Red Sox Rule

Once upon a time, twenty-four grown men would play baseball together, eat together, carouse together, and brawl together. Alas, those hard-partying warriors have been replaced by GameBoy-obsessed, laptop-carrying, corporate soldiers who would rather punch a clock than a drinking buddy. But it wasn't always this way ...

In The Bad Guys Won, award-winning former Sports Illustrated baseball writer Jeff Pearlman returns to an innocent time when a city worshipped a man named Mookie and the Yankess were the second-best team in New York. So it was in 1986, when the New York Mets -- the last of baseball's live-like-rock-star teams -- won the World Series and captured the hearts (and other select body parts) of fans everywhere.

But their greatness on the field was nearly eclipsed by how bad they were off it. Led by the indomitable Keith Hernandez and the young dynamic duo of Dwight Gooden and Darryl Strawberry, along with the gallant Scum Bunch, the Amazin's won 108 regular-season games, while leaving a wide trail of wreckage in their wake -- hotel rooms, charter planes, a bar in Houston, and most famously Bill Buckner and the eternally cursed Boston Red Sox. With an unforgettable cast of characters -- Doc, Straw, the Kid, Nails, Mex, and manager Davey Johnson (as well as innumerable groupies) -- The Bad Guys Won immortalizes baseball's last great wild bunch of explores what could have been, what should have been, and thanks to a tragic dismantling of the club, what never was.

Jane Leavy, the acclaimed author of the New York Times bestseller Sandy Koufax: A Lefty's Legacy, returns with a biography of an American original—number 7, Mickey Mantle. Drawing on more than five hundred interviews with friends and family, teammates, and opponents, she delivers the definitive account of Mantle's life, mining the mythology of The Mick for the true story of a luminous and illustrious talent with an achingly damaged soul.

Meticulously reported and elegantly written, The Last Boy is a baseball tapestry that weaves together episodes from the author's weekend with The Mick in Atlantic City, where she interviewed her hero in 1983, after he was banned from baseball, with reminiscences from friends and family of the boy from Commerce, Oklahoma, who would lead the Yankees to seven world championships, be voted the American League's Most Valuable Player three times, win the Triple Crown in 1956, and duel teammate Roger Maris for Babe Ruth's home run crown in the summer of 1961—the same boy who would never grow up.

As she did so memorably in her biography of Sandy Koufax, Jane Leavy transcends the hyperbole of hero worship to reveal the man behind the coast-to-coast smile, who grappled with a wrenching childhood, crippling injuries, and a genetic predisposition to alcoholism. In The Last Boy she chronicles her search to find out more about the person he was and, given what she discovers, to explain his mystifying hold on a generation of baseball fans, who were seduced by that lopsided, gap-toothed grin. It is an uncommon biography, with literary overtones: not only a portrait of an icon, but an investigation of memory itself. How long was the Tape Measure Home Run? Did Mantle swing the same way right-handed and left-handed? What really happened to his knee in the 1951 World Series? What happened to the red-haired, freckle-faced boy known back home as Mickey Charles?

"I believe in memory, not memorabilia," Leavy writes in her preface. But in The Last Boy, she discovers that what we remember of our heroes—and even what they remember of themselves—is only where the story begins.

In 1906 the baseball world saw something that had never been done. Two teams from the same city squared off against each other in a World Series that pitted the heavily favored Cubs of the National League against the hardscrabble American League champion White Sox. Now, more than a century later, noted historian Bernard A. Weisberger tells the tale of a unique time in baseball, a unique time in America, and a time when Chicago was at the center of it all.

When Chicago Ruled Baseball brings to life a dazzling epoch in a land of the self-made man—where A. G. Spalding helped establish baseball as both a national pastime and a thriving business, where Mordecai “Three-Finger” Brown overcame a horribly disfiguring injury and pitched his way into the Hall of Fame . . . and Tinkers-to-Evers-to-Chance proved that you could use teamwork to stand out as stars. Weisberger brings to life an unforgettable story of how a city that had rebuilt itself from the ashes of the Great Fire thirty-five years earlier became the focal point of an entire baseball-loving country, and one grand sporting contest staked its claim as one of the most remarkable and electrifying World Series ever to be played.

Some images that appeared in the print edition of this book are unavailable in the electronic edition due to rights reasons.

In his classic tribute to America's pastime—now with a new introduction—political commentator, Pulitzer Prize-winning journalist, and lifelong sports enthusiast George F. Will travels from the baseball field to the dugout to the locker room to get to the root of the game we all love. He breaks down the sport to its four basic components, managing, pitching, hitting, and fielding, and analyzes the way four of its notables, manager Tony La Russa, pitcher Orel Hershiser, outfielder Tony Gwynn, and shortstop Cal Ripken Jr., approach the game. One of the most acclaimed sports books ever written, Men at Work is a revelatory, and often surprising, study of professional baseball.

When legendary Negro League player Buck O'Neil asked Joe Posnanski how he fell in love with baseball, the renowned sports columnist was inspired by the question. He decided to spend the 2005 baseball season touring the country with the ninety-four-year-old O'Neil in hopes of rediscovering the love that first drew them to the game.

The Soul of Baseball is as much the story of Buck O'Neil as it is the story of baseball. Driven by a relentless optimism and his two great passions—for America's pastime and for jazz, America's music—O'Neil played solely for love. In an era when greedy, steroid-enhanced athletes have come to characterize professional ball, Posnanski offers a salve for the damaged spirit: the uplifting life lessons of a truly extraordinary man who never missed an opportunity to enjoy and love life.