The Diamond Sutra and The Sutra of Hui-neng

Austria during the 1920s is the setting for the fifth of Chelsea Quinn Yarbro's novels about the elegant and mysterious Count Ragoczy Saint-Germain.  In Tempting Fate, the Count becomes guardian to a spirited and talented young girl named Laisha, a Russian war orphan.  Traveling frequently to the great cities of Europe, the pair move in a world whose days are numbered, as the landed nobility of Europe face the shocks of the future.  Saint-Germain must come to the aid of three women: a Russian duchess who has to make a new life for herself in Paris after the revolution, a  beautiful young widow who sees her family fortune squandered and her centuries-old home menaced by a new order of violence, and Madelein de Montaila, the entrancing Frenchwoman who shares Saint-Germain's long memory and his secret.

After a horribly cruel crime, Saint-Germain decides on a desperate course of action that could lead, even for him, to a lasting death.  Tempting Fate is the richest, most passionate, and most poignant of the Saint-Germain series.

Being a child of wealth hasn't made life easy for Daryn Alwyn but he hasn't wanted it easy and he's always been determined to choose his own path, abandoning the possibility of power and leisure with his family's giant Media Network for a solo career, first as a military space pilot, later as a freelance media consultant. Only when he becomes the target of a series of deadly attacks does he begin to realize the true depth of responsibility his heritage forces on him. And when his sister is assassinated and he becomes one of the wealthiest people in the world he learns that his real troubles are only beginning.

Return to the future of Archform: Beauty. In the twenty-fourth century, Earth is vastly changed. Ecological and biological catastrophe have raged across the planet, but for the survivors, it is a world of plenty. Even the poorest live in abundance, and the upper class -- the ascendant -- command technological marvels.

Ten years ago, Jonat deVrai was a rising star in the Marines. But he shocked his superiors by walking away from the Corps after witnessing atrocity and hypocrisy during the Reclamation of Guyana. Starting his life over, he established himself as the world's expert on the effectiveness of "prod"-- product placement, the only advertising which viewers will allow through the sophisticated filters they all use against unwanted intrusions on their electronic link networks. Prod, reinforced with sublims and the "res" -- resonant frequencies, a form of sonic branding -- is the wave of the future.

Jonat now advises multinational corporations on their prod campaigns, his busy life only occasionally disturbed by vivid flashbacks to his military years. Then his comfortable world is upset when the Centre for Societal Research approaches him to study the effects of res and prod on political campaigns.

After a res-heavy political rally for Laborite Republican Senatorial candidate Juan Carlismo, armed thugs jump deVrai in a parking garage. A day later, a sniper ambushes him. What looked like a safe, lucrative contract has suddenly turned dangerous. The stakes raise further when deVrai foils a remote-controlled cydroid assassination attempt on a Popular Democrat candidate. Cydroids built from deVrai's stolen DNA are turning up dead throughout NorAm.

Suspicion and conspiracy race around Jonat. Who wants him dead? Candidate Juan Carlismo's use of prod is skirting the limits of legality. The Centre has its own obscure agenda and may want deVrai as a martyr. The terrorist group PAMD is targeting ascendents in deVrai's family. And one of his clients is known for holding legendary grudges - could he have gone over the edge?

With his life on the line, deVrai must sort flash from fact before it's too late.

Flash is a blend of all-out thriller and thoughtful social, political, and technological exploration that that gets into your mind in a way even res and prod could never match.

This volume will convince readers that the swift ascent of the tabletop role-playing game Dungeons and Dragons to worldwide popularity in the 1970s and 1980s is the most exciting event in popular culture since the invention of the motion picture.”
Dungeons and Dragons and Philosophy presents twenty-one chapters by different writers, all D&D aficionados but with starkly different insights and points of view. It will be appreciated by thoughtful fans of the game, including both those in their thirties, forties, and fifties who have rediscovered the pastime they loved as teenagers and the new teenage and college-student D&D players who have grown up with gaming via computer and console games and are now turning to D&D as a richer, fuller gaming experience.
The book is divided into three parts. The first, Heroic Tier: The Ethical Dungeon-Crawler,” explores what D&D has to teach us about ethics and about how results from the philosophical study of morality can enrich and transform the game itself. Authors argue that it’s okay to play evil characters, criticize the traditional and new systems of moral alignment, and (from the perspective of those who love the game) tackle head-on the recurring worries about whether the game has problems with gender and racial stereotypes. Readers of Dungeons and Dragons and Philosophy will become better players, better thinkers, better dungeon-masters, and better people.
Part II, Paragon Tier: Planes of Existence,” arouses a new sense of wonder about both the real world and the collaborative world game players create. Authors look at such metaphysical questions as what separates magic from science, how we express the inexpressible through collaborative storytelling, and what the objects that populate Dungeons and Dragons worlds can teach us about the equally fantastic objects that surround us in the real world.
The third part, Epic Tier: Leveling Up,” is at the crossroads of philosophy and the exciting new field of Game Studies. The writers investigate what makes a game a game, whether D&D players are artists producing works of art, whether D&D (as one of its inventors claimed) could operate entirely without rules, how we can overcome the philosophical divide between game and story, and what types of minds take part in D&D.

A classic by a Russian master

Prince Myshkin, the idiot, is an almost comically innocent Christ figure in a land of sinners, one whose faith in beauty contrasts sharply with that of his society's.