Past Mortem

Flanders, June 1917: a British officer and celebrated poet, is shot dead, killed not by German fire, but while recuperating from shell shock well behind the lines. A young English soldier is arrested and, although he protests his innocence, charged with his murder.

Douglas Kingsley is a conscientious objector, previously a detective with the London police, now imprisoned for his beliefs. He is released and sent to France in order to secure a conviction. Forced to conduct his investigations amidst the hell of The Third Battle of Ypres, Kingsley soon discovers that both the evidence and the witnesses he needs are quite literally disappearing into the mud that surrounds him.

Ben Elton's tenth novel is a gut-wrenching historical drama which explores some fundamental questions. What is murder? What is justice in the face of unimaginable daily slaughter? And where is the honour in saving a man from the gallows if he is only to be returned to die in a suicidal battle?

As the gap between legally-sanctioned and illegal murder becomes evermore blurred, Kingsley quickly learns that the first casualty when war comes is truth.

One house. Ten contestants. Thirty cameras. Forty microphones.

Yet again the public gorges its voyeuristic appetite as another group of unknown and unremarkable people submit themselves to the brutal exposure of the televised real-life soap opera, House Arrest.

Everybody knows the rules: total strangers are forced to live together while the rest of the country watches them do it. Who will crack first? Who will have sex with whom? Who will the public love and who will they hate? All the usual questions. And then, suddenly, there are some new ones.

Who is the murderer? How did he or she manage to kill under the constant gaze of the thirty television cameras? Why did they do it? And who will be next?

The war on drugs has been lost but for want of the courage to face the fact that the whole world is rapidly becoming one vast criminal network. From pop stars and princes to crack whores and street kids. From the Groucho Club toilets to the poppy fields of Afghanistan, we are all partners in crime.

HIGH SOCIETY is a story or rather a collection of interconnected stories that takes the reader on a hilarious, heart breaking and terrifying journey through the kaleidoscope world that the law has created and from which the law offers no protection.

SMALL, WELL APPOINTED FUTURE. SEMI DETACHED.

If the end of the world is nigh, then surely it's only sensible to make alternative arrangements. Certainly the Earth has its points, but what most people need is something smaller and more manageable. Of course there are those who say that's planetary treason, but who cares what the weirdos and terrorists think? Not Nathan. All he cares is that his movie gets made and that there's somebody left to see it.

In marketing terms the end of the world will be very big. Anyone trying to save it should remember that.

Stark is a secret consortium with more money than God, and the social conscience of a dog on a croquet lawn. What's more, it knows the Earth is dying.

Deep in Western Australia where the Aboriginals used to milk the trees, a planet-sized plot is taking shape. Some green freaks pick up the scent: a pommie poseur; a brain-fried Vietnam vet; Aboriginals who have lost their land...not much against a conspiracy that controls society. But EcoAction isn't in society: it just lives in the same place, along with the cockroaches.

If you're facing the richest and most disgusting scheme in history, you have to do more than stick up two fingers and say 'peace'.

The stories in The Mother Garden are at once vividly realistic and infused with the bizarre -- a man uses a chicken egg to test whether he is ready for fatherhood; a daughter plants a garden of mothers to replace her own; a family's ghosts literally fall through the ceiling, disrupting daily life; a woman finds her father sleeping in the desert after twenty-six years of living without him. People stumble in relationships, start families, struggle with illness, learn to mourn -- and as in life, these acts are consuming, magical, and disorienting.

Sharply funny and deeply moving, this extraordinary collection introduces a young writer of fierce originality and prodigious talent.