Size 14 Is Not Fat Either

Heather Wells Rocks!

Or, at least, she did. That was before she left the pop-idol life behind after she gained a dress size or two -- and lost a boyfriend, a recording contract, and her life savings (when Mom took the money and ran off to Argentina). Now that the glamour and glory days of endless mall appearances are in the past, Heather's perfectly happy with her new size 12 shape (the average for the American woman!) and her new job as an assistant dorm director at one of New York's top colleges. That is, until the dead body of a female student from Heather's residence hall is discovered at the bottom of an elevator shaft.

The cops and the college president are ready to chalk the death off as an accident, the result of reckless youthful mischief. But Heather knows teenage girls . . . and girls do not elevator surf. Yet no one wants to listen -- not the police, her colleagues, or the P.I. who owns the brownstone where she lives -- even when more students start turning up dead in equally ordinary and subtly sinister ways. So Heather makes the decision to take on yet another new career: as spunky girl detective!

But her new job comes with few benefits, no cheering crowds, and lots of liabilities, some of them potentially fatal. And nothing ticks off a killer more than a portly ex-pop star who's sticking her nose where it doesn't belong . . .

Life is reasonably rosy for plus-size ex-pop star turned Assistant Dormitory Director and sometime sleuth Heather Wells. Her freeloading ex-con dad is finally moving out. She still yearns for her hot landlord, Cooper Cartwright, but her relationship with "rebound beau," vigorous vegan math professor Tad Tocco, is more than satisfactory. Best of all, nobody has died lately in "Death Dorm," the aptly nicknamed student residence that Heather assistant-directs. Of course every silver lining ultimately has some black cloud attached. And when the latest murdered corpse to clutter up her jurisdiction turns out to be her exceedingly unlovable boss, Heather finds herself on the shortlist of prime suspects—along with the rabble-rousing boyfriend of her high-strung student assistant and an indecently handsome young campus minister who's been accused of taking liberties with certain girls' choir members.

With fame beckoning her back into show business (as the star of a new kids' show!) it's a really bad time to get wrapped up in another homicide. Plus Tad's been working himself up to ask her a Big Question, which Heather's not sure she has an answer for . . .

Big Mouth, Big Heart, Big City . . . Big Problems

Things are looking up at last for Lizzie Nichols. She has a career she loves in the field of her choice (wedding gown restoration), and the love of her life, Jean-Luc, has finally proposed. Life's become a dizzying whirl of wedding gown fittings—not necessarily her own—as Lizzie prepares for her dream wedding at her fiancé's château in the south of France.

But the dream soon becomes a nightmare when the best man—whom Lizzie might once have accidentally slept with...no, really, just slept—announces his total lack of support for the couple, a sentiment seconded by the maid of honor; Lizzie's Midwestern family can't understand why she doesn't want to have her wedding in the family backyard; her future French in-laws are trying to lure the groom back into investment banking; and Lizzie finds herself wondering if her Prince Charming really is as charming as she once believed.

Lizzie Nichols has a problem: she can't keep anything to herself. And when she opens her big mouth on a trip to London, her good intentions get her long-distance beau, Andrew, in major hot water. Now she's stuck in England with no boyfriend and no place to stay until the departure date on her nonrefundable airline ticket. Fortunately, Lizzie's best friend and college roommate, Shari, is spending her summer catering weddings in a sixteenth-century château in southern France. Who cares if Lizzie's never traveled alone in her life and only speaks rudimentary French? She's off to Souillac to lend a helping hand!

One glimpse of gorgeous Château Mirac—and of gorgeous Luke, the son of the château's owner—and Lizzie's smitten. But thanks to her chronic inability to keep a secret, before the first cork has been popped Luke hates her, the bride is in tears, and Château Mirac is on the road to becoming a lipo-recovery spa. Add to that the arrival of ex-beau Andrew, who's looking for "closure" (or at least a loan), and everything—including Lizzie's shot at true love—is in la toilette . . . unless she can figure out some way to use her big mouth to save the day.

There are a few places screenwriter Lou Calabrese would rather be than crammed into a helicopter with Jack Townsend, star of her claim to fame, Copkiller, and whose ex just ran off with Lou's ex. Talk about uncomfortable. But when, halfway out to the isolated arctic location where Copkiller IV is currently shooting, their pilot turns murderous and their helicopter crashes, Lou realizes her day has just gotten a lot worse.

Now, while family and friends back home fret over her disappearance, Lou is on the run in the arctic wilderness with America's sweetheart Jack Townsend and only the contents of her purse, his pockets, and their mutual knowledge of survival movie trivia to keep them alive. Can these two children of Hollywood put aside their differences and make it back home without killing each other? Or much, much worse, actually start to like one another?

To: You (you)
From: Human Resources (human.resources@thenyjournal.com)
Subject: This Book

Dear Reader,

This is an automated message from the Human Resources Division of the New York Journal, New York City’s leading photo-newspaper. Please be aware that according to our records you have not yet read this book. What exactly are you waiting for? This book has it all:

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Meet Kate Mackenzie. She:

• works for the T.O.D. (short for TyrannicalOffice Despot, also known as Amy Jenkins,Director of the Human Resources Divisionat the New York Journal)
• is sleeping on the couch because herboyfriend of ten years refuses to commit
• can't find an affordable studio apartmentanywhere in New York City
• thinks things can't get any worse.

They can. Because:

• the T.O.D. is making her fire the most popularemployee in the paper's senior staff dining room
• that employee is now suing Kate for wrongfultermination, and
• now Kate has to give a deposition in front ofMitch Hertzog, the scion of one of Manhattan's wealthiest law families,who embraces everything Kate most despises ... but also happens to have a nice smile and a killer bod.

The last thing anybody -- least of all Kate Mackenzie -- expects to findin a legal arbitration is love. But that's the kind of thing that canhappen when ... Boy Meets Girl.

Cartoonist Jane Harris is delighted by the prospect of her first-ever trip to Europe. But it's hate at first sight for Jane and Cal Langdon, and neither is too happy at the prospect of sharing a villa with one another for a week—not even in the beautiful and picturesque Marches countryside. But when Holly and Mark's wedding plans hit a major snag that only Jane and Cal can repair, the two find themselves having to put aside their mutual dislike for one another in order to get their best friends on the road to wedded bliss—and end up on a road themselves ... one neither of them ever expected.

Sick of hearing about vampires? So is Meena Harper.

But her bosses are making her write about them anyway, even though Meena doesn't believe in them.

Not that Meena isn't familiar with the supernatural. See, Meena Harper knows how you're going to die. (Not that you're going to believe her. No one ever does.)

But not even Meena's precognition can prepare her for what happens when she meets-then makes the mistake of falling in love with-Lucien Antonescu, a modern-day prince with a bit of a dark side. It's a dark side a lot of people, like an ancient society of vampire hunters, would prefer to see him dead for.

The problem is, Lucien's already dead. Maybe that's why he's the first guy Meena's ever met whom she could see herself having a future with. See, while Meena's always been able to see everyone else's future, she's never been able look into her own.

And while Lucien seems like everything Meena has ever dreamed of in a boyfriend, he might turn out to be more like a nightmare.

Now might be a good time for Meena to start learning to predict her own future. . . .

If she even has one.

Meena Harper has a special gift, but it’s only now that anyone’s ever appreciated it. The Palatine Guard—a powerful secret demon-hunting unit of the Vatican—has hired her to work at their new branch in Lower Manhattan. With Meena’s ability to predict how everyone she meets will die, the Palatine finally has a chance against the undead.

Sure, her ex-boyfriend was Lucien Anton­escu, son of Dracula, the prince of darkness. But that was before he (and their relationship) went up in flames. Now Meena’s sworn off vampires for good . . . at least until she can prove her theory that just because they’ve lost their souls doesn’t mean demons have lost the ability to love.

Meena knows convincing her co-workers—including her partner, über-demon-hunter Alaric Wulf—that vampires can be redeemed won’t be easy . . . especially when a deadly new threat seems to be endangering not just lives of the Palatine, but Meena’s friends and family as well.

But Meena isn’t the Palatine’s only hope. Father Henrique—aka Padre Caliente—New York City’s youngest, most charming priest, has also been assigned to the case.

So why doesn’t Meena—or Alaric—trust him?

As she begins unraveling the truth, Meena finds her loyalties tested, her true feelings laid bare . . . and temptations she never even imagined existed impossible to resist.

This time, Meena may finally have bitten off more than she can chew.