The Red Badge Of Courage:An Episode Of The American Civil War (Free Audio Book Link)

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The Call of the Wild   [ Free Audiobooks Download ]

he Call of the Wild is a novel by American author Jack London published in 1903. The story takes place in the extreme conditions of the Yukon during the 19th-century Klondike Gold Rush, where strong sled dogs were in high demand. After Buck, a domesticated dog, is snatched from a pastoral ranch in California, he is sold into a brutal life as a sled dog. The novella details Buck's struggle to adjust and survive the cruel treatment he receives from humans, other dogs, and nature. He eventually sheds the veneer of civilization altogether and instead relies on primordial instincts and the lessons he has learned to become a respected and feared leader in the wild.

London lived for most of a year in the Yukon and gained from that experience material for the book. The story was serialized in the Saturday Evening Post in the summer of 1903 and released a month later in book form. The great popularity and success of the story made a reputation for London, with much of the story's appeal based on the simplicity with which he presented the themes in an almost mythical manner. As early as 1908 the story was adapted to film and has seen several more cinematic adaptations since that time.

Moby-Dick; or, The Whale is an 1851 novel by Herman Melville. Considered to be one of the Great American Novels and a treasure of world literature, the story tells the adventures of wandering sailor Ishmael, and his voyage on the whaleship Pequod, commanded by the brooding Captain Ahab. Ishmael soon learns that Ahab has one purpose on this voyage: to seek out and take revenge against Moby Dick, a ferocious, enigmatic white sperm whale that crippled him and destroyed his boat in a previous encounter.

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Uncle Tom's Cabin [ Illustrated ] [ Free Audiobooks Download ]

Uncle Tom’s Cabin is a famous and well-known book about sentimental anti-slavery written by Harriet Beecher Stowe nearly a decade before the Civil War. The story tells us about morals, ethics, humanity and freedom. At that time, the impact of slavery widely captured the nation’s attention. It added to the debate about abolition and slavery, and aroused opposition in the South.

The Last of the Mohicans: A Narrative of 1757 (1826) is a historical novel by James Fenimore Cooper. It is the second book of the Leatherstocking Tales pentalogy and the best known. The Pathfinder, published 14 years later in 1840, is its sequel.
The story is set in 1757, during the French and Indian War (the Seven Years' War), when France and Great Britain battled for control of North America. During this war, the French depended on its Native American allies to help fight the more numerous British colonists in the Northeast frontier areas.
Cooper named a principal character Uncas, after a well-known Mohegan sachem (a head chief) who had been an ally of the English in 17th-century Connecticut. By using this name, Cooper seemed to confuse the Mohegan with the Mahican, a tribe historically based in New York along the Hudson River, closer to the central Mohawk Valley territory he also wrote about.
The novel was one of the most popular in English in its time, although critics identified narrative flaws. Its length and formal prose style have limited its appeal to later readers, yet The Last of the Mohicans remains widely read in American literature courses. It has been adapted numerous times for films, TV movies and cartoons.

At the time of Cooper's writing, many people believed that the Native Americans were disappearing, and would ultimately be assimilated or fail to survive. Especially in the East, their numbers continued to decline. At the same time, the author was interested with the period on the frontier of transition, when more colonists were increasing pressure on the Native Americans.
He set the novel during the Seven Years' War, an international conflict between England and France which had a front in North America. Also known on that continent as the French and Indian War, the conflict arrayed British colonial settlers and minimal regular forces, with Indian allies on one side; against royal French forces, together with their various Native American allies. The war was fought primarily along the frontiers of the British colonies from Virginia to Nova Scotia.
In the Spring of 1757, Lieutenant Colonel George Monro became garrison commander of Fort William Henry, located on Lake George (New York) in the Province of New York. In early August, Major General Louis-Joseph de Montcalm and 7,000 troops besieged the fort. On 2 August General Webb, who commanded the area from his base at Fort Edward, sent 200 regulars and 800 Massachusetts militia to reinforce the garrison at William Henry. In the novel, this is the relief column with which Monro's daughters travel.
Monro sent messengers south to Fort Edward on the 3rd, but Webb refused to send any of his estimated 1,600 men north, because they were all that stood between the French and Albany. He wrote to Munro on 4 August that he should negotiate the best terms possible; this communication was intercepted and delivered to Montcalm. In Cooper's version, the missive was being carried by Hawkeye when he, and it, fell into French hands.
On 7 August Montcalm sent men to the fort under a truce flag to deliver Webb's dispatch. By then the fort's walls had been breached, many of its guns were useless, and the garrison had taken significant casualties. After another day of bombardment by the French, Monro raised the white flag and agreed to withdraw under parole.
When the withdrawal began, some of Montcalm's Indian allies, angered at the lost opportunity for loot, attacked the British column. Cooper's account of the attack and aftermath is lurid and somewhat inaccurate. A detailed reconstruction of the action and its aftermath indicates that the final tally of British missing and dead ranges from 69 to 184; more than 500 British were taken captive.

Cora and Alice Munro, daughters of Lieutenant Colonel Munro, are traveling with a column of reinforcements from Fort Edward to Fort William Henry, where Munro is commanding an army. In the party are David Gamut, the singing teacher, and Major Duncan Heyward, the group's military leader.
Magua, a Huron scout allied with the French, leads them into an ambush. Natty Bumppo (also known as Hawkeye) and his two Mohican friends, Chingachgook and his son Uncas, rescue the party just in time. Knowing that Magua (also known as Le Renard Subtil, the cunning fox) will soon return with reinforcements, Hawkeye and the Mohicans lead their new companions to a nearby cave. A group of Hurons sent by Magua chase them into the cave. After a fierce struggle, Hawkeye and his friends decide to split up the group for safety. Hawkeye and the Mohicans hide in a nearby stream, while Heyward, Gamut, and the Munro sisters retreat into the cavern.
Magua returns with more Hurons and captures the four in the cave. The Hurons take their captives to a stream, where they rest briefly. The Hurons interrogate Heyward, who tells them that Hawkeye and the Mohicans have escaped. He learns from them that Uncas's nickname is the Bounding Elk and that Hawkeye is referred to as the Long Rifle or La Longue Carabine.
When Cora demands why the Hurons were so eager to capture them, Magua says that Colonel Munro and the English introduced him to firewater, causing him to get drunk and be expelled from his tribe. He allied with the Mohawks, but continued to drink. After Munro had him whipped after some drunken disorder, Magua returned to the Hurons and is leading them in revenge against the English. He offers to spare the party if Cora will go with him as his wife to the Huron village, but she refuses.
Hawkeye, Uncas, and Chingachgook return and ambush the Hurons, killing most of them. Magua escapes. Heyward and Hawkeye lead the Munro women to Fort William Henry, now surrounded by the French.
Munro sends Hawkeye to Fort Edward for reinforcements. While bearing General Webb's reply, he is captured by the French, who deliver him to Fort William Henry without the letter. Heyward tries to parley with the French, but learns nothing. He returns to Colonel Munro and announces his love for Alice. Munro reveals that Cora's mother was of mixed race of African ancestry from the West Indies, and gives his permission for Heyward's courtship.
The French general, Montcalm, invites Munro to a parley. He shows him Webb's letter: the English general has refused to send reinforcements. Realizing that his cause is lost, Munro agrees to Montcalm's terms. The British soldiers, together with their wounded, and women and children, are allowed to leave the fort and withdraw. Outside the fort, the column is set upon by 2000 Indian warriors. In the chaos of the massacre, Magua finds Cora and Alice, and leads them away toward the Huron village. David Gamut follows them.
Three days later, Hawkeye and the Mohicans, Heyward, and Colonel Munro enter the ruins of Fort William Henry. The next morning they follow Magua's trail. Outside the Huron village, they come across David Gamut. The Huron consider him mad for all his singing and won't kill him. Gamut says that Alice is being held in this village, Cora in one belonging to the Lenape (Delaware) tribe, and Magua is hunting. Disguised as a French medicine man, Heyward enters the Huron village with Gamut, intending to rescue Alice. Hawkeye and Uncas set out to rescue Cora. Chingachgook remains with Colonel Munro, who has become somewhat deranged as a result of events.
Before Heyward can find Alice, Uncas is led into the village, having been captured by the Hurons. Magua returns, and demands that Uncas be put to death, but does not recognise Heyward. Hawkeye steals a bearskin and disguises himself while following Heyward. They rescue Alice, wrapping her in cloth and convincing the Hurons that she is someone the French "medicine man" has to heal. As Heyward carries Alice toward the Lenape village, Gamut and the disguised Hawkeye return to the village to rescue Uncas.
His guards recognize the bear suit and allow the two to pass. Uncas dons the bear skin while Hawkeye dresses as Gamut and begins to sing. Gamut stays behind. Uncus and Hawkeye flee to the Delaware village.
Discovering Gamut, the Hurons realize that Uncas has escaped. They find Magua, bound and gagged in the cave. Learning of how they were deceived the warriors become enraged. The Hurons vow revenge.
Magua goes to the Lenape village, where he demands the return of his prisoners, and warns the Lenape of La Longue Carabine's reputation. A chief asks the prisoners who is the "long rifle". Heyward, mistaking Hawkeye's wishes, claims he is the man. Hawkeye also claims the title, and Tamemund makes them do a shooting match, which Hawkeye wins.
Tamenund at first grants Magua's wish to keep his prisoners, but Cora begs him to reconsider. She eventually begs him to hear from a Delaware warrior, referring to Uncas.
When first taken there, Uncas had offended the Delaware. They tear off his clothing and see a turtle tattoo on his chest, the symbol of his clan. Tamenund accedes to all Uncas asks and frees the prisoners, except for Cora, as she belongs to Magua. Magua reluctantly agrees to Uncas's demands but says he will keep Cora. Hawkeye had offered himself as sacrifice, but Magua refuses. Uncas and Heyward both vow to hunt down and kill Magua and rescue Cora.
According to custom, Tamenund has agreed to give Magua a three-hour head start before permitting the Delaware to pursue to try to rescue Cora. As the Delaware prepare for battle, Gamut arrives. He said he saw Magua and Cora at the Huron village, and she was hidden in the cave where they earlier found Alice. The Delaware go off to confront the Huron.
The Delaware are in three parties: one led by Hawkeye and Heyward, one by Uncas, and one by Chingachgook and Munro. They force the Huron back to their village with heavy losses and finally take the village. Magua escapes with Cora and two of his warriors; Uncas, Hawkeye, and Heyward pursue them through the mountains. Cora stops on a rocky ledge, refusing to continue. When Uncas attacks the Huron, both he and Cora are killed. Hawkeye arrives and shoots Magua.
The novel concludes with a lengthy account of the funerals of Uncas and Cora. The Lenni Lenape sing that Uncas and Cora will marry in the afterlife. Hawkeye renews his friendship with Chingachgook. Tamenund prophesies, "The pale-faces are masters of the earth, and the time of the red-men has not yet come again...."

Characters

Magua (ma-gwah) – the villain; a Huron chief driven from his tribe for drunkenness and later whipped by British soldiers; also known as Le Renard Subtil or "Sly Fox."
Chingachgook (now it is usually pronounced chin-GATCH-gook) – last chief of the Mohican tribe; escort to the Munro sisters, father to Uncas. His name was a Unami Delaware word meaning "Big Snake."
Uncas – the son of Chingachgook and the titular "Last of the Mohicans" (meaning the last pure-blooded Mohican born).
Natty Bumppo/ Hawkeye – Oeil de Faucon; a frontiersman who, becomes an escort to the Munro sisters. Known to the Indians and the French as La longue carabine, because of his long rifle and skills.
Cora Munro – dark-haired daughter of Colonel Munro. Cora is serious and intelligent, calm in the face of danger. Her mother, whom Munro met and married in the West Indies, was a mulatto, "descended, remotely" from slaves. Scholars have sometimes termed Cora a quadroon and called her "the first tragic mulatta in American literature."
Alice Munro – Cora's blonde half-sister is cheerful, playful, and charming. She is the daughter of Alice Graham, whom Munro married later in life after his first wife died.
Colonel Munro – the sisters' father, a British army colonel in command of Fort William Henry.
Duncan Heyward – a British army major from Virginia who falls in love with Alice Munro.
David Gamut – a psalmodist (teacher of psalm singing), also known as "the singing master".
General Daniel Webb – Colonel Munro's commanding officer, who takes command at Fort Edward.
General Marquis de Montcalm – the French commander-in-chief, referred to by the Hurons and other Indian allies of the French as "The great white father of the Canadas".
Tamenund – An ancient, wise, and revered Delaware Indian sage who has outlived three generations of warriors. He is the "Sachem" of the Delaware (Lenape).

According to Susan Fenimore Cooper, the author's eldest daughter, Cooper first conceived the idea for the book while visiting the Adirondack Mountains in 1825 with a party of English gentlemen. The party passed through the Catskills, an area with which Cooper was already familiar, and about which he had written in his first novel featuring Natty: The Pioneers. They passed on to Lake George and Glens Falls.
Impressed with the caves behind the falls, one member of the party suggested that "here was the very scene for a romance." Susan Cooper says that Edward Smith-Stanley, 14th Earl of Derby, made this remark. Cooper promised Stanley "that a book should actually be written, in which these caves should have a place; the, idea of a romance essentially Indian in character then first suggesting itself to his mind."
Cooper began work on the novel immediately. He and his family stayed for the summer in a cottage belonging to a friend, situated on the Long Island shore of the Sound, opposite Blackwell's Island, not far from Hallett's Cove (the area is now part of Astoria). He wrote quickly and completed the novel in the space of three or four months. He suffered a serious illness thought to have been brought on by sunstroke and, at one point, he dictated the outline of the fight between Magua and Chingachgook (12th chapter), to his wife, who thought that he was delirious.
In the novel, Hawkeye refers to Lake George as the Horican. Cooper felt that Lake George was too plain, while the French name, Le Lac du St. Sacrament, was "too complicated". Horican he found on an old map of the area; it was a French transliteration of a native group who had once lived in the area.
Cooper grew up in Cooperstown, New York, the frontier town founded by his father. His daughter said that as a young man he had few opportunities to meet and talk with Native Americans: "occasionally some small party of the Oneidas, or other representatives of the Five Nations, had crossed his path in the valley of the Susquehanna River, or on the shores of Lake Ontario, where he served when a midshipman in the navy." He read what sources were available at the time—Heckewelder, Charlevoix, William Penn, Smith, Elliot, Colden, Lang, Lewis and Clark, and Mackenzie.
By using the name Uncas for one of his characters, he seemed to confuse the two regional tribes: the Mohegan of Connecticut, of which Uncas had been a well-known sachem, and the Mahican of upstate New York. The popularity of Cooper's book helped spread the confusion.
In the period when Cooper was writing, deputations from the Western tribes frequently traveled through the region along the Mohawk River, on their way to New York or Washington, DC. He made a point of visiting these parties as they passed through Albany and New York. On several occasions, he followed them all the way to Washington to observe them for longer. He also talked to the military officers and interpreters who accompanied them.

The novel was first published in 1826 by Carey & Lea, of Philadelphia. According to Susan Cooper, its success was "greater than that of any previous book from the same pen" and "in Europe the book produced quite a startling effect."
Cooper's novels were popular, but reviewers were often critical, or dismissive. For example, the reviewer of the London Magazine (May 1826) described the novel as "clearly by much the worst of Mr Cooper's performances."Mark Twain notabley derided the author in his essay, "Fenimore Cooper's Literary Offenses," published in North American Review (July 1895). Twain complained that Cooper lacked a variety of style and was overly wordy. In the essay, Twain re-writes a small section of The Last of the Mohicans, claiming that Cooper, "the generous spendthrift", used 100 "extra and unnecessary words" in the original version.
Re-reading the book in his later years, Cooper noted some inconsistencies of plot and characterization, particularly the character of Munro. But, he wrote that in general, "the book must needs have some interest for the reader, since it could amuse even the writer, who had in a great measure forgotten the details of his own work."

The Last of the Mohicans has been James Fenimore Cooper's most popular work. It has continued as one of the most widely read novels throughout the world, and it has influenced popular opinion about American Indians and the frontier period of eastern American history. The romanticized images of the strong, fearless, and ever resourceful frontiersman (i.e., Natty Bumppo), as well as the stoic, wise, and noble "red man" (i.e., Chingachgook) were notions derived from Cooper's characterizations more than from anywhere else. The phrase, "the last of the Mohicans," has come to represent the sole survivor of a noble race or type.

Films
A number of films have been based on the lengthy book, making various cuts, compressions, and changes. The American adaptations include:
a 1912 version starring James Cruze,
The Last of the Mohicans (1920), starring Wallace Beery;
The Last of the Mohicans (1932), a serial version starring Harry Carey;
The Last of the Mohicans (1936) starring Randolph Scott and Bruce Cabot;
Last of the Mohicans (1963) starring Jack Taylor. Jose Marco, Luis Induni and Daniel Martin;
The Last of the Mohicans (1971), another serial produced by the BBC; and
The Last of the Mohicans (1992), starring Daniel Day-Lewis.
The 1920 film has been deemed "culturally significant" by the Library of Congress and selected for preservation in the United States National Film Registry. According to the director Michael Mann, his 1992 version was based more on the 1936 film version. Mann admits that he believes Cooper's novel is "not a very good book," finding issue -- in particular -- with Cooper's sympathy for the Euro-Americans and their seize of control over the American Indians' riches.
In Germany, Der Letzte der Mohikaner, with Béla Lugosi as Chingachgook, was the second part of the two-part Lederstrumpf film released in 1920. Based on the same series of the novels, Chingachgook die Grosse Schlange (Chingachgook the Great Serpent), starring Gojko Mitic as Chingachgook, appeared in East Germany in 1967, and became popular throughout the Eastern Bloc.
Stage drama
Since 2010, Last of the Mohicans Outdoor Drama, Inc. has presented a full-length dramatic version of The Last of the Mohicans. It was adapted for the stage by the author Michael Dufault and has been produced by Steven O'Connor at various locations in the Lake George, New York region.
Comics

Issue #4.
Classic Comics #4, The Last of the Mohicans, first published 1942.
Marvel Comics has published two versions of the story: in 1976 a one-issue version as part of their Marvel Classics Comics series (issue #13). In 2007, they published a six-issue mini-series to start off the new Marvel Illustrated series.
Radio
The Last of the Mohicans was adapted for radio in two one-hour episodes directed by Michael Fox and broadcast on BBC Radio 4 in 1995 (subsequently on BBC Radio 7), with Michael Fiest, Philip Franks, Helen McCrory and Naomi Radcliffe.
TV
A Canadian-produced TV series, Hawkeye and the Last of the Mohicans in 1957 with Lon Chaney, Jr..
The British Broadcasting Corporation made an eight-chapter TV serial of the book in 1971, with Philip Madoc as Magua, Kenneth Ives as Hawkeye and John Abineri as Chingachgook. Some critics believe this to be the most faithful and the best adaptation.
In a 1977 American made-for-TV movie, Steve Forrest starred as Hawkeye with Ned Romero as Chingachgook and Don Shanks as Uncas.
In the movie and the TV series M*A*S*H, the character of Benjamin Franklin Pierce was nicknamed "Hawkeye" by his father from the Last of the Mohicans.
Animation
In 2004, an animated Italian TV series version (originally named L'ultimo dei Mohicani) was produced by MondoTV and RaiFiction in association with The Animation Band and Studio Sek, consisting of 26 episodes.
Opera
In 1977, Lake George Opera presented an opera version The Last of the Mohicans by composer Alva Henderson.
Parody
In 2011, The Last of the Mohicans was parodied as The Last of the Meheecans in an episode of the popular animated series South Park.

"The Legend of Sleepy Hollow" is a short story by Washington Irving contained in his collection The Sketch Book of Geoffrey Crayon, Gent., written while he was living in Birmingham, and first published in 1820. With Irving's companion piece "Rip Van Winkle", "The Legend of Sleepy Hollow" is among the earliest examples of American fiction still read today.

"From the listless repose of the place, and the peculiar character of its inhabitants, who are descendants from the original Dutch settlers, this sequestered glen has long been known by the name of Sleepy Hollow... A drowsy, dreamy influence seems to hang over the land, and to pervade the very atmosphere..."
The story is set in 1790 in the countryside around the Dutch settlement of Tarry Town (historical Tarrytown, New York), in a secluded glen called Sleepy Hollow. Sleepy Hollow is renowned for its ghosts and the haunting atmosphere that pervades the imaginations of its inhabitants and visitors. The most infamous spectre in the Hollow is the Headless Horseman, said to be the ghost of a Hessian trooper who had his head shot away by a stray cannonball during "some nameless battle" of the American Revolutionary War, and who "rides forth to the scene of battle in nightly quest of his head".
The "Legend" relates the tale of Ichabod Crane, a lean, lanky and extremely superstitious schoolmaster from Connecticut, who competes with Abraham "Brom Bones" Van Brunt, the town rowdy, for the hand of 18-year-old Katrina Van Tassel, the daughter and sole child of a wealthy farmer, Baltus Van Tassel. Crane, a Yankee and an outsider, sees marriage to Katrina as a means of procuring Van Tassel's extravagant wealth. Bones, the local hero, vies with Ichabod for Katrina's hand, exacting a series of pranks on the jittery schoolmaster, and the fate of Sleepy Hollow's fortune weighs in the balance for some time. The tension between the three is soon brought to a head. On a placid autumn night, the ambitious Crane attends a harvest party at the Van Tassels' homestead. He dances, partakes in the feast, and listens to ghostly legends told by Brom and the locals, but his true aim is to propose to Katrina after the guests leave. His intentions, however, are ill-fated.
After having failed to secure Katrina's hand, Ichabod rides home "heavy-hearted and crestfallen" through the spook-infested woods between Van Tassel's farmstead and the Sleepy Hollow settlement. As he passes several purportedly haunted spots, his active imagination is engorged by the ghost stories told at Baltus' harvest party. After nervously passing under a lightning-striken tulip tree purportedly haunted by the ghost of the British spy, Major André, Ichabod encounters a cloaked rider at an intersection in a menacing swamp. Unsettled by his fellow traveler's eerie size and silence, the teacher is horrified to discover that his companion's head not on his shoulders, but on his saddle. In a frenzied race to the bridge adjacent to the Old Dutch Burying Ground, where the Hessian is said to "vanish, according to rule, in a flash of fire and brimstone" upon crossing it, Ichabod rides for his life, desperately goading his temperamental plow horse down the Hollow. However, to the pedagogue's horror, the ghoul clambers over the bridge, rears his horse, and hurls his decapitated head into Ichabod's terrified face.
The next morning, Ichabod has mysteriously disappeared from town, leaving Katrina to marry Brom Bones, who was said "to look exceedingly knowing whenever the story of Ichabod was related". Indeed, the only relics of the schoolmaster's flight are his wandering horse, trampled saddle, discarded hat, and a mysterious shattered pumpkin. Although the nature of the Headless Horseman is left open to interpretation, the story implies that the ghost was really Brom (an agile stunt rider) in disguise. Irving's narrator concludes, however, by stating that the old Dutch wives continue to promote the belief that Ichabod was "spirited away by supernatural means," and a legend develops around his disappearance and sightings of his melancholy spirit.

The more spectral elements of The Legend of Sleepy Hollow were likely based on German folktales concerning "The Wild Huntsman", a ghoulish phantom that would chase interlopers through the woods at maddening speeds. Often this apparition was headless and its victims lacked in virtue or morality. Irving wrote The Sketch Book during a tour of Europe, and German ghost stories proved especially inspiring to his imagination. One particularly influential rendition of this folktale was recorded by the German folklorist Karl Musäus. Headless horsemen were staples of Northern European storytelling, featuring in German, Irish (e.g. Dullahan), Scandinavian (e.g. the Wild Hunt), and English legends. Decapitated riders were known to race through the countryside, heads tucked under their arms, followed by hoards of coal-black hounds with fiery tongues. Usually viewed as omens of ill-fortune for those who chose to disregard their apparitions, these specters found their victims in proud, scheming persons and characters with hubris and arrogance.
The dénouement of the fictional tale is set at the bridge over the Pocantico River in the area of the Old Dutch Church and Burying Ground in Sleepy Hollow. The characters of Ichabod Crane and Katrina Van Tassel may have been based on local residents known to the author. The character of Katrina is thought to have been based upon Eleanor Van Tassel Brush, in which case her name is derived from that of Eleanor's aunt Catriena Ecker Van Texel.
During the height of the American Revolutionary War, Irving writes that the country surrounding Tarry Town "was one of those highly-favored places which abound with chronicle and great men. The British and American line had run near it during the war; it had, therefore, been the scene of marauding, and infested with refugees, cow-boys, and all kinds of border chivalry." Westchester County was the site of many raids, skirmishes, war crimes, marauding, and ravishing after the Continental Army abandoned it in October 1776. The British occupied the country south of the Bronx River, and the American were fortified north of Peekskill, leaving Westchester County a thirty-mile stretch of scorched and desolated no-man's land, vulnerable to outlaws, raiders, and vigilantes. Besides droves of Loyalist Rangers and British light infantry, Hessian Jägers—renowned sharpshooters and horsemen—were among the raiders that often skirmished with Patriot militias. The Headless Horseman, said to be a decapitated Hessian soldier, may have indeed been based loosely on the discovery of just such a Jäger's headless corpse found in Sleepy Hollow after a violent skirmish, and later buried by the Van Tassel family in an unmarked grave in the Old Dutch Burying Ground.
Irving, while he was an aide-de-camp to New York Gov. Daniel D. Tompkins, met an army captain named Ichabod Crane in Sackets Harbor, New York during an inspection tour of fortifications in 1814. He may have patterned the character in "The Legend" after Jesse Merwin, who taught at the local schoolhouse in Kinderhook, further north along the Hudson River, where Irving spent several months in 1809.
The story was the longest one published as part of The Sketch Book, which Irving issued using the pseudonym "Geoffrey Crayon" in 1820. Alongside "Rip Van Winkle," The Legend of Sleepy Hollow is one of Irving's most anthologized, studied, and adapted sketches. Both stories are often paired together in books and other representations, and both are included in surveys of early American literature and Romanticism. Irving's depictions of regional culture and his themes of progress versus tradition, supernatural intervention in the commonplace, and the plight of the individual outsider in a homogeneous community permeate both stories and helped to develop a unique sense of American cultural and existential selfhood during the early nineteenth century.
The Legend of Sleepy Hollow follows a tradition of folk tales and poems involving a supernatural wild chase, including Robert Burns's Tam O' Shanter (1790), and Bürger's Der wilde Jäger, translated as The Wild Huntsman (1796).

Notable film and television variations include:
The Headless Horseman (1922), a silent version directed by Edward Venturini, and starring Will Rogers as Ichabod Crane. It was filmed on location in New York's Hudson River Valley.
The Adventures of Ichabod and Mr. Toad (1949), directed by James Algar, Clyde Geronimi and Jack Kinney, produced by Walt Disney Productions and narrated by Bing Crosby. It is an animated cartoon adaptation of the story, paired with a similar treatment of Kenneth Grahame's The Wind in the Willows. The climactic ride is more extended than in the original story, and the possibility is stressed that the visually impressive Horseman is in fact a ghost rather than a human in disguise. Later the Sleepy Hollow portion of the film was separated from the companion film, and shown separately as The Legend of Sleepy Hollow in 1958.
A short animated version produced in 1972 was narrated by John Carradine.
The Legend of Sleepy Hollow (1980), directed by Henning Schellerup. A television movie on NBC filmed in Utah, starring Jeff Goldblum as Ichabod Crane, Meg Foster as Katrina, and Dick Butkus as Brahm Bones. Producer Charles Sellier was nominated for an Emmy Award for his work on the movie. The film is not closely adapted to the original story, depicting Crane as a skeptic regarding ghosts and the supernatural, although it foreshadows Tim Burton's similar 1999 treatment.
Tall Tales & Legends episode "The Legend of Sleepy Hollow" (1987), starring Ed Begley, Jr. as Ichabod Crane, Beverly D'Angelo as Katrina Van Tassel, and Charles Durning as Doffue Van Tassel who is also the narrator. Produced and hosted by Shelley Duvall.
In 1988 PBS and Rabbit Ears Productions produced a multi-award winning animated adaptation and a subsequent book depicting the Irving story. Illustrations, directing, and adaptation was done by Robert Van Nutt, music by Tim Story, and the narration by Glenn Close.
The Real Ghostbusters featured an episode with a descendant of Ichabod Crane cursed by a headless apparition on a motorcycle who chases her.
In the Nickelodeon television series Are You Afraid of the Dark? (1992), the episode "The Tale of the Midnight Ride" serves as a sequel to the classic story. In this episode a boy moves to Sleepy Hollow where he develops a crush on a girl. One night after the Halloween dance, they see the ghost of Ichabod Crane and send him over the bridge that the Headless Horseman cannot cross, prompting the Headless Horseman to then come after them.
The Legend of Sleepy Hollow (1999) was a Canadian television film starring Brent Carver and Rachelle Lefevre which was filmed in Montreal.
Sleepy Hollow (1999) was a feature film directed by Tim Burton, though the adaptation takes many liberties with the plot and characters, changing Crane from the local schoolmaster into a police constable sent from New York to investigate recent murders, with the Horseman being used as a weapon against the local landowners. Johnny Depp starred as Ichabod Crane while Christopher Walken plays the Headless Horseman. The cast also featured Christina Ricci as Katrina, and Casper Van Dien as Brom.
The Night of the Headless Horseman (1999) was an hour long computer animated FOX TV special utilizing motion capture.
The Haunted Pumpkin of Sleepy Hollow (2002) was an hour long animated special from PorchLight Entertainment.
The Hollow (2004) was a TV movie that premiered on the ABC Family channel starring Kevin Zegers and Kaley Cuoco. The adaptation focused on a teenage descendant of Ichabod Crane.
"The Legend of Sleepy Halliwell" (2004) was an episode of the TV show Charmed. A headless horseman murders the teachers at Magic School by beheading them.
Halloween Hound: The Legend of Creepy Collars is the second-season premiere of the PBS series Wishbone. In this episode, the show's central character and narrator, a talking dog named Wishbone, imagines himself as Ichabod Crane and re-enacts the Headless Horseman story in his imagination as his owner, a boy named Joe Talbot, goes on a Halloween night scavenger hunt. In Wishbone's imagined story, he is scared off by the Headless Horseman. When the villagers find the shattered pumpkin the following morning, Brom rides among them. The camera focuses on the saddle on Brom's horse, showing that it has a unique design similar to the one used by the Headless Horseman.
In 2013, filming took place for Sleepy Hollow, a Fox TV series pilot, with Tom Mison as Ichabod Crane, written by Alex Kurtzman and Roberto Orci. John Cho also appears in the episode.

Stage and music adaptations

Sleepy Hollow (1948), a Broadway musical, with music by George Lessner and book and lyrics by Russell Maloney and Miriam Battista. It lasted 12 performances.
The Legend of Sleepy Hollow (1989), a one-act stage adaptation by Kathryn Schultz Miller.
The Legend of Sleepy Hollow for Speaker & Orchestra (1999), a 15 minute composition by Robert Lichtenberger; it premiered October 2001 by Lincoln's Symphony Orchestra (Lincoln, NE) conducted by Tyler White.
The Legend of Sleepy Hollow in Concert (2004), part musical theater, radio drama, and festival, an annual production with music by Steven J. Smith, Jr. and lyrics by Jensen Oler and Smith; it premiered in Lehi, Utah at Olympic Park on October 8, 2004.
The Legend of Sleepy Hollow (2009), an opera, with music and libretto by Robert Milne; available for production through Arts Ascending, Inc. 
The Legend of Sleepy Hollow (2009), an opera, with music by William Withem and libretto by Melanie Helton; it premiered March 27, 2009, in the Concert Auditorium at Michigan State University.
Sleepy Hollow (2009), a musical with book and lyrics by Jim Christian and music by Tom Edward Clark. It premiered at Weber State University in Ogden, Utah on October 30, 2009. It received the 2009 Kennedy Center American College Theater Festival Musical Theatre Award.
The Hollow (2011). Book by Hunter Foster, music & lyrics by Matt Conner, directed by Matt Gardiner; premiered at Signature Theatre in Washington, DC (Eric Schaeffer, Artistic Director).
The Legend of Sleepy Hollow adapted by Darkstuff Productions at the Bierkeller Theatre Bristol, England Christmas 2012.
Legend of Sleepy Hollows, a novelty Doo-Wop song, recorded by Monotones of Book of Love fame
Legend of the Headless Rider is a song by Mercyful Fate, fronted by King Diamond, on their In the Shadows album.

Adventures of Huckleberry Finn (or, in more recent editions, The Adventures of Huckleberry Finn) is a novel by Mark Twain, first published in England in December 1884 and in the United States in February 1885. Commonly named among the Great American Novels, the work is among the first in major American literature to be written throughout in vernacular English, characterized by local color regionalism. It is told in the first person by Huckleberry "Huck" Finn, a friend of Tom Sawyer and narrator of two other Twain novels (Tom Sawyer Abroad and Tom Sawyer, Detective). It is a direct sequel to The Adventures of Tom Sawyer.
The book is noted for its colorful description of people and places along the Mississippi River. Satirizing a Southern antebellum society that had ceased to exist about twenty years before the work was published, Adventures of Huckleberry Finn is an often scathing look at entrenched attitudes, particularly racism.
Perennially popular with readers, Adventures of Huckleberry Finn has also been the continued object of study by literary critics since its publication. It was criticized upon release because of its coarse language and became even more controversial in the 20th century because of its perceived use of racial stereotypes and because of its frequent use of the racial slur "nigger", despite strong arguments that the protagonist, and the tenor of the book, is anti-racist.

Characters

In order of appearance:
Huckleberry Finn is a boy about thirteen or fourteen. He has been brought up by his father, the town drunk, and has a hard time fitting into society. Tom Sawyer and his friends occasionally call him "Huck Finn".
Widow Douglas is the kind old lady who has taken Huck in after he and Tom come into some money. She tries her best to civilize Huck, believing it is her Christian duty.
Miss Watson is the widow’s sister, a tough old spinster who also lives with them. She is fairly hard on Huck, causing him to resent her a good deal. Samuel Clemens may have drawn inspiration for her from several people he knew in his life.
Jim is Miss Watson's big, mild-mannered slave to whom Huck becomes very close in the novel, when they reunite after Jim flees Miss Watson to seek refuge from slavery, and Huck and Jim become fellow travelers on the Mississippi River.
Tom Sawyer is Huck’s friend and peer, the main character of other Twain novels and the leader of the town boys in adventures, is "the best fighter and the smartest kid in town".
"Pap" Finn, Huck’s father, is the town drunk. He is often angry at Huck and resents him getting any kind of education. He also returns to Huck whenever he needs more money for alcohol.
Judith Loftus plays a small part in the novel — being the kind and perceptive woman whom Huck talks to in order to find out about the search for Jim — but many critics believe her to be the best female character in the novel.
The Grangerfords, an aristocratic Kentuckian family headed by the sextagenarian Colonel Saul Grangerford, take Huck in after he is separated from Jim on the Mississippi. Huck becomes close friends with the youngest male of the family, Buck Grangerford, who is Huck's age. By the time Huck meets them, the Grangerfords have been engaged in an age-old blood feud with another local family, the Shepherdsons.
The duke and the king are two otherwise unnamed con artists whom Huck and Jim take aboard their raft just before the start of their Arkansas adventures. They are featured prominently throughout the novel, duping many local townspeople with their various get-rich-quick schemes. The middle-aged "duke" claims to be the long-lost Duke of Bridgewater (though he mistakenly says "Bilgewater" and is sometimes called this by the king), while the elderly "king" claims to be the long-lost Dauphin of France, and so is sometimes called "Capet" by the duke.
Mary Jane, Joanna, and Susan Wilks are the three young nieces of their wealthy guardian, Peter Wilks, who has recently died. The duke and the king try to steal the inheritance left by Peter Wilks, by posing as Peter's estranged brothers from England.
Aunt Sally and Uncle Silas Phelps, are the two people whose nephew Huck poses as, after he abandons the duke and king. She is a loving, but high-strung lady, and he a plodding old man, both farmer and preacher.
Many other characters play important but minimal roles in the many episodes that make up the novel. They include slaves owned by the various families they meet, supporting townspeople, rafts-men, a doctor and a steamboat captain.

The story begins in fictional St. Petersburg, Missouri (based on the actual town of Hannibal, Missouri), on the shore of the Mississippi River, sometime between 1835 (when the first steamboat sailed down the Mississippi) and 1845. Huckleberry "Huck" Finn (the protagonist and first-person narrator) and his friend, Thomas "Tom" Sawyer, have each come into a considerable sum of money as a result of their earlier adventures (detailed in The Adventures of Tom Sawyer). Huck explains how he is placed under the guardianship of the Widow Douglas, who, together with her stringent sister, Miss Watson, are attempting to civilize him and teach him religion. Finding civilized life confining, his spirits are raised somewhat when Tom Sawyer helps him to escape one night past Miss Watson's slave Jim, to meet up with Tom's gang of self-proclaimed "robbers." Just as the gang's activities begin to bore Huck, he is suddenly interrupted by the reappearance of his shiftless father, "Pap", an abusive alcoholic. Although Huck is successful in preventing Pap from acquiring his fortune, knowing that Pap would only spend the money on alcohol, Pap still gains custody of Huck and leaves town with him.

Pap forcibly moves Huck to his isolated cabin in the woods on the Illinois shoreline. Due to Pap's drunken violence and habit of keeping Huck locked inside the cabin, Huck, during one of his father's absences, saws a hole in the cabin wall, elaborately fakes his own murder, and sets off down river; settling, quite comfortably, on Jackson's Island, in the Mississippi. Here, Huck reunites with Jim, Miss Watson's slave. Jim has also run away after he overheard Miss Watson planning to sell him "down the river" (to one of the states further South where the treatment of slaves is far more brutal). Jim plans to make his way to the town of Cairo in Illinois, a free state, so that he can later buy the rest of his enslaved family's freedom. At first, Huck is conflicted about the sin of supporting a runaway slave, but as the two talk in depth and bond over their mutually held superstitions, Huck emotionally connects with Jim, who increasingly becomes Huck's close friend and guardian. After heavy flooding on the river, the two find a raft (which they keep) as well as an entire house floating on the river. Entering the house to seek loot, Jim finds the naked body of a dead man lying on the floor, shot in the back. He quietly prevents Huck from seeing the corpse.
To find out the latest news, Huck dresses as a girl and goes into town. He enters the house of Judith Loftus, a woman new to the area, thinking she will not recognize him as a boy. Huck learns from her about the news of his own supposed murder; Pap was initially blamed, but since Jim ran away he is also a suspect. A reward for Jim's capture has initiated a manhunt: Mrs Loftus herself has a feeling about Jackson's Island. Mrs. Loftus is actually very shrewd, and she becomes increasingly suspicious that Huck is a boy, finally proving it by tests, such as seeing how he catches something in his lap, and how he throws a chunk of lead at a rat. Once he is exposed, she nevertheless allows him to leave her home without commotion, not realizing that he is the allegedly murdered boy they have just been discussing. Huck returns to Jim to tell him the news - they are obviously no longer safe from discovery on the island, so the two hastily load up the raft and depart.
After a while they come across a grounded steamship. Searching it, Huck and Jim stumble upon two thieves discussing murdering a third, and they flee before being noticed. They are later separated in a fog, making Jim intensely anxious, and when they reunite, Huck tricks Jim into thinking he dreamed the entire incident. Jim is not deceived for long, and is deeply hurt that his friend should have teased him so mercilessly. Huck becomes remorseful and apologizes to Jim, though his conscience troubles him about humbling himself before a black man.

Travelling onward, Huck and Jim's raft is struck by a passing steamship, separating the two. Huck is given shelter on the Kentucky side of the river by the Grangerfords, an aristocratic family. He befriends Buck Grangerford, a boy about his age, and learns that the Grangerfords are engaged in a 30-year blood feud against another family, the Shepherdsons. The Grangerfords and Shepherdsons go to the same church and act peaceably inside, though both families bring guns, despite the church's preachings on brotherly love. The vendetta finally comes to a head when Buck's older sister elopes with a member of the Shepherdson clan. In the resulting conflict, all the Grangerford males from this branch of the family are shot and killed, including Buck. Huck is particularly devastated by the brutality of Buck's murder, which he witnesses, but declines to describe. He is immensely relieved to be reunited with Jim, who has rescued and repaired the raft.

Near the Arkansas-Missouri-Tennessee border, Jim and Huck take two on-the-run grifters aboard the raft. The younger man, who is about thirty, introduces himself as the long-lost son of an English duke (the Duke of Bridgewater). The older one, about seventy, then trumps this outrageous claim by alleging that he himself is the Lost Dauphin, the son of Louis XVI and rightful King of France. The "duke" and "king" then become permanent passengers on Jim and Huck's raft, committing a series of confidence schemes upon unsuspecting locals all along their journey. To allow for Jim's presence, they first print fake bills for an escaped slave, but later paint him up entirely blue and call him the "Sick Arab" so that he can move about the raft without being tied up.
On one occasion, they advertise a three-night engagement of a play called "The Royal Nonesuch". The play turns out to be only a couple of minutes' worth of an absurd, bawdy sham. On the afternoon of the first performance, a drunk called Boggs is shot dead by a gentleman named Colonel Sherburn; a lynch mob forms to retaliate against Sherburn; and Sherburn, surrounded at his home, disperses the mob by making a defiant speech describing how true lynching should be done. By the third night of "The Royal Nonesuch", the townspeople prepare for their revenge on the duke and king for their money-making scam, but the two cleverly skip town together with Huck and Jim just before the performance begins.
In the next town, the two swindlers then impersonate two brothers of Peter Wilks, a recently deceased man of property. To match accounts of Wilks's brothers, the king attempts an English accent and the duke pretends to be a deaf-mute, while starting to collect Wilks's inheritance. Huck decides that Wilks's three orphaned nieces, who treat Huck with kindness, do not deserve to be cheated and so he tries to retrieve the nieces' stolen inheritance. In a desperate moment, Huck is forced to hide the money in Wilks's coffin, which is buried the next morning. The arrival of two new men who seem to be the real brothers throws everything into confusion, so the townspeople decide to dig up the coffin in order to determine who are the true brothers, but Huck leaves for the raft in the ensuing commotion. Just as Huck and Jim believe they have escaped, the two villains turn up and take charge, to Huck's despair. When Huck is finally able to get away and return to his raft to flee with Jim, he finds to his horror that Jim has been sold to a family that intends to return the slave to his proper owner for the reward. Defying his conscience and accepting the negative religious consequences he expects for his actions—"All right, then, I'll go to hell!"—Huck resolves to free Jim once and for all.

Huck learns that Jim is being held at the plantation of Silas and Sally Phelps. The family's nephew, Tom, is expected for a visit at the same time of Huck's arrival, so Huck is luckily mistaken for Tom and welcomed into their home. He plays along, hoping to find Jim's location and free him; in a surprising plot twist, it is revealed that the expected nephew is in fact Tom Sawyer. When Huck intercepts Tom on the road and tells him everything, Tom decides to join Huck's scheme, pretending to be his own younger half-brother Sid, while Huck continues to pretend that he is himself Tom Sawyer. In the meantime, Jim has told the family about the two grifters and the new plan for "The Royal Nonesuch," and so the people of town capture the duke and king, who are then tarred and feathered and ridden out of town on a rail.
Rather than simply sneaking Jim out of the shed where he is being held, Tom develops an elaborate plan to free him, involving secret messages, a hidden tunnel, a rope ladder sent in Jim's food, and other elements from adventure books he has read, including an anonymous note to the Phelpses warning them of the whole scheme. During the resulting pursuit, Tom is shot in the leg and Jim remains by his side, risking recapture rather than completing his escape alone. Although a local doctor admires Jim's decency, he has Jim captured while asleep and returned to the Phelpses. After this event, events quickly resolve themselves. Tom's Aunt Polly arrives and reveals Huck and Tom's true identities to the Phelps family. Jim is revealed to be a free man; Miss Watson died two months earlier and freed Jim in her will, but Tom chose not to reveal this information so that he could come up with an elaborate plan to rescue Jim. Jim tells Huck that Huck's father has been dead for some time (he was the dead man they found in the floating house; Jim sensitively hid his identity from Huck until now) so that Huck may return safely to St. Petersburg. Huck declares that he is quite glad to be done writing his story, and despite Sally's plans to adopt and civilize him, he intends to flee west to Indian Territory.

Adventures of Huckleberry Finn explores notions of race and identity. An obvious complexity exists concerning Jim’s character. While some scholars point out that Jim is good-hearted, moral, and not unintelligent, others have criticized the novel as racist, citing the use of the word "nigger" and emphasising the stereotypically "comic" treatment of Jim's superstition and ignorance.
Huck struggles not only with the challenges of his strenuous journey, but also with the 19th century social climate and the role it forces on him regarding Jim. Throughout the story, Huck is in moral conflict with the received values of the society in which he lives, and while he is unable to consciously refute those values even in his thoughts, he makes a moral choice based on his own valuation of Jim's friendship and human worth, a decision in direct opposition to the things he has been taught. Mark Twain in his lecture notes proposes that "a sound heart is a surer guide than an ill-trained conscience", and goes on to describe the novel as "...a book of mine where a sound heart and a deformed conscience come into collision and conscience suffers defeat".
To highlight the hypocrisy required to condone slavery within an ostensibly moral system, Twain has Huck's father enslave him, isolate him, and beat him. When Huck escapes – which anyone would agree was the right thing to do – he then immediately encounters Jim "illegally" doing the same thing.
Some scholars discuss Huck’s own character, and the novel itself, in the context of its relation to African-American culture as a whole. John Alberti quotes Shelley Fisher Fishkin who writes in her 1990’s book Was Huck Black?: Mark Twain and African-American Voices, "by limiting their field of inquiry to the periphery," white scholars "have missed the ways in which African-American voices shaped Twain's creative imagination at its core." It is suggested that the character of Huckleberry Finn illustrates the correlation, and even interrelatedness, between white and black culture in the United States.

The original illustrations were done by Edward W. Kemble (more often known as E.W. Kemble), at the time a young artist working for Life magazine. Kemble was hand-picked by Twain, who admired his work. Hearn suggests that Twain and Kemble had a similar skill, writing that:
Whatever he may have lacked in technical grace...Kemble shared with the greatest illustrators the ability to give even the minor individual in a text his own distinct visual personality; just as Twain so deftly defined a full-rounded character in a few phrases, so too did Kemble depict with a few strokes of his pen that same entire personage.
As Kemble could only afford one model, most of his illustrations produced for the book were done by guesswork. When the novel was published, the illustrations were praised even as the novel was harshly criticized. E.W. Kemble also produced another set of illustrations for Harper’s and the American Publishing Company in 1898 and 1899 after Twain lost the copyright.

Twain initially conceived of the work as a sequel to The Adventures of Tom Sawyer that would follow Huckleberry Finn through adulthood. Beginning with a few pages he had removed from the earlier novel, Twain began work on a manuscript he originally titled Huckleberry Finn's Autobiography. Twain worked on the manuscript off and on for the next several years, ultimately abandoning his original plan of following Huck's development into adulthood. He appeared to have lost interest in the manuscript while it was in progress, and set it aside for several years. After making a trip down the Hudson river, Twain returned to his work on the novel. Upon completion, the novel's title closely paralleled its predecessor's: Adventures of Huckleberry Finn (Tom Sawyer's Comrade).
As it relates to the actual body of text during the time of publication, Mark Twain composed the story in pen on notepaper between 1876 and 1883. Paul Needham, who supervised the authentication of the manuscript for Sotheby's books and manuscripts department in New York in 1991, stated, "What you see is [Clemens'] attempt to move away from pure literary writing to dialect writing". For example, Twain revised the opening line of Huck Finn three times. He initially wrote, "You will not know about me", which he changed to, "You do not know about me", before settling on the final version, "You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer'; but that ain't no matter." The revisions also show how Twain reworked his material to strengthen the characters of Huck and Jim, as well as his sensitivity to the then-current debate over literacy and voting.
A later version was the first typewritten manuscript delivered to a printer.
Demand for the book would spread outside of the United States. Adventures of Huckleberry Finn was eventually published on December 10, 1884, in Canada and England, and on February 18, 1885, in the United States. The illustration on page 283 became a point of issue after an engraver, whose identity was never discovered, made a last-minute addition to the printing plate of Kemble’s picture of old Silas Phelps, which drew attention to Phelps’ groin. Thirty thousand copies of the book had been printed before the obscenity was discovered. A new plate was made to correct the illustration and repair the existing copies.
In 1885, the Buffalo Public Library's curator, James Fraser Gluck, approached Twain to donate the manuscript to the library. Twain did so. Later it was believed that half of the pages had been misplaced by the printer. In 1991, the missing half turned up in a steamer trunk owned by descendants of Gluck. The library successfully proved possession and, in 1994, opened the Mark Twain Room to showcase the treasure.
In relation to the literary climate at the time of the book’s publication in 1885, Henry Nash Smith describes the importance of Mark Twain’s already established reputation as a “professional humorist,” having already published over a dozen other works. Smith suggests that while the “dismantling of the decadent Romanticism of the later nineteenth century was a necessary operation,” Adventures of Huckleberry Finn illustrated “previously inaccessible resources of imaginative power, but also made vernacular language, with its new sources of pleasure and new energy, available for American prose and poetry in the twentieth century.”

While it was clear that the publication of The Adventures of Huckleberry Finn was controversial from the outset, Norman Mailer of The New York Times concluded in 1984 that Twain’s novel was not initially “too unpleasantly regarded.” In fact, Mailer writes that “the critical climate could hardly anticipate T. S. Eliot and Ernest Hemingway's encomiums 50 years later,” reviews that would remain longstanding in the American consciousness.
Alberti suggests that the academic establishment responded to the book’s challenges both dismissively and with confusion. During Twain’s time, and today, defenders of The Adventures of Huckleberry Finn "lump all nonacademic critics of the book together as extremists and ‘censors’ thus equating the complaints about the book's ‘coarseness’ from the genteel bourgeois trustees of the Concord Public Library in the 1880s with more recent objections based on race and civil rights.”
Upon issue of the American edition in 1885 several libraries banned it from their shelves. The early criticism focused on what was perceived as the book's crudeness. One incident was recounted in the newspaper, the Boston Transcript:
The Concord (Mass.) Public Library committee has decided to exclude Mark Twain's latest book from the library. One member of the committee says that, while he does not wish to call it immoral, he thinks it contains but little humor, and that of a very coarse type. He regards it as the veriest trash. The library and the other members of the committee entertain similar views, characterizing it as rough, coarse, and inelegant, dealing with a series of experiences not elevating, the whole book being more suited to the slums than to intelligent, respectable people.
Twain later remarked to his editor, "Apparently, the Concord library has condemned Huck as 'trash and only suitable for the slums.' This will sell us another twenty-five thousand copies for sure!"
In 1905, New York’s Brooklyn Public Library also banned the book due to bad word choice and Huck's having “not only itched but scratched” within the novel, which was considered obscene. When asked by a Brooklyn librarian about the situation, Twain replied:
I am greatly troubled by what you say. I wrote 'Tom Sawyer' & 'Huck Finn' for adults exclusively, & it always distressed me when I find that boys and girls have been allowed access to them. The mind that becomes soiled in youth can never again be washed clean. I know this by my own experience, & to this day I cherish an unappeased bitterness against the unfaithful guardians of my young life, who not only permitted but compelled me to read an unexpurgated Bible through before I was 15 years old. None can do that and ever draw a clean sweet breath again on this side of the grave.
Many subsequent critics, Ernest Hemingway among them, have deprecated the final chapters, claiming the book "devolves into little more than minstrel-show satire and broad comedy" after Jim is detained. Hemingway declared, "All modern American literature comes from" Huck Finn, and hailed it as "the best book we've had". He cautioned, "If you must read it you must stop where the Nigger Jim is stolen from the boys sic. That is the real end. The rest is just cheating." Pulitzer Prize winner Ron Powers states in his Twain biography (Mark Twain: A Life) that "Huckleberry Finn endures as a consensus masterpiece despite these final chapters", in which Tom Sawyer leads Huck through elaborate machinations to rescue Jim.
The words "nigger" and "Jim" appear side-by-side once in the novel, in Chapter XXXI, in a letter Huck writes to Mrs. Watson, but they are not used as a name. After "nigger Jim" appears in Albert Bigelow Paine's 1912 Clemens biography, it continued to be used by twentieth century critics, including Leslie Fiedler, Norman Mailer, and Russell Baker.
Writer Louisa May Alcott criticized the book’s publication as well, saying that if Twain "[could not] think of something better to tell our pure-minded lads and lasses he had best stop writing for them".

The language of Adventures of Huckleberry Finn made for its controversial condition during its first year on the shelves and into the modern world of literature. In his introduction to The Annotated Huckleberry Finn, Michael Patrick Hearn writes that Twain “could be uninhibitedly vulgar,” and quotes William Dean Howells, a Twain contemporary, who wrote that the author’s “humor was not for most women.” However, Hearn continues by explaining that “the reticent Howells found nothing in the proofs of Huckleberry Finn so offensive that it needed to be struck out.”
Much of modern scholarship of Huckleberry Finn has focused on its treatment of race. Many Twain scholars have argued that the book, by humanizing Jim and exposing the fallacies of the racist assumptions of slavery, is an attack on racism. Others have argued that the book falls short on this score, especially in its depiction of Jim. According to Professor Stephen Railton of the University of Virginia, Twain was unable to fully rise above the stereotypes of black people that white readers of his era expected and enjoyed, and therefore resorted to minstrel show-style comedy to provide humor at Jim's expense, and ended up confirming rather than challenging late-19th century racist stereotypes.
In one instance, the controversy caused a drastically altered interpretation of the text: in 1955, CBS tried to avoid controversial material in a televised version of the book, by deleting all mention of slavery and omitting the character of Jim entirely.
Because of this controversy over whether Huckleberry Finn is racist or anti-racist, and because the word "nigger" is frequently used in the novel, many have questioned the appropriateness of teaching the book in the U.S. public school system—this questioning of the word “nigger” is illustrated by a school administrator of Virginia in 1982 calling the novel the "most grotesque example of racism I’ve ever seen in my life". According to the American Library Association, Huckleberry Finn was the fifth most-frequently-challenged book in the United States during the 1990s.
There have been several more recent cases involving protests for the banning of the novel. In 2003 high school student Calista Phair and her grandmother, Beatrice Clark, in Renton, Washington, proposed banning the book from classroom learning in the Renton School District, though not from any public libraries, because of the word "nigger". Clark filed a request with the school district in response to the required reading of the book, asking for the novel to be removed from the English curriculum. The two curriculum committees that considered her request eventually decided to keep the novel on the 11th grade curriculum, though they suspended it until a panel had time to review the novel and set a specific teaching procedure for the novel and its controversial topics.
In 2009 a Washington state high school teacher called for the removal of the novel from a school curriculum. The teacher, John Foley, called for replacing Adventures of Huckleberry Finn with a more modern novel. In an opinion column that Foley wrote in the Seattle Post Intelligencer, he states that all "novels that use the ‘N-word’ repeatedly need to go." He states that teaching the novel is not only unnecessary, but difficult due to the offensive language within the novel with many students becoming uncomfortable at "just hear[ing] the N-word." He views this change as “common sense,” with Obama’s election into office as a sign that Americans “are ready for a change,” and that by removing these books from the reading lists, they would be following this change.
Publishers of the book have made their own attempts at easing the controversy by way of less-coarse publications. A 2011 edition of the book, published by NewSouth Books, replaced the word "nigger" with "slave" (although being incorrectly addressed to a freed man) and did not use the term "Injun." Mark Twain scholar Alan Gribben said he hoped the edition would be more friendly for use in classrooms, rather than have the work banned outright from classroom reading lists due to its language.
According to publisher Suzanne La Rosa "At NewSouth, we saw the value in an edition that would help the works find new readers. If the publication sparks good debate about how language impacts learning or about the nature of censorship or the way in which racial slurs exercise their baneful influence, then our mission in publishing this new edition of Twain’s works will be more emphatically fulfilled." Another scholar, Thomas Wortham, criticized the changes, saying the new edition "doesn't challenge children to ask, 'Why would a child like Huck use such reprehensible language?'"
Responses to this include the publishing of The Hipster Huckleberry Finn which is an edition with the word "nigger" is replaced with the word "hipster". The book's description includes this statement "Thanks to editor Richard Grayson, the adventures of Huckleberry Finn are now neither offensive nor uncool."

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Autobiography of Benjamin Franklin [ Illustrated ] [ Free Audiobooks Download ]

The Autobiography of Benjamin Franklin is the traditional name for the unfinished record of his own life written by Benjamin Franklin from 1771 to 1790; however, Franklin himself appears to have called the work his Memoirs. Although it had a tortuous publication history after Franklin's death, this work has become one of the most famous and influential examples of an autobiography ever written.
Franklin's account of his life is divided into four parts, reflecting the different periods at which he wrote them. There are actual breaks in the narrative between the first three parts, but Part Three's narrative continues into Part Four without an authorial break (only an editorial one).

From her vacation to the Gulf of Mexico to her return to New Orleans, Edna Pontellier, the wife of Léonce and mother of two boys, embarks on an emotionally fraught journey to discover love and self-fulfillment. Her relationships with her husband, with LeBrun and with Mademoiselle Reisz lead to a battle with isolation, conflicting emotions and her discovery of life as a sexual being. Set in nineteenth-century New Orlean's, Kate Chopin's novel was one of the earliest books to deal with gender issues and female sexuality, often cited as an early benchmark work of feminism.