Reasonable Doubt - The Fashion Writer, Cape Cod, and the Trial of Chris McCowen

On February 25 , 1956, twenty-three-year-old Sylvia Plath walked into a party and immediately spotted Ted Hughes. This encounter—now one of the most famous in all of literary history—was recorded by Plath in her journal, where she described Hughes as a “big, dark, hunky boy.” Sylvia viewed Ted as something of a colossus, and to this day his enormous shadow has obscured her life and work. The sensational aspects of the Plath-Hughes relationship have dominated the cultural landscape to such an extent that their story has taken on the resonance of a modern myth.

Before she met Ted, Plath had lived a complex, creative, and disturbing life. Her father had died when she was only eight; she had gone out with literally hundreds of men, had been unofficially engaged, had tried to commit suicide, and had written more than two hundred poems. Mad Girl’s Love Song chronicles these early years, traces the sources of her mental instability, and examines how a range of personal, economic, and societal factors—the real disquieting muses— conspired against her.

Luminous and intensely personal, Art and Madness recounts the lost years of Anne Roiphe’s twenties, when the soon-to-be-critically-acclaimed author put her dreams of becoming a writer on hold to devote herself to the magnetic but coercive male artists of the period.
 
Coming of age in the 1950s, Roiphe, the granddaughter of Jewish immigrants, grew up on Park Avenue and had an adolescence defined by privilege, petticoats, and social rules. At Smith College her classmates wore fraternity pins on their cashmere sweaters and knit argyle socks for their boyfriends during lectures. Young women were expected to give up personal freedom for devotion to home and children. Instead, Roiphe chose Beckett, Proust, Sartre, and Mann as her heroes and sought out the chaos of New York’s White Horse Tavern and West End Bar.
 
She was unmoored and uncertain, “waiting for a wisp of truth, a feather’s brush of beauty, a moment of insight.” Salvation came in the form of a brilliant playwright whom she married and worked to support, even after he left her alone on their honeymoon and later pawned her family silver, china, and pearls. Her near-religious belief in the power of art induced her to overlook his infidelity and alcoholism, and to dutifully type his manuscripts in place of writing her own.
 
During an era that idolized its male writers, she became, sometimes with her young child in tow, one of the girls draped across the sofa at parties with George Plimpton, Terry Southern, Doc Humes, Norman Mailer, Peter Matthiessen, and William Styron. In the Hamptons she socialized with Larry Rivers, Jack Gelber and other painters and sculptors. “Moderation for most of us is a most unnatural condition . . . . I preferred to burn out like a brilliant firecracker.” But while she was playing the muse reality beckoned, forcing her to confront the notion that any sacrifice was worth making for art.
 
Art and Madness recounts the fascinating evolution of a time when art and alcohol and rebellion caused collateral damage and sometimes produced extraordinary work. In clear-sighted, perceptive, and unabashed prose, Roiphe shares with astonishing honesty the tumultuous adventure of self-discovery that finally led to her redemption.

In her riveting memoir Lies My Mother Never Told Me, Kaylie Jones—the daughter of author James Jones (From Here to Eternity) and an acclaimed author in her own right (A Soldier’s Daughter Never Cries; Celeste Ascending; As Soon As It Rains)—tells the poignant story of her relationship with her famous father and her alcoholic mother, and of her own struggles with the disease. A true story of privilege, loss, self-discovery, and redemption, Lies My Mother Never Told Me is Jones’s unforgettable account of a not-quite-fairy-tale childhood and adulthood defined by two constants: literature and alcohol.

Why do we see pigeons as lowly urban pests and how did they become such common city dwellers? Courtney Humphries traces the natural history of the pigeon, recounting how these shy birds that once made their homes on the sparse cliffs of sea coasts came to dominate our urban public spaces. While detailing this evolution, Humphries introduces us to synanthropy: The concept that animals can become dependent on humans without ceasing to be wild; they can adapt to the cityscape as if it were a field or a forest.

Superdove simultaneously explores the pigeon's cultural transformation, from its life in the dovecotes of ancient Egypt to its service in the trenches of World War I, to its feats within the pigeon-racing societies of today. While the dove is traditionally recognized as a symbol of peace, the pigeon has long inspired a different sort of fetishistic devotion from breeders, eaters, and artists-and from those who recognized and exploited the pigeon's astounding abilities. Because of their fecundity, pigeons were symbols of fertility associated with Aphrodite, while their keen ability to find their way home made them ideal messengers and even pilots.

Their usefulness largely forgotten, today's pigeons have become as ubiquitous and reviled as rats. But Superdove reveals something more surprising: By using pigeons for our own purposes, we humans have changed their evolution. And in doing so, we have helped make pigeons the ideal city dwellers they are today. In the tradition of Rats, the book that made its namesake rodents famous, Superdove is the fascinating story of the pigeon's journey from the wild to the city-the home they'll never leave.

For more than 50 years, Bon Appetit magazine has been seducing readers with to-die-for desserts. From quick homestyle cookies to unforgettable special-occasion finales such as spiced chocolate torte wrapped in chocolate ribbons, Bon Appetit showcases meticulously tested recipes that turn out perfectly--every time. Now, culled from Bon Appetit's extensive archives and including never-before-published recipes, Bon Appetit Desserts is the comprehensive guide to all things sweet and wonderful.

Authored by Bon Appetit editor-in-chief Barbara Fairchild, Bon Appetit Desserts features more than 600 recipes--from layer cakes to coffee cakes, tortes and cupcakes to pies, tarts, candies, puddings, souffles, ice cream, cookies, holiday desserts, and much, much more. Certain to inspire both experienced home cooks and those just starting out in the kitchen, each recipe is designed to ensure the dessert preparation process is as enjoyable as the finished result.

Bon Appetit Desserts is destined to be the definitive, comprehensive, invaluable dessert resource.

This is a gorgeous book that makes me want to make everything--no, taste everything--inside! This is a must-have for every baker, cook, and sweet freak in your life. --Elizabeth Falkner, chef and owner of Citizen Cake and Orson

At last, a collection of Bon Appetit's most treasured dessert recipes, thoroughly tested as always, beautifully illustrated, and, of course, wonderfully delicious. You'll reach for this book each time sweets are on your menu, but you'll come back to it just as often for its myriad tips; great chapters on ingredients, equipment, and techniques; and the many detailed and easy-to-grasp how-tos.

It's truly a one-stop book for all of us who love baking. --Dorie Greenspan, author of Baking: From My Home to Yours and Around My French Table

Bon Appetit Desserts is filled with exactly the kind of sweets I like to make: inviting, unpretentious, and easy to love, but also innovative enough to turn a few heads. And the best part is, Bon Appetit Desserts is not only about recipes. With chapters on ingredients, equipment, and techniques, plus a slew of tips from the Bon Appetit test kitchens, it's also a mini-education. Oh, in case you aren't sold yet, I have ten words for you: Banana Layer Cake with Caramel Cream and Sea Salt-Roasted Pecans. --Molly Wizenberg, author of A Homemade Life: Stories and Recipes from My Kitchen Table