The Year We Left Home - A Novel

Marriage can be a real killer. 
   One of the most critically acclaimed suspense writers of our time, New York Times bestseller Gillian Flynn takes that statement to its darkest place in this unputdownable masterpiece about a marriage gone terribly, terribly wrong. The Chicago Tribune proclaimed that her work “draws you in and keeps you reading with the force of a pure but nasty addiction.” Gone Girl’s toxic mix of sharp-edged wit and deliciously chilling prose creates a nerve-fraying thriller that confounds you at every turn. 
   On a warm summer morning in North Carthage, Missouri, it is Nick and Amy Dunne’s fifth wedding anniversary. Presents are being wrapped and reservations are being made when Nick’s clever and beautiful wife disappears from their rented McMansion on the Mississippi River. Husband-of-the-Year Nick isn’t doing himself any favors with cringe-worthy daydreams about the slope and shape of his wife’s head, but passages from Amy's diary reveal the alpha-girl perfectionist could have put anyone dangerously on edge. Under mounting pressure from the police and the media—as well as Amy’s fiercely doting parents—the town golden boy parades an endless series of lies, deceits, and inappropriate behavior. Nick is oddly evasive, and he’s definitely bitter—but is he really a killer? 
   As the cops close in, every couple in town is soon wondering how well they know the one that they love. With his twin sister, Margo, at his side, Nick stands by his innocence. Trouble is, if Nick didn’t do it, where is that beautiful wife? And what was in that silvery gift box hidden in the back of her bedroom closet?
   With her razor-sharp writing and trademark psychological insight, Gillian Flynn delivers a fast-paced, devilishly dark, and ingeniously plotted thriller that confirms her status as one of the hottest writers around.

A powerful, funny, richly observed tour de force by one of America’s most acclaimed young writers: a story of love and marriage, secrets and betrayals, that takes us from the backyards of America to the back alleys and villages of Bangladesh.
In The Newlyweds, we follow the story of Amina Mazid, who at age twenty-four moves from Bangladesh to Rochester, New York, for love. A hundred years ago, Amina would have been called a mail-order bride. But this is an arranged marriage for the twenty-first century: Amina is wooed by—and woos—George Stillman online. 
For Amina, George offers a chance for a new life and a different kind of happiness than she might find back home. For George, Amina is a woman who doesn’t play games. But each of them is hiding something: someone from the past they thought they could leave behind. It is only when they put an ocean between them—and Amina returns to Bangladesh—that she and George find out if their secrets will tear them apart, or if they can build a future together.
The Newlyweds is a surprising, suspenseful story about the exhilarations—and real-life complications—of getting, and staying, married. It stretches across continents, generations, and plains of emotion. What has always set Nell Freudenberger apart is the sly, gimlet eye she turns on collisions of all kinds—sexual, cultural, familial. With The Newlyweds, she has found her perfect subject for that vision, and characters to match. She reveals Amina’s heart and mind, capturing both her new American reality and the home she cannot forget, with seamless authenticity, empathy, and grace. At once revelatory and affecting, The Newlyweds is a stunning achievement.

"As I sleep, my mind will erase everything I did today. I will wake up tomorrow as I did this morning. Thinking Im still a child. Thinking I have a whole lifetime of choice ahead of me. . . ."

Memories define us.

So what if you lost yours every time you went to sleep?

Your name, your identity, your past, even the people you love-all forgotten overnight.

And the one person you trust may be telling you only half the story.

Welcome to Christine's life.

Life can change in an instant because of one small mistake. For Glen Bauer, all it takes is a quick jerk of the steering wheel, intended to scare a reckless driver. But the reckless driver is killed, and just like that, Glen’s placid suburban existence begins to unravel.

Written in part as a confessional letter from Glen to his daughter, Sara, Long Drive Home evokes the sharp-eyed observation of Tom Perrotta and the pathos of Dan Chaon in its trenchant portrait of contemporary American life.

When Glen realizes no one else saw the accident, he impulsively lies about what happened—to the police, to his wife, even to Sara, who was in the backseat at the time of the crash. But a tenacious detective thinks Sara might have seen more than she knows, or more than her parents will let her tell. And when Glen tries to prevent the detective from questioning Sara, he finds himself in a high-stakes cat-and-mouse game that could end in a lawsuit or prison. What he doesn’t see coming is the reaction of his wife, Liz—a panicked plan that threatens to tear their family apart in the name of saving it.