Soldier of Sidon

At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

Henghis Hapthorn is the foremost penetrator of mysteries and uncoverer of secrets in a decadent, far-future Old Earth, one age before Jack Vance's Dying Earth.  A superb rationalist, he has long disdained the notion that the universe has an alternative organizing principle:  magic.  But now a new age is dawning, overturning the very foundations of Hapthorn's existence, and he must struggle to survive in a world where all the rules are changing.

In THE SPIRAL LABYRINTH, with Old Earth on the cusp of the transition to a universe that operates on the principles of sympathetic association (or, to be vulgar, magic), Hapthorn is thrust forward through time into the first centuries of the new order.  He becomes a pawn in a contest among five wizards, while an unknown entity with the power to frighten demons keeps bellowing through all the nine planes of existence:  "Bring me Apthorn!"

At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

At the publisher's request, this title is being sold without Digital Rights Management software (DRM) applied.

This story, "To See the Invisible Man," written in June of 1962, marks the beginning of my real career as a science-fiction writer, I think. The 1953-58 stories collected in To Be Continued, the first of this series of volumes, are respectable professional work, some better than others but all of them at least minimally acceptable--but most of them could have been written by just about anyone. Aside from a few particularly ambitious items, they were designed to slip unobtrusively into the magazines of their time, efficiently providing me with regular paychecks. But now, by freeing me from the need to calculate my way around the risk of rejection, Fred Pohl allowed--indeed, required--me to reach as deep into my literary resources as I was capable of doing. I knew that unless I gave him my very best, the wonderful guaranteed-sale deal I had with him would vanish as quickly as it had appeared. Therefore I would reach deeper and deeper, in the years ahead, until I had moved so far away from my youthful career as a hack writer that latecomers would find it hard to believe that I had been emotionally capable of writing all that junk, let alone willing to do it. In "To See the Invisible Man" the distinctive Silverberg fictional voice is on display for just about the first time.

Dancy Flammarion may look like a frail teenage girl, but her journey through the swamps and byways of the American South brings her into battle with werewolves, monsters, and grotesque secrets, armed only with a knife and a mission to destroy the deadly creatures that lurk in shadow. Collects the five-issue miniseries.

"It's gentle and horrific and apocalyptic all at once. Good writing. Good pencil and ink work. Good colors. That's a good comic." Comics Alliance

Based on studies of dozens of companies to which they have applied this concept of "fit," the authors explain how success and failure can be predicted. Examining the causes of success and failure historically, they describe how such companies as General Motors and Sears, Roebuck—both Hall of Fame candidates—earned their legendary status by pioneering new forms of organization to fit the strategy-structure-process combination demanded by the marketplace at the time. Miles and Snow relate historic successes to current successes, explaining how even the most thriving companies of today—including Wal-Mart, Rubbermaid, and General Electric—could lose their way and become "misfit" companies. They describe in detail the path to misfit and what pitfalls to avoid to stay on the right track. Looking to the future, the authors examine new shapes organizations will take, including various types of "networks" and a promising new form that they call the "spherical" organization.