The Roaring Boy - A Nicholas Bracewell Mystery

For Lord Westfield’s Men, Every high road leads to death

When the deathly horrors of the Black Plague decimate the audiences in London’s theatres, the acclaimed troupe of players called Lord Westfield’s Men take to the high road to seek out fresh audiences. But wherever they go, they are thwarted by misfortune and baffled by mysteries. Their scripts are stolen, their players abducted. A dead man walks, and a beautiful woman hears the voice of God.

Only one man is clever enough to match swords with the troupe’s burgeoning troubles. Upon Nicholas Bracewell, the company’s bookholder and mainstay, falls the burden that may cost him his life as they head for an ancient inn called The Trip to Jerusalem, where the last act of a bloody drama is about to begin.

He was egotistical, verbose and hot-headed to a fault. But he did not deserve to die…

His name was Will Fowler, an actor in the esteemed theatrical company called Lord Westfield’s Men, a vibrant young man flushed from the success of a recent performance at The Queen’s Head theatre. So exuberant was he that he persuaded the resourceful manager of the company, Nicholas Bracewell, to quaff a pint or two at a nearby pub.

Alas, it was to be Will’s last taste of beer. A tavern brawl left him dead but not before he gasped for Nicholas to find his fast-fleeting, red-bearded murderer and administer a just revenge.

Yet finding Will’s murderer in London’s dark, crowded streets was a seemingly impossible task not to mention the fact that Lord Westfield’s Men were just commanded to appear at the court of Elizabeth I an honour one dare not refuse . . .

He had the power to assume a pleasing shape, but would he take to the stage?

The audience was merry indeed when a third devilish imp bounded onstage to join the two that had been written into the script. But backstage all was uproar. The third demon seemed too much like the real thing. Even Nicholas Bracewell, the company mainstay, was shaken when, next time the play was given, only one devil appeared. The second, poor fellow, was now only a little red heap under the stage. Dead.

Before the curtain rose again, Lord Westfield’s Men would suffer the sermons of a Puritan fanatic, the enchantment of passion, the terror of a London madhouse, prophecies of a famous alchemist, and danger as they’d never known it before . . .

Guy Fawkes Night, 1857. Joel Heygate is the popular stationmaster at Exeter St David’s railway station an impressive figure of a man replete with frock coat and top hat, bushy eyebrows and walrus moustache. But when the charred remains of a body are discovered in the embers of the town’s annual Bonfire Night celebration, everyone is horrified when it becomes clear that they belong to Mr Heygate.

The South Devon Railway contacts Scotland Yard for their assistance, and Superintendant Edward Tallis sends the Railway Detective Inspector Robert Colbeck and his assistant Victor Leeming to Exeter with all due haste. They quickly unearth three suspects, but are they missing something? It is only when Heygate’s diary turns up unexpectedly that the truth becomes clear and a fourth suspect emerges. As Colbeck closes in on the killer, he finds himself in mortal danger - can justice prevail? Or will his beloved Madeleine be robbed of a husband on the very eve of their marriage?

May 1915. While thousands of Britons fight in the trenches, a severely depleted police force remains behind to keep the Home Front safe. In London, the sinking of the Lusitania sparks an unprecedented wave of anti-German riots and arson attacks across the city. Among the victims is the immigrant tailor Jacob Stein, found dead in his burnt-out shop.

Detective Inspector Harvey Marmion and Sergeant Joe Keedy must take on this case of cover-ups and contradictions and track down Jacob's killer a hunt which carries them from the crime-ridden streets of wartime London to the chaos of the front line. But is the murder simply the result of a tragic excess of wartime hysteria, or perhaps a more premeditated crime?

Butchery outside a London brothel leaves Westfield’s Men in disarray

While England is brought low by rumours of Queen Elizabeth's declining health, celebrated theatre company Lord Westfield's Men suffer their own bitter blows. A vicious feud between players causes chaos; a rival company launches a new production; a mysterious beauty reduces their leading actor to a lovelorn wreck; and a brutal murder leaves the group of actors reeling. With matters so fraught, even a performing horse becomes a threat.

Stage manager Nicholas Bracewell, accustomed to damage control, is the only man with the wit to keep the company afloat. As the Queen sinks towards death, Nicholas begins to discern the connections between the company's misfortunes and the larger shadow falling over England . . .

AN INTRIGUING MYSTERY SURROUNDS THE KING’S MISTRESS

London 1667. Acclaimed beauty and singer Harriet Gow is the star performer at the famous Theatre Royal on Drury Lane, as well as the favourite mistress of King Charles II. After seeing her perform, Christopher Redmayne is likewise captivated so he is intrigued when the King urgently summons him it seems Harriet has been kidnapped. Redmayne, with the help of his friend Jonathan Bale is engaged to resolve this delicate affair and they quickly begin delving into Harriet’s background.

The façade of elegance soon begins to crumble in the face of their investigations, and just as Redmayne and Bale start to question whether Harriet is really the victim or the guilty party, a brutal murder provides the answer...

Who in their midst has blood on their hands?

London, 1670. Commissioned to design and build a new house for Francis Polegate, a merchant, Christopher Redmayne is pleased when the project is completed without a hitch. To celebrate the success of the venture, Polegate throws a party and invites Christopher as the guest of honour. But the party comes to an abrupt end when one of the guests is murdered upon leaving the house - with blood staining the doorstep of his new creation, Christopher can't help by feel involved. With the help of his good friend, the Puritan constable Jonathan Bale, and his dissolute brother Henry, Christopher vows to find the killer and bring him to justice. With suspicions running high and the life of someone close to him in peril, this is one of Christopher's most difficult cases as he discovers that politics really can be deadly.