Sherbrookes: Possession / Sherbrookes / Stillness (American Literature Series)

Hailed as one of the most brilliant contributions to the literature of Central and Eastern Europe since the fall of Communism, Dreams and Stones won the prestigious Koscielski Foundation Prize in Poland in 1995. Telling the story of the growth of a great city, Tulli relates its history by entering the lives of the stones from which the buildings and monuments are constructed, as well as the dreams of people and objects interwoven with the city’s history. Revealing the inner lives of buildings, mirrors and news-paper -photographs, she explores the design of the city, its growth and its workings. Dismantling the city piece by piece, Tulli reveals a very different metaphysical landscape lying, literally, beneath and around it.

After the relative intimacy of the first two volumes of In Search of Lost Time, The Guermantes Way opens up a vast, dazzling landscape of fashionable Parisian life in the late nineteenth century, as the narrator enters the brilliant, shallow world of the literary and aristocratic salons. Both a salute to and a devastating satire of a time, place, and culture, The Guermantes Way defines the great tradition of novels that follow the initiation of a young man into the ways of the world. This elegantly packaged new translation will introduce a new generation of American readers to the literary richness of Marcel Proust.

• First time in Penguin Classics
• A Penguin Classics Deluxe Edition with french flaps and luxurious design
• Penguin Classics' superb new edition of In Search of Lost Time is the first completely new translation of Proust's masterwork since the 1920s

These exuberant stories, so startlingly fresh, so vigorous, and so wildly inventive, are a delight…”-Alastair Reid

Gombrowicz is one of the most original and gifted writers of the twentieth century: he belongs at the very summit, at the side of his kindred spirits, Kafka and Céline.”-Louis Begley

One of the greatest novelists of our century.”-Milan Kundera

Stunningly original in both style and content, these stories are hilarious yet have an undercurrent of profound moral disquiet and horror when the respectable turns slowly but inexorably into the outrageous, conveying both the horrors of upper-class life and the deepest anguish of the human condition.

Witold Gombrowicz (1904-1969), the single most important Polish prose writer of the 20th century, spent much of his life in France and Argentina (Bacacay was the street he lived on in Buenos Aires). His novels include Ferdydurke, Trans-Atlantyk, Cosmos, and Pornografia. Awarded the Prix Formentor (1967). Johnston is Director of the Polish Studies Center at Indiana University. His translations include Gustaw Herling's The Noonday Cemetery and Other Stories (New Directions, 2003), Jerzy Pilch's His Current Woman (Grove, 2002), and Stefan Zeromski's The Faithful River (Northwestern, 1999). In 2005, he won an ASTEEL translation prize for Tulli's Dreams and Stones.

Breytenbach composed this docu-dream during a period of incarceration. Mouroir (mourir: to die + miroir: mirror) is a ship of thought moving with its own hallucinatory logic through a sea of mythic images, protean characters and what the author describes as landscapes and spaces beyond death, spaces that have always existed and will always exist.” An Orphic voyage into memory and mirage, through passages between death and life, darkness and light, oppression and flight, sense and the sensed. Mouroir.

An outspoken human rights activist, Breyten Breytenbach is a poet, novelist, memoirist, essayist, and visual artist. His paintings and drawings have been exhibited around the world. Born in South Africa, he immigrated to Paris in the late ’60s and became deeply involved in the anti-Apartheid movement. Breytenbach is the author of All One Horse, A Season in Paradise, The True Confessions of an Albino Terrorist, Dog Heart, and The Memory of Birds in Times of Revolution, among many others. He received the Alan Paton Award for Return to Paradise in 1994 and the prestigious Hertzog Prize for Poetry for Papierblom in 1999 and for Die Windvanger (Windcatcher) in 2008.

“I read Unai Elorriaga’s latest novel almost without stopping to breathe. Breathlessly, yes, but not quickly, because Elorriaga’s books are not the kind you read in two or three hours and put back on the shelf. It is a very good novel. Incredibly good.”—Gorka Bereziartua

Plants Don't Drink Coffee achieves a graceful balance between playfulness (in both language and character) and depth of emotion and thought. Unai Elorriaga gives voice to unassuming characters, to “small” people with “small” lives; he magnifies things that often go unnoticed. Four stories narrated from different perspectives crisscross throughout the novel. In the first-person, the young Tomas—who wants above all else to be intelligent—tells us why it is so important for him to catch a blue dragonfly and introduces his extended (and eccentric) family to us one by one. We observe the surrealist creation of a rugby field on a golf course, unravel the mystery of why a couple of forty years never married, and delve into the intrigue surrounding a European carpentry competition that Tomas’ grandfather had taken part in. Vredaman is teaming with dreamers, free spirits, and nonconformists who follow their inner voices. Beneath the novel’s lighthearted and balletic ways lies a gentle wisdom, a lucid vision of human emotion.

Unai Elorriaga’s first novel, A Streetcar to SP,won Spain’s prestigious National Narrative Prize in 2002. The jury was taken by the freshness of his voice and by how utterly unique the book was. Elorriaga is the most celebrated young Basque author in the Spanish literary landscape. Although influenced by Julio Cortázar and Juan Rulfo, Elorriaga stands alone in both the inventiveness of his narrative and in the particular way his characters reveal their humanity. Elorriaga is truly breaking new ground.

Amaia Gabantxo is a literary translator, writer, and reviewer. Her work has appeared in many journals and newspapers, including TheTimes Literary Supplement and The Independent, as well as in An Anthology of Basque Short Stories and Spain: A Traveler’s Literary Companion (Whereabouts Press). Her translation of Anjel Lertxundi’s Perfect Happiness is forthcoming.

A small masterpiece, Pea’s lyrical autobiographical novel reveals a grandfather through his grandson’s eyes. The old man and his brothers’ madness, passion, and quirks are interwoven in intimate, mythical sketches and fiery portraits of family dynamics. The first installment of a four-part novel, Moscardinois linguistically adventurous and visual, vivid and anarchic. Pea’s personal account of his first meeting with Pound accompanies the text.

Novelist, poet and playwright, Enrico Pea(1881–1958) spent his youth traveling. Pea lived for a long time in Alexandria, where he struck up a friendship with Ungaretti. He published Moscardinoin 1922. Ezra Pound (1885–1972) is considered the poet most responsible for defining a modernist aesthetic in poetry. His interest in “regionalism” attracted him to the work of Pea.