The Argonautica

The play is set in Troezen, a coastal town in the northeastern Peloponnese. Theseus, the king of Athens, is serving a year's voluntary exile after having murdered a local king and his sons. His illegitimate son Hippolytus, whose mother is the Amazon Hippolyta, has been trained here since childhood by the king of Troezen, Pittheus.
At the opening of the play Aphrodite, Goddess of love, explains that Hippolytus has sworn chastity and refuses to revere her. Instead, he honors the Goddess of the hunt, Artemis. This has led her to initiate a plan of vengeance on Hippolytus. When Hippolytus went to Athens two years previously Aphrodite inspired Phaedra, Hippolytus' stepmother, to fall in love with him.
Hippolytus appears with his followers and shows reverence to a statue of Artemis, a chaste goddess. A servant warns him about his overt disdain for Aphrodite, but Hippolytus refuses to listen to him.
The chorus, consisting of young married women of Troezen, enters and describes how Theseus's wife, Phaedra is not eating or sleeping. Phaedra, sickly, appears with her nurse. After an agonizing discussion, Phaedra finally gives in to her nurse's demands and confesses why she is ill: she loves Hippolytus. The nurse and the chorus are shocked. Phaedra explains that she must starve herself and die with her honor intact. However, the nurse quickly retracts her initial response and tells Phaedra that she has a magical charm to cure her. However, in an aside she reveals different plans.
The nurse tells Hippolytus of Phaedra's desire, after making him swear an oath that he will not tell anyone else. He reacts with a furious, misogynistic tirade on the 'poisonous' nature of women. Because the secret is out, Phaedra believes she is ruined. After making the chorus swear secrecy, she goes inside and hangs herself.
Theseus returns and discovers his wife's dead body. Because the chorus is sworn to secrecy, they cannot tell Theseus why she killed herself. Theseus discovers a letter on Phaedra's body, which asserts that she was raped by Hippolytus. Enraged, Theseus curses his son to death or at least exile. To execute the curse, Theseus calls upon his father, the god Poseidon, who has promised to grant his son three wishes. Hippolytus enters and protests his innocence but cannot tell the truth because of the binding oath that he swore. Taking his wife's letter as proof, Theseus exiles his son.
The chorus sings a lament for Hippolytus.
A messenger enters and describes a gruesome scene to Theseus; as Hippolytus got in his chariot to leave the kingdom, a bull roared out of the sea, frightening his horses, which dashed his chariot among the rocks, dragging Hippolytus behind. Hippolytus seems to be dying. The messenger protests Hippolytus' innocence, but Theseus refuses to believe him.
Theseus is pleased with Hippolytus' suffering until Artemis appears and tells him the truth. She explains that his son was innocent and that it was Phaedra who lied. Although the goddess admonishes Theseus' decision, she ultimately recognizes that the blame falls on Aphrodite. Hippolytus is carried in half alive, and Artemis promises to take revenge on Aphrodite by punishing the next person that Aphrodite loves. Finally, Hippolytus forgives his father, and then he dies.

The Iliad of Homer - (FREE Audiobook Included!)

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Jupiter, awaking, sees the Trojans repulsed from the trenches, Hector in a swoon, and Neptune at the head of the Greeks: he is highly incensed at the artifice of Juno, who appeases him by her submissions; she is then sent to Iris and Apollo. Juno, repairing to the assembly of the gods, attempts, with extraordinary address, to incense them against Jupiter; in particular she touches Mars with a violent resentment; he is ready to take arms, but is prevented by Minerva. Iris and Apollo obey the orders of Jupiter; Iris commands Neptune to leave the battle, to which, after much reluctance and passion, he consents. Apollo reinspires Hector with vigour, brings him back to the battle, marches before him with his aegis, and turns the fortune of the fight. He breaks down great part of the Grecian wall: the Trojans rush in, and attempt to fire the first line of the fleet, but are, as yet, repelled by the greater Ajax with a prodigious slaughter.

The Histories (also known as The History) of Herodotus is considered the founding work of history in Western literature. Written from the 450s to the 420s BC in the Ionic dialect of classical Greek, The Histories serves as a record of the ancient traditions, politics, geography, and clashes of various cultures that were known around the Mediterranean and Western Asia at that time.

Herodotus was an ancient Greek historian who was born in Halicarnassus, Caria (modern day Bodrum, Turkey) and lived in the fifth century BC (circa 484 – 425 BC). He has been called the "Father of History", and was the first historian known to collect his materials systematically, test their accuracy to a certain extent and arrange them in a well-constructed and vivid narrative. The Histories; his masterpiece and the only work he is known to have produced, is a record of his investigation of the origins of the Greco-Persian Wars and includes a wealth of geographical and ethnographical information. Although some of his stories were fanciful, he claimed he was reporting only what had been told to him.

This edition is Volume I.

This edition contains the collected works of Hesiod including Works and Days, The Shield of Heracles, The Theogeny as well as Homer's Hymns, Epigrams and fragments of the Epic Cycle.

Hesiod was a Greek oral poet generally thought by scholars to have been active between 750 and 650 BC, around the same time as Homer. His is the first European poetry in which the poet regards himself as a topic, an individual with a distinctive role to play. Ancient authors credited him and Homer with establishing Greek religious customs. Modern scholars refer to him as a major source on Greek mythology, farming techniques, early economic thought (he is sometimes identified as the first economist),archaic Greek astronomy and ancient time-keeping.

In the Western classical tradition, Homer is the author of the Iliad and the Odyssey, and is revered as the greatest of ancient Greek epic poets. These epics lie at the beginning of the Western canon of literature, and have had an enormous influence on the history of literature.

This edition features
a linked Table of Contents and  linked Footnotes
16 illustrations

Excerpt from Preface
The present translation of Petrarch completes the Illustrated Library series of the Italian Poets emphatically distinguished as "I Quattro Poeti Italiani."

It is rather a singular fact that, while the other three Poets of this world-famed series—Dante, Ariosto, and Tasso—have each found several translators, no complete version of the fourth, and in Italy the most popular, has hitherto been presented to the English reader. This lacune becomes the more remarkable when we consider the great influence which Petrarch has undoubtedly exercised on our poetry from the time of Chaucer downwards.

The plan of the present volume has been to select from all the known versions those most distinguished for fidelity and rhythm. Of the more favourite poems, as many as three or four are occasionally given; while of others, and those by no means few, it has been difficult to find even one. Indeed, many must have remained entirely unrepresented but for the spirited efforts of Major Macgregor, who has recently translated nearly the whole, and that with great closeness both as to matter and form. To this gentleman we have to return our especial thanks for his liberal permission to make free use of his labours.

Among the translators will be found Chaucer, Spenser, Sir Thomas Wyatt, Anna Hume, Sir John Harington, Basil Kennett, Anne Bannerman, Drummond of Hawthornden, R. Molesworth, Hugh Boyd, Lord Woodhouselee, the Rev. Francis Wrangham, the Rev. Dr. Nott, Dr. Morehead, Lady Dacre, Lord Charlemont, Capel Lofft, John Penn, Charlotte Smith, Mrs. Wrottesley, Miss Wollaston, J.H. Merivale, the Rev. W. Shepherd, and Leigh Hunt, besides many anonymous.

About the Author
"FRANCESCO PETRARCA (1304 – 1374), known in English as Petrarch, was an Italian scholar, poet and one of the earliest humanists. Petrarch is often called the "Father of Humanism".[1] In the 16th century, Pietro Bembo created the model for the modern Italian language based on Petrarch's works, as well as those of Giovanni Boccaccio and, especially, Dante Alighieri. This would be later endorsed by the Accademia della Crusca. Petrarch's sonnets were admired and imitated throughout Europe during the Renaissance and became a model for lyrical poetry. " -- Wikipeda

Henry Wadsworth Longfellow is known as one of America's best known and best loved poets of all time. The Complete Poetical Works, covers I believe, everything ever writteb by this exquisite poet.

(Linked ToC)

This Bybliotech version of Thucydides "History of the Peloponnesian War" with unique illustrations has been compiled and optimised for e-readers. It includes an active table of contents for ease of navigation, and ten unique illustrations relevant to the story within.

Thucydides was an Ancient Greek historian and author and his book " History of the Peloponnesian War" recounts the 5th Century BC war between Sparta and Athens to the year 411BC. Based on the style of his text, Thucydides has been called the Father of the school of political realism, which view the relations between nations as based on 'might' rather than 'right'.

This book is part of the Bybliotech series "Texts from Ancient Greece"

This translation is among the most accurate on the market. Classics professors have urged students to read this translation, the best English source available. Despite the usual popularity of the Fitzgerald translation, the Pope version provides a more literal translation with consistent themes of word choice running throughout. They put their hands to the good things that lay ready before them, for example, will come up over and over again because, quite simply, the phrase comes up over and over again. And we have the same adjectives consistently before each of the major players: resourceful Odysseus, thoughtful Telemachos, and circumspect Penelope, along with the gray-eyed Athene. Pope explains how he chooses to translate the work, and his translation is a literal work of a genius. He retains the lyric style in form throughout the work, aligning this translation even more closely with the original text.