The Music Teacher

Sexy, vivacious Elisa, of the miniskirts and tiny T-shirts, still in art school and just coming off an affair with a temper-driven fellow artist, initiated things. She came on to cool, quiet Gabe who wore his hair in a graying ponytail and kept a low profile. A good bit older than Elisa-more than twenty years older, in fact-he found himself buoyed by her youth and her brashness. To her great surprise, Elisa craved Gabe's watchfulness and solicitude.

That Gabe's past included a successful drug dealing business bothered her not at all. And certainly he was unconcerned that Elisa's more current past included a lot of casual sex. Neither of them ever expected to have to answer for what had been so easy for Gabe and so enjoyable for Elisa. But truth be known, the one obvious thing they had in common was the burden their pasts suddenly put onto their future.

Joan Silber has written a love story for the turn of the twenty-first century, one that takes into rich account the styles and pressures of contemporary urban life. But more than that, she has created two characters who throb with real-life personality, passion, and courage.

Here, in a letter of her own, Lee Smith explains how she was inspired to write this celebrated epistolary novel:

Dear Friends,

Like me, you probably get Christmas letters every year. I read every word and save every letter. Because every Christmas letter is the story of a life, and what story can be more interesting than the story of our lives? Often, it is the story of an entire family. But you also have to read between the lines with Christmas letters. Sometimes, what is not said is even more important than what is on the page.

In The Christmas Letters, I have used this familiar format to illumine the lives, hopes, dreams, and disappointments of three generations of American women. Much of the story of The Christmas Letters is also told through shared recipes. As Mary, my favorite character, says, "I feel as if I have written out my life story in recipes! The Cool Whip and mushroom soup years, the hibachi and fondue period, then the quiche and crepes phase, and now it's these salsa years."

I wrote this little book for the same reason I write to my friends and relatives every holiday--Christmas letters give us a chance to remember and celebrate who we are.

With warmest greetings, Lee Smith

At first, Grace covers for Laz in little ways: rumpling the sheets on his side of the bed every morning for the housekeeper, turning up his favorite music so the neighbors will hear it, leaving the doorman a daily cup of coffee, just as Laz always did. Soon Grace's life is completely consumed with re-creating his life.

Over time the deception takes on a life of its own as her charade becomes more elaborate and she begins lying to friends and family, even her overbearing, ever-present Upper East Side parents. Grace finds herself steeped in denial about the truth of her husband's disappearance-and the truth about him, as clues arise to suggest that he isn't the man she thought he was.

In GIRL MEETS GOD, this appealingly honest young woman takes us through a year in her search for a religious identity. Despite her conversion, she finds that her world is still shaped by her Jewish experiences. Even as she rejoices in the holy days of the Christian calendar, she mourns the Jewish rituals she still holds dear. Attempting to reconcile the two sides of her religious self, Winner applies the lessons of Judaism to the teachings of the New Testament, hosts a Christian seder, and struggles to fit her Orthodox friends into her new religious life.