The Quilt

As she joins the circle of quilters at historic Elm Creek Manor, Anna is eager to preserve the manor's culinary heritage, dating to 1858, while also celebrating the new favorites of their many guests. Yet as Master Quilter Sylvia Bergstrom Compson well knows, the manor's kitchen, last updated in the 1940s, can't create food that compares to the state-of-the-art quilting instruction for which Elm Creek Quilts is renowned.

A full renovation of the kitchen must be completed by the start of the new camp season. Though the task is daunting, Anna is assured in her belief that "A kitchen is the heart of a home." As she and Sylvia begin to dismantle the old to make way for the new, Sylvia's reminiscences remind them both of just how many of the manor's traditions have involved food and celebrations. Whether the feast is one of the holiday menus prepared and enjoyed by generations of Bergstroms, or one of the Welcome Banquets and Farewell Breakfasts that have become hallmarks of Elm Creek Quilt Camp, there is a story for every recipe, and a recipe for every story.

The Quilter's Kitchen follows Anna's flavorful explorations of the kitchens of Elm Creek Manor, past and present. As she records beloved recipes and creates original dishes seasoned with love, she discovers anew how the gifts of the table gather friends and family ever closer.

Though Joanna's freedom proved short-lived -- she was forcibly returned by slave catchers to Josiah Chester's plantation in Virginia -- she left the Bergstrom family a most precious gift, her son. Hans and Anneke Bergstrom, along with maiden aunt Gerda, raised the boy as their own, and the secret of his identity died with their generation. Now it falls to Sylvia -- drawing upon Gerda's diary and Joanna's quilt -- to connect Joanna's past to present-day Elm Creek Manor.

Just as Joanna could not have foreseen that, generations later, her quilt would become the subject of so much speculation and wonder, Sylvia and her friends never could have imagined the events Joanna witnessed in her lifetime. Punished for her escape by being sold off to her master's brother in Edisto Island, South Carolina, Joanna grieves over the loss of her son and resolves to run again, to reunite with him someday in the free North. Farther south than she has ever been, she nevertheless finds allies, friends, and even love in the slave quarter of Oak Grove, a cotton plantation where her skill with needle and thread soon becomes highly prized.

Through hardship and deprivation, Joanna dreams of freedom and returning to Elm Creek Farm. Determined to remember each landmark on the route north, Joanna pieces a quilt of scraps left over from the household sewing, concealing clues within the meticulous stitches. Later, in service as a seamstress to the new bride of a Confederate officer, Joanna moves on to Charleston, where secrets she keeps will affect the fate of a nation, and her abilities and courage enable her to aid the country and the people she loves most.

The knowledge that scraps can be pieced and sewn into simple lines -- beautiful both in and of themselves and also for what they represent and what they can accomplish -- carries Joanna through dark days. Sustaining herself and her family through ingenuity and art during the Civil War and into Reconstruction, Joanna leaves behind a remarkable artistic legacy that, at last, allows Sylvia to discover the fate of the long-lost quilter.

These five women arrive at Elm Creek Manor hoping to find in their quilt lessons an escape from the problems they left at home. Julia, an aging starlet, has pinned her hopes to a plum role in a historical epic whose director is under the mistaken impression that Julia already knows how to quilt. Megan is a successful engineer who has won prizes for her miniature quilt designs. The one challenge she has yet to master is single motherhood. Donna, a mother of two, must hasten to teach her daughter independence and self-esteem -- lessons she, too, must take to heart. Grace is a renowned curator of antique quilts, whose creative flair is waning for reasons she is unwilling to reveal -- even to her closest friends. Vinnie, the senior member of the group, is a sunny soul with a tragic past. Her overwhelming desire is to bring happiness into the lives of those she loves.

Sylvia reveals that the handiwork spans several generations and a quartet of Bergstrom quilters -- her great aunt, her mother, her sister, and herself. As she examines the array of quilt blocks each family member contributed but never completed, memories of Christmases past emerge.

At Elm Creek Manor, Christmas began as a celebration of simple virtues -- joy and hope buoyed by the spirit of giving. As each successive generation of Bergstroms lived through its unique trials -- the antebellum era, the Great Depression, World War II -- tradition offered sustenance even during the most difficult times. For Sylvia, who is coping with the modern problem of family dispersed, estranged, or even forgotten, reconciliation with her personal history may prove as elusive as piecing the Christmas Quilt.