of the kitchen, The Hundred-Foot Journey is a succulent treat about family, nationality, and the mysteries of good taste.

Born above his grandfather’s modest restaurant in Mumbai, Hassan first experienced life through intoxicating whiffs of spicy fish curry, trips to the local markets, and gourmet outings with his mother. But when tragedy pushes the family out of India, they console themselves by eating their way around the world, eventually settling in Lumière, a small village in the French Alps.

The boisterous Haji family takes Lumière by storm. They open an inexpensive Indian restaurant opposite an esteemed French relais—that of the famous chef Madame Mallory—and infuse the sleepy town with the spices of India, transforming the lives of its eccentric villagers and infuriating their celebrated neighbor. Only after Madame Mallory wages culinary war with the immigrant family, does she finally agree to mentor young Hassan, leading him to Paris, the launch of his own restaurant, and a slew of new adventures.

After hard luck and heartbreak, Sunny finally finds a place to call home—in the middle of an Afghanistan war zone. There, the thirty-eight-year-old serves up her American hospitality to the expats who patronize her coffee shop, including a British journalist, a “danger pay” consultant, and a wealthy and well-connected woman. True to her name, Sunny also bonds with people whose language and landscape are unfamiliar to most Westerners, but whose hearts and souls are very much like our own: the maternal Halajan, who vividly recalls the days before the Taliban and now must hide a modern romance from her ultratraditional son; and Yazmina, a young Afghan villager with a secret that could put everyone’s life in jeopardy. In this gorgeous first novel, New York Times bestselling author Deborah Rodriguez paints a stirring portrait of a faraway place where—even in the fog of political and social conflict—friendship, passion, and hope still exist. 
 
Originally published as A Cup of Friendship
 
Look for special features inside.
Join the Circle for author chats and more.
RandomHouseReadersCircle.com

Written by a superb novelist of contemporary manners, The Women in Black is a fairytale which illuminates the extraordinariness of ordinary lives.

The women in black are run off their feet, what with the Christmas rush and the summer sales that follow. But it's Sydney in the 1950s, and there's still just enough time left on a hot and frantic day to dream and scheme...By the time the last marked-down frock has been sold, most of the staff of the Ladies' Cocktail section at F. G. Goode's have been launched into slightly different careers.

With the lightest touch and the most tender of comic instincts, Madeleine St John conjures a vanished summer of innocence. The Women in Black, introduced by Bruce Beresford, is a great novel, a lost Australian classic.

Madeleine St John was born in Sydney in 1941. She studied Arts at Sydney University, where her contemporaries included Bruce Beresford, Germaine Greer, Clive James and Robert Hughes. In 1993, St John published her first novel, The Women in Black, the only book she set in Australia. Her third novel, The Essence of the Thing (1997), was shortlisted for the Man Booker Prize.

Bruce Beresford is one of Australia's best known film and opera directors. His films include The Getting of Wisdom, Driving Miss Daisy and Breaker Morant.

textclassics.com.au

'Seductive, hilarious, brilliantly observed, this novel shimmers with wit and tenderness.' Helen Garner

'An exceptional writer. Those of us who knew her at Sydney University back in the late 1950s are still trying to forgive ourselves that we never guessed what she would become.' Clive James

'A knockout - ironic, sharp, alive, and then you're stopped in your tracks by the warmth of her insights.' Joan London

'A little gem...shot through with old-fashioned innocence and sly humour.' Vogue

'A highly sophisticated work, full of funny, sharp and subtle observations...a small masterpiece.' Sunday Times(UK)

'There is something special about...The Women in Black. St John's tone is...a joy: brisk, perfectly managed and, in its disdain for clutter, oddly life-affirming. She casts an airy spell with the deftness of her prose, which moves gracefully, swiftly and with perfect manners...[St John] conjures a Sydney on the cusp of modern promise; a place where her characters can meet the future with a bright face and step out of the past like an old dress, where limits can be lightly shaken off.' Delia Falconer, Australian