Orthodoxy

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points withpopular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points withpopular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

Horne Fisher is a man of means, wealth beyond the imaginings of most people. He also has access to other members of high society and intimate knowledge of the corruption that goes on behind the scenes. Using his sharp mind, he is able to solve some of the most heinous crimes imaginable, with one catch; he can’t report them, as he is a member of the criminal class himself. Join us for a journey into the underworld for a series of short whodunits that may go forever unpunished.

(linked ToC)

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points with popular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

Gilbert Keith Chesterton, better known as G.K. Chesterton, was an English writer. He wrote on philosophy, ontology, poetry, plays, journalism, public lectures and debates, literary and art criticism, biography, Christian apologetics, and fiction, including fantasy and detective fiction. Chesterton is often referred to as the "prince of paradox."  Time magazine, in a review of a biography of Chesterton, observed of his writing style: "Whenever possible Chesterton made his points withpopular sayings, proverbs, allegories—first carefully turning them inside out." -wikipedia

All Things Considered - (FREE Audiobook Included!)

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Some solemn and superficial people (for nearly all very superficial people are solemn) have declared that the fairy-tales are immoral; they base this upon some accidental circumstances or regrettable incidents in the war between giants and boys, some cases in which the latter indulged in unsympathetic deceptions or even in practical jokes. The objection, however, is not only false, but very much the reverse of the facts. The fairy-tales are at root not only moral in the sense of being innocent, but moral in the sense of being didactic, moral in the sense of being moralising. It is all very well to talk of the freedom of fairyland, but there was precious little freedom in fairyland by the best official accounts. Mr. W.B. Yeats and other sensitive modern souls, feeling that modern life is about as black a slavery as ever oppressed mankind (they are right enough there), have especially described elfland as a place of utter ease and abandonment—a place where the soul can turn every way at will like the wind. Science denounces the idea of a capricious God; but Mr. Yeats's school suggests that in that world every one is a capricious god. Mr. Yeats himself has said a hundred times in that sad and splendid literary style which makes him the first of all poets now writing in English (I will not say of all English poets, for Irishmen are familiar with the practice of physical assault), he has, I say, called up a hundred times the picture of the terrible freedom of the fairies, who typify the ultimate anarchy of art