Mermaid in a Bowl of Tears

So begins Martin Cruz Smith’s masterful Three Stations, a suspenseful, intricately constructed novel featuring Investigator Arkady Renko. For the last three decades, beginning with the trailblazing Gorky Park, Renko (and Smith) have captivated readers with detective tales set in Russia. Renko is the ironic, brilliantly observant cop who finds solutions to heinous crimes when other lawmen refuse to even acknowledge that crimes have occurred. He uses his biting humor and intuitive leaps to fight not only wrongdoers but the corrupt state apparatus as well.

In Three Stations, Renko’s skills are put to their most severe test. Though he has been technically suspended from the prosecutor’s office for once again turning up unpleasant truths, he strives to solve a last case: the death of an elegant young woman whose body is found in a construction trailer on the perimeter of Moscow’s main rail hub. It looks like a simple drug overdose to everyone—except to Renko, whose examination of the crime scene turns up some inexplicable clues, most notably an invitation to Russia’s premier charity ball, the billionaires’ Nijinksy Fair. Thus a sordid death becomes interwoven with the lifestyles of Moscow’s rich and famous, many of whom are clinging to their cash in the face of Putin’s crackdown on the very oligarchs who placed him in power.

Renko uncovers a web of death, money, madness and a kidnapping that threatens the woman he is coming to love and the lives of children he is desperate to protect. In Three Stations, Smith produces a complex and haunting vision of an emergent Russia’s secret underclass of street urchins, greedy thugs and a bureaucracy still paralyzed by power and fear.

Wolf Haddas life has been a fairy tale. From his humble origins as a Cumbrian woodcutters son, he has risen to become a hugely successful entrepreneur, happily married to the woman of his dreams.

A knock on the door one morning ends it all. Universally reviled, thrown into prison while protesting his innocence, abandoned by friends and family, Wolf retreats into silence. Seven years later, prison psychiatrist Alva Ozigbo makes a breakthrough. Wolf begins to talk, and under her guidance he is paroled, returning to his family home in rural Cumbria.

But there was a mysterious period in Wolfs youth when he disappeared from home and was known to his employers as the Woodcutter. And now the Woodcutter is back, looking for the truth-and revenge. Can Alva intervene before his pursuit of vengeance takes him to a place from which he can never come back?

The Woodcutter is a treat that both lovers of the Dalziel and Pascoe series and newcomers to the always masterful work of Reginald Hill will devour.