The Wilderness Warrior - Theodore Roosevelt and the Crusade for America

After risking the hazardous journey across the Atlantic, these Americans embarked on a greater journey in the City of Light. Most had never left home, never experienced a different culture. None had any guarantee of success. That they achieved so much for themselves and their country profoundly altered American history. As David McCullough writes, “Not all pioneers went west.” Elizabeth Blackwell, the first female doctor in America, was one of this intrepid band. Another was Charles Sumner, who enrolled at the Sorbonne because of a burning desire to know more about everything. There he saw black students with the same ambition he had, and when he returned home, he would become the most powerful, unyielding voice for abolition in the U.S. Senate, almost at the cost of his life.

Two staunch friends, James Fenimore Cooper and Samuel F. B. Morse, worked unrelentingly every day in Paris, Cooper writing and Morse painting what would be his masterpiece. From something he saw in France, Morse would also bring home his momentous idea for the telegraph.

Pianist Louis Moreau Gottschalk from New Orleans launched his spectacular career performing in Paris at age 15. George P. A. Healy, who had almost no money and little education, took the gamble of a lifetime and with no prospects whatsoever in Paris became one of the most celebrated portrait painters of the day. His subjects included Abraham Lincoln.

Medical student Oliver Wendell Holmes wrote home of his toil and the exhilaration in “being at the center of things” in what was then the medical capital of the world. From all they learned in Paris, Holmes and his fellow “medicals” were to exert lasting influence on the profession of medicine in the United States.

Writers Ralph Waldo Emerson, Nathaniel Hawthorne, Mark Twain, and Henry James were all “discovering” Paris, marveling at the treasures in the Louvre, or out with the Sunday throngs strolling the city’s boulevards and gardens. “At last I have come into a dreamland,” wrote Harriet Beecher Stowe, seeking escape from the notoriety Uncle Tom’s Cabin had brought her. Almost forgotten today, the heroic American ambassador Elihu Washburne bravely remained at his post through the Franco-Prussian War, the long Siege of Paris and even more atrocious nightmare of the Commune. His vivid account in his diary of the starvation and suffering endured by the people of Paris (drawn on here for the first time) is one readers will never forget. The genius of sculptor Augustus Saint-Gaudens, the son of an immigrant shoemaker, and of painters Mary Cassatt and John Singer Sargent, three of the greatest American artists ever, would flourish in Paris, inspired by the examples of brilliant French masters, and by Paris itself.

David Halberstam's magisterial and thrilling The Best and the Brightest was the defining book about the Vietnam conflict. More than three decades later, Halberstam used his unrivaled research and formidable journalistic skills to shed light on another pivotal moment in our history: the Korean War. Halberstam considered The Coldest Winter his most accomplished work, the culmination of forty-five years of writing about America's postwar foreign policy.

Halberstam gives us a masterful narrative of the political decisions and miscalculations on both sides. He charts the disastrous path that led to the massive entry of Chinese forces near the Yalu River and that caught Douglas MacArthur and his soldiers by surprise. He provides astonishingly vivid and nuanced portraits of all the major figures-Eisenhower, Truman, Acheson, Kim, and Mao, and Generals MacArthur, Almond, and Ridgway. At the same time, Halberstam provides us with his trademark highly evocative narrative journalism, chronicling the crucial battles with reportage of the highest order. As ever, Halberstam was concerned with the extraordinary courage and resolve of people asked to bear an extraordinary burden.

This biography by Edmund Morris, the Pulitzer Prize– and National Book Award–winning author of The Rise of Theodore Roosevelt and Theodore Rex, marks the completion of a trilogy sure to stand as definitive. Of all our great presidents, Theodore Roosevelt is the only one whose greatness increased out of office. What other president has written forty books, hunted lions, founded a third political party, survived an assassin’s bullet, and explored an unknown river longer than the Rhine? Packed with more adventure, variety, drama, humor, and tragedy than a big novel, yet documented down to the smallest fact, this masterwork recounts the last decade of perhaps the most amazing life in American history.

Part cautionary tale, part farce, Emperors' Clothes tells the story of two executives and one mob boss who put a Sopranos' style spin on corporate strategy.

Stewart Narciss, whose accomplished father prefers the company of his hairless cats to that of his only son, equates executive status with self-worth. To impress the movers and shakers, Stewart hooks his career to the rising power of human resources. Unfortunately for the employees on his watch, lying prostrate before his cold-fish father is the closest this executive comes to touchy feely. As his efforts to bond with his father, and his companys CEO, are rebuffed, Stewart manipulates the succession process at TMC, assuring his place as consiglieri to a future boss. Enter Carol Himmler, a beautiful yet ruthless executive who chews up employees with the indifference of a wild animal eating her young. When a chemical spill results from workforce cuts she made, Carol hires mobster Sal Scruci to make the problem go away. Only problem is Scruci never goes away. All hell breaks loose when Sal reinvents himself as an executive talent scout--not a guy who takes no for an answer.

As self-centered agendas drive shortsighted decisions, TMC Corporation heads down a bumpy road--and everything from carefully cultivated allegiances to personal integrity suffers. Emperors' Clothes is a rollicking tale told with trenchant wit and insight, leaving readers to wonder who's really the bad guy and if the emperors ever had any clothes.

Pygmalion is a 1912 play by George Bernard Shaw, named after a Greek mythological character of the same name.
Professor of phonetics Henry Higgins makes a bet that he can train a bedraggled Cockney flower girl, Eliza Doolittle, to pass for a duchess at an ambassador's garden party by teaching her to assume a veneer of gentility, the most important element of which, he believes, is impeccable speech. The play is a sharp lampoon of the rigid British class system of the day and a commentary on women's independence.
In ancient Greek mythology, Pygmalion fell in love with one of his sculptures that came to life and was a popular subject for Victorian era English playwrights, including one of Shaw's influences, W. S. Gilbert, who wrote a successful play based on the story in 1871, called Pygmalion and Galatea. Shaw also would have been familiar with the burlesque version, Galatea, or Pygmalion Reversed. Shaw's play has been adapted numerous times, most notably as the musical My Fair Lady and the film of that name.

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In this sardonic portrait of the up-and-coming middle class during the prosperous 1920s, Sinclair Lewis perfectly captures the sound, the feel, and the attitudes of the generation that created the cult of consumerism. With a sharp eye for detail and keen powers of observation, Lewis tracks successful realtor George Babbitt's daily struggles to rise to the top of his profession while maintaining his reputation as an upstanding family man.On the surface, Babbitt appears to be the quintessential middle-class embodiment of conservative values and enthusiasm for the well-to-do lifestyle of the small entrepreneur. But beneath the complacent façade, he also experiences a rising, nameless discontent. These feelings eventually lead Babbitt into risky escapades that threaten his family and his standing in the community.Though published eighty years ago, this acerbic depiction of majority Americans, obsessed with success, material comfort, and midlife doubt, still rings true.

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S. C. Gwynne’s Empire of the Summer Moon spans two astonishing stories. The first traces the rise and fall of the Comanches, the most powerful Indian tribe in American history. The second entails one of the most remarkable narratives ever to come out of the Old West: the epic saga of the pioneer woman Cynthia Ann Parker and her mixed-blood son Quanah, who became the last and greatest chief of the Comanches.

Although readers may be more familiar with the tribal names Apache and Sioux, it was in fact the legendary fighting ability of the Comanches that determined just how and when the American West opened up. Comanche boys became adept bareback riders by age six; full Comanche braves were considered the best horsemen who ever rode. They were so masterful at war and so skillful with their arrows and lances that they stopped the northern drive of colonial Spain from Mexico and halted the French expansion westward from Louisiana. White settlers arriving in Texas from the eastern United States were surprised to find the frontier being rolled backward by Comanches incensed by the invasion of their tribal lands. So effective were the Comanches that they forced the creation of the Texas Rangers and account for the advent of the new weapon specifically designed to fight them: the six-gun.

The war with the Comanches lasted four decades, in effect holding up the development of the new American nation. Gwynne’s exhilarating account delivers a sweeping narrative that encompasses Spanish colonialism, the Civil War, the destruction of the buffalo herds, and the arrival of the railroads—a historical feast for anyone interested in how the United States came into being.

Against this backdrop Gwynne presents the compelling drama of Cynthia Ann Parker, a lovely nine-year-old girl with cornflower-blue eyes who was kidnapped by Comanches from the far Texas frontier in 1836. She grew to love her captors and became infamous as the "White Squaw" who refused to return until her tragic capture by Texas Rangers in 1860. More famous still was her son Quanah, a warrior who was never defeated and whose guerrilla wars in the Texas Panhandle made him a legend.