The Lost Years

Who has not read about—or experienced—with a sinking feeling the fear that someone else out there may be using your credit cards, accessing your bank account, even stealing your identity.

In I ll Walk Alone, Alexandra “Zan” Moreland, a gifted, beautiful interior designer on the threshold of a successful Manhattan career, is terrified to discover that somebody is not only using her credit cards and manipulating her financial accounts to bankrupt her and destroy her reputation, but may also be impersonating her in a scheme that may involve the much more brutal crimes of kidnapping and murder. Zan is already haunted by the disappearance of her own son, Matthew, kidnapped in broad daylight two years ago in Central Park—a tragedy that has left her torn between hope and despair.

Now, on what would be Matthew’s fifth birthday, photos surface that seem to show Zan kidnapping her own child, followed by a chain of events that suggests somebody—but who? Zan asks herself desperately, and why?—has stolen her identity.

Hounded by the press, under investigation by the police, attacked by both her angry ex-husband and a vindictive business rival, Zan, wracked by fear and pain and sustained only by her belief, which nobody else shares, that Matthew is still alive, sets out to discover who is behind this cruel hoax.

What she does not realize is that with every step she takes toward the truth, she is putting herself— and those she loves most—in mortal danger from the person who has ingeniously plotted out her destruction.

Even Zan’s supporters, who include Alvirah Meehan, the lottery winner and amateur detective, and Father Aiden O’Brien, who thinks that Zan may have confessed to him a secret he cannot reveal, believe she may have kidnapped little Matthew. Zan herself begins to doubt her own sanity, until, in the kind of fast-paced explosive ending that is Mary Higgins Clark’s trademark, the pieces of the puzzle fall into place with an unexpected and shocking revelation.

The ashes reveal a startling and grisly discovery and provoke a host of suspicions and questions. Was the explosion deliberately set? What was Kate—a CPA for one of the biggest accounting firms in the country—doing in the museum when it burst into flames? Why was Gus, a retired and disgruntled craftsman, with her at that time of night? What if someone isn’t who he claims to be?

Now Gus is dead, and Kate lies in the hospital in a coma, so neither can tell what drew them there or what the tragedy may have to do with the hunt for a young woman missing for many years. Nor can they warn that somebody may be covering his tracks, willing to kill to save himself.

In a novel of dazzling suspense and excitement, Mary Higgins Clark once again demonstrates the mastery of her craft that has made her books international bestsellers for years. She presents the reader with a perplexing mystery, a puzzling question of identity, and a fascinating cast of characters—one of whom may just be a ruthless killer...

REGAN REILLY is in Los Angeles with her husband, Jack, head of the NYPD Major Case Squad. After Jack finishes his meetings with the LAPD, the couple may head north to the wine country, or may head south to Baja. Their only plan is to see which way the wind blows.

The first day back, Regan goes shopping at an upscale new mall in West Hollywood. To her surprise, she runs into Zelda, a woman she’d become friendly with seven years before at a television studio in Burbank, when they were waiting to appear on the game show Puzzling Words. They haven’t seen each other since.

Zelda and Regan didn’t win much money, but Zelda made up for it! A year ago an elderly neighbor she barely knew left Zelda eight million dollars. She has been enjoying her newfound wealth but is aware of the need to give back. At a recent fundraiser, she bid on a week’s stay in an old Hollywood Hills estate and was the lucky winner. She’s currently in residence there and invites Regan to a party at the mansion.

While Jack attends a business dinner, Regan goes to Zelda’s by herself, unaware that she is being followed. Regan is more than surprised at the run-down condition of the house and grounds. People should be paid to stay here, she thinks. Zelda introduces Regan to a colorful cast of characters, including her old neighbors, friends from her yoga class, a filmmaker, Zelda’s financial adviser, her bookkeeper, and her personal assistant. It’s all good fun. As the guests are leaving, Zelda asks Regan to stay for a cup of tea. They’ve barely sat down to chat when Zelda falls ill. A worried Regan doesn’t want to leave Zelda alone and decides to spend the night at the isolated, aging estate. It’s not long before Zelda asks Regan to investigate people in her life, starting with her father’s new wife, Bobby Jo. The couple said “I do” in the back of a cab at a drive-through chapel in Las Vegas after only three months of togetherness.

At age eighty-two and in failing health, Olivia Morrow knows she has little time left. The last of her line, she faces a momentous choice: expose a long-held family secret, or take it with her to her grave.

Olivia has in her possession letters from her deceased cousin Catherine, a nun, now being considered for beatification by the Catholic Church—the final step before sainthood. In her lifetime, Sister Catherine had founded seven hospitals for disabled children. Now the cure of a four-year-old boy dying of brain cancer is being attributed to her. After his case was pronounced medically hopeless, the boy’s desperate mother had organized a prayer crusade to Sister Catherine, leading to his miraculous recovery.

The letters Olivia holds are the evidence that Catherine gave birth at age seventeen to a child, a son, and gave him up for adoption. Olivia knows the identity of the young man who fathered Catherine’s child: Alex Gannon, who went on to become a world-famous doctor, scientist, and inventor holding medical patents.

Now, two generations later, thirty-one-year-old pediatrician Dr. Monica Farrell, Catherine’s granddaughter, stands as the rightful heir to what remains of the family fortune. But in telling Monica who she really is, Olivia would have to betray Catherine’s wishes and reveal the story behind Monica’s ancestry.

The Gannon fortune is being squandered by Alex’s nephews Greg and Peter Gannon, and other board members of the Gannon Foundation, who camouflage their profligate lifestyles with philanthropy.

Now their carefully constructed image is cracking. Greg, a prominent financier, is under criminal investigation, and Peter, a Broadway producer, is a

suspect in the murder of a young woman who has been extorting money from him.

The only people aware of Olivia’s impending choice are those exploiting the Gannon inheritance. To silence Olivia and prevent Monica from learning the secret, some of them will stop at nothing—even murder.