The First Sex - The Natural Talents of Women and How They Are Changing the World

In this powerful indictment of George W. Bush's White House, environmental attorney Robert F. Kennedy, Jr., charges that the administration has taken corporate favoritism to unprecedented heights -- threatening our health, our national security, and our democracy.

Kennedy lifts the veil on how the administration, in order to enrich its corporate paymasters, has eviscerated the laws that protect our nation's air, water, public lands, and wildlife. He describes the White House doling out lavish subsidies and tax breaks to energy barons while allowing the corporations to profit by poisoning the public and eliminating security at the more than 15,000 nuclear and chemical facilities that are prime targets for terrorist attacks. He shows how right-wing White House ideologues have taken the "conserve" out of conservatism and trampled the free-market democracy in favor of a kind of corporate-crony capitalism that is as antithetical to democracy, efficiency, and prosperity in America as it is in Nigeria.

Crimes Against Nature is a book for both Democrats and Republicans, people like the traditionally conservative farmers and fishermen whom Kennedy represents in lawsuits against polluters. "Without exception," he writes, "these people see the current administration as the greatest threat not just to their livelihoods but to their values, their sense of community, and their idea of what it means to be American."

Don't Mind If I Do

Don't let that tanned, handsome, charming surface fool you. Beneath the bronzed façade is a mischievous mind with a wicked wit. George Hamilton doesn't miss a thing. With a front row seat for classic Hollywood's biggest secrets and scandals, George has the intelligence, heart, and unflappable spirit to tell his story, and the story of Tinseltown's heyday, with great good humor and delicious candor -- as only he can. From Where the Boys Are to Dancing with the Stars; from Mary Pickford to Elizabeth Taylor; from smalltown Arkansas to the capitals of Europe -- it's all here, and George has lived to tell and to laugh about it.

As the child of a Dartmouth-educated bandleader father and a glamorous Southern debutante mother whose marriage crumbled early on, George had a childhood filled with misadventures and challenges that his mother always seemed able to turn from tragedy to comedy. Her idea of changing the family's fortunes involved a trip cross-country with three sons and a poodle in a Lincoln Continental, making stops along the way to search for husband/father number three. And she was quick to recognize that George's potential success lay in Hollywood.

George starved nobly for his art in the late 1950s, but was soon starring in major motion pictures directed by the likes of Vincente Minnelli and Louis Malle. He has forgotten more about Hollywood than most movie experts will ever know and shares intimate and hugely entertaining stories of his friendships with Cary Grant; Brigitte Bardot; Robert Mitchum; Merle Oberon; Mae West; Sammy Davis, Jr.; and Judy Garland -- not to mention Lyndon B. Johnson and Elvis's Colonel Tom Parker as well as the King himself -- among others. The world is Hamilton's oyster, and this ultimate insider is ready to share it with us. So fasten your seat belt. We'll tell you when it's safe to move about the cabin again.

When Harriet Monroe founded Poetry magazine in Chicago in 1912, she began with an image: the Open Door. “May the great poet we are looking for never find it shut, or half-shut, against his ample genius!” For a century, the most important and enduring poets have walked through that door—William Carlos Williams and Wallace Stevens in its first years, Rae Armantrout and Kay Ryan in 2011. And at the same time, Poetry continues to discover the new voices who will be read a century from now.

Poetry’s archives are incomparable, and to celebrate the magazine’s centennial, editors Don Share and Christian Wiman combed them to create a new kind of anthology, energized by the self-imposed limitation to one hundred poems. Rather than attempting to be exhaustive or definitive—or even to offer the most familiar works—they have assembled a collection of poems that, in their juxtaposition, echo across a century of poetry. Adrienne Rich appears alongside Charles Bukowski; poems by Isaac Rosenberg and Randall Jarrell on the two world wars flank a devastating Vietnam War poem by the lesser-known George Starbuck; August Kleinzahler’s “The Hereafter” precedes “Prufrock,” casting Eliot’s masterpiece in a new light. Short extracts from Poetry’s letters and criticism punctuate the verse selections, hinting at themes and threads and serving as guides, interlocutors, or dissenting voices.

The resulting volume is an anthology like no other, a celebration of idiosyncrasy and invention, a vital monument to an institution that refuses to be static, and, most of all, a book that lovers of poetry will devour, debate, and keep close at hand.

The secrets to improving operations while maintaining the highest quality

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