Tibetan Sound Healing

Amazingly easy to learn and apply, Pranic Healing uses a series of powerful but simple methods to generate energy, including non-touch hand movements; energetic hygiene, the practice of keeping your personal energy tank clean and full; breathing; and brief meditations. Using these unique techniques, you can identify, clear, and purify unhealthy, imbalanced energy and replace it with fresh energy that helps your body heal itself from a wide range of physical, psychological, and emotional symptoms and disorders. A self-healing guide for 24 ailments, including physical and sports injuries, chronic arthritis, irritable bowel syndrome, insomnia, hypertension, headaches, backaches, congestion and colds, menstrual cramps, even depression and stress-related disorders, is included.

With step-by-step instructions, line drawings, and numerous real-life medical stories, Your Hands Can Heal You demonstrates and explains a revolutionary program that anyone can use to harness the energy of body, mind, and breath to produce health and facilitate repair. Personally trained by Grand Master Choa Kok Sui, who developed Pranic Healing, the authors, Master Co and Dr. Robins, provide the same detailed guidance in Your Hands Can Heal You as in the popular Pranic Healing workshops.

Additionally, they present, for the first time in any book, the Grandmaster's special modifications to the breathing practices that can dramatically increase your power and energy and rejuvenate and balance your physical, emotional, mental, and spiritual body.

Like a spontaneous cascade of wisdom nectar, the open and natural words of Thinley Norbu Rinpoche, uncomplicated by scholarly elaboration, flow here in the tradition of the direct transmissions of Buddhas and Bodhisattvas of the past. Through commentary on the Preliminary Practices (Ngöndrö) prayer from the treasure text of the great master Tragtung Düdjom Lingpa, insights into many central practices emerge in order to deepen understanding of the foundations of Vajrayana Buddhism. Also included in the book is a commentary on Tsok Khang Dechen (Assembly Palace of Great Exaltation), the root text prayer of the second Kyabje Düdjom Rinpoche, Jigdrel Yeshe Dorje.

A collection of 51 short stories by the legendary writer and painter Emily Carr, arranged in themes such as her experiences with Native people, her adventures with various beloved creatures and her love of nature. Together, they underline Carr's place as a writer with the sharp yet tender eye of an artist, with a deep feeling for the tragedies of life and with a rich sense of the comic. The book is enhanced by seven of Carr's line drawings of scenes from nature. The Heart of a Peacock is the fourth of the seven books by Emily Carr to be published by Douglas & McIntyre in a completely redesigned edition, each with an introduction by a noted Canadian writer or an authority on Emily Carr and her work.

Collected here for the first time in book form are the expurgated sections of artist, writer, and rebel Emily Carr's unpublished journals, her important "Lecture on Totems" about Native art and people, and letters to and from several key figures in her life. The unpublished journal entries include long passages about her first meeting with Sophie Frank, a Squamish basket maker who became a confidante; anguished meditations on her spiritual mission; musings about Native culture and the white community's reaction to it; and thoughts about her sisters and relatives. This collection also features commentary by noted literary historian Susan Crean that offers cultural and historical context.

Before winning recognition for her painting and writing, Emily Carr built a small apartment building with four suites that she hoped would earn her a living. But things turned out worse than expected, and in her forties, the gifted artist found herself shoveling coal and cleaning up other people's messes.

The House of All Sorts is a collection of forty-one stories of those hard-working days and the parade of tenants -- young couples, widows, sad bachelors and rent evaders. Carr is at her most rueful, but filled with energy and an inextinguishable hope.

Carr also ran a small kennel and bred bobtails to help out her meagre income. In an additional twenty-five stories, she lovingly describes the mutual bonds of affection and companionship between her and her dogs.

Her writing is vital and direct, aware and poignant, and as well regarded today as when The House of All Sorts was first published in 1944 to critical and popular acclaim.