Outtakes from a Marriage - A Novel

When Ann Leary and her husband, then unknown actor-comedian Denis Leary, flew to London in the early nineties for a brief getaway during Ann's second trimester of pregnancy, neither anticipated the adventure that was in store for them. The morning after their arrival, Ann's water broke as they strolled through London's streets. A week later their son, Jack, was born weighing only two pounds, six ounces, and it would be five long months before mother and son could return to the States.

In the meantime, Ann became an unwitting yet grateful hostage to Britain's National Health Service -- a stranger in a strange land plunged abruptly into a world of breast pumps and midwives, blood oxygen levels, mad cow disease, and poll tax riots. Desperately worried about the health of her baby, Ann struggled to adapt to motherhood and make sense of a very different culture. At once an intimate family memoir, a lively travelogue, and a touching love story, An Innocent, a Broad is utterly engaging and unforgettable.

Peter Herman is something of a folk hero. Marriage Is a Canoe, his legendary, decades-old book on love and relationships, has won the hearts of hope­ful romantics and desperate cynics alike. He and his beloved wife lived a relatively peaceful life in upstate New York. But now it’s 2010, and Peter’s wife has just died. Completely lost, he passes the time with a woman he admires but doesn’t love—and he begins to look back through the pages of his book and question hom­ilies such as:

A good marriage is a canoe—it needs care and isn’t meant to hold too much—no more than two adults and a few kids.

It’s advice he has famously doled out for decades. But what is it worth?

Then Peter receives a call from Stella Petrovic, an ambitious young editor who wants to celebrate the fif­tieth anniversary of Marriage Is a Canoe with a contest for struggling couples. The prize? An afternoon with Peter and a chance to save their relationship.

The contest ensnares its creator in the largely opaque politics of her publishing house while it intro­duces the reader to couples in various states of distress, including a shy thirtysomething Brooklynite and her charismatic and entrepreneurial husband, who may just be a bit too charismatic for the good of their marriage. There’s the middle-aged publisher whose im­posing manner has managed to impose loneliness on her for longer than she cares to admit. And then there is Peter, who must discover what he meant when he wrote Marriage Is a Canoe if he is going to help the contest’s winners and find a way to love again.

Marriage can be a real killer. 
   One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. 
   On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? 
   As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
   With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

Five years ago, Tia fell into obsessive love with a man she could never have. Married, and the father of two boys, Nathan was unavailable in every way. When she became pregnant, he disappeared, and she gave up her baby for adoption.

Five years ago, Caroline, a dedicated pathologist, reluctantly adopted a baby to please her husband. She prayed her misgivings would disappear; instead, she’s questioning whether she’s cut out for the role of wife and mother.

Five years ago, Juliette considered her life ideal: she had a solid marriage, two beautiful young sons, and a thriving business. Then she discovered Nathan’s affair. He promised he’d never stray again, and she trusted him.

But when Juliette intercepts a letter to her husband from Tia that contains pictures of a child with a deep resemblance to her husband, her world crumbles once more. How could Nathan deny his daughter? And if he’s kept this a secret from her, what else is he hiding? Desperate for the truth, Juliette goes in search of the little girl. And before long, the three women and Nathan are on a collision course with consequences that none of them could have predicted.

Over the course of a thirty-year career, Jean Thompson has been celebrated by critics as “a writer of extraordinary intelligence and sensitivity” (O, The Oprah Magazine), “an American Alice Munro” (The Wall Street Journal), and “one of our most lucid and insightful writers” (San Francisco Chronicle). Her peers have been no less vocal, from Jennifer Egan (“bracing . . . boldly unconventional”) to David Sedaris (“if there are ‘Jean Thompson characters,’ they’re us, and never have we been as articulate and worthy of compassion”).

Now, in The Year We Left Home, Thompson brings together all of her talents to deliver the career-defining novel her admirers have been waiting for: a sweeping and emotionally powerful story of a single American family during the tumultuous final decades of the twentieth century. It begins in 1973 when the Erickson family of Grenada, Iowa, gathers for the wedding of their eldest daughter, Anita. Even as they celebrate, the fault lines in the family emerge. The bride wants nothing more than to raise a family in her hometown, while her brother Ryan watches restlessly from the sidelines, planning his escape. He is joined by their cousin Chip, an unpredictable, war-damaged loner who will show Ryan both the appeal and the perils of freedom. Torrie, the Ericksons’ youngest daughter, is another rebel intent on escape, but the choices she makes will bring about a tragedy that leaves the entire family changed forever.

From the author of the number one Canadian bestseller The Birth House comes the story of a young girl abandoned to the streets of post-Civil War New York City.

"I am Moth, a girl from the lowest part of Chrystie Street, born to a slum-house mystic and the man who broke her heart."

Set on the streets of Lower Manhattan in 1871, The Virgin Cure is the story of Moth, a girl abandoned by her father and raised by a mother telling fortunes to the city's desperate women. One summer night, twelve-year-old Moth is pulled from her bed and sold as a servant to a finely dressed woman. It is this betrayal suffered at the hands of her own mother that changes her life forever.

Knowing that her mother is so close while she is locked away in servitude, Moth bides her time until she can escape, only to find her old home deserted and her mother gone without a trace. Moth must struggle to survive alone in the murky world of the Bowery, a wild and lawless enclave filled with thieves, beggars, sideshow freaks, and prostitutes. She eventually meets Miss Everett, the proprietress of an "Infant School," a brothel that caters to gentlemen who pay dearly for "willing and clean" companions-desirable young virgins like Moth.

Moth also finds friendship with Dr. Sadie, a female physician struggling against the powerful forces of injustice, who teaches Moth to question and observe the world around her. The doctor hopes to protect Moth from falling prey to a terrible myth known as the "virgin cure"-the tragic belief that deflowering a "fresh maid" can cleanse the blood and heal men afflicted with syphilis-that has destroyed the lives of other Bowery girls.

Ignored by society, unprotected by the law, Moth dreams of independence. But there's a high price to pay for freedom, and no one knows that better than a girl from Chrystie Street.