Where Are You Now? - A Novel

Natalie Raines, one of Broadway's brightest stars, accidentally discovers who killed her former roommate and sets in motion a series of shocking events that puts more than one life in extreme peril.

While Natalie and her roommate, Jamie Evans, were both struggling young actresses, Jamie had been involved with a mysterious married man to whom she referred only by nickname. Natalie comes face to face with him years later and inadvertently addresses him by the nickname Jamie had used. A few days later, Natalie is found in her home in Closter, New Jersey, dying from a gunshot wound.

Immediately the police suspect Natalie's theatrical agent and soon-to-be-ex-husband, Gregg Aldrich. He had long been a "person of interest" and was known to have stalked Natalie to find out if she was seeing another man. But no charges are brought against him until two years later, when Jimmy Easton, a career criminal, suddenly comes forward to claim that Aldrich had tried to hire him to kill his wife. Easton knows details about the Aldrich home that only someone who had been there -- to plan a murder, for instance -- could possibly know.

The case is a plum assignment for Emily Wallace, an attractive thirty-two-year-old assistant prosecutor. As she spends increasingly long hours preparing for the trial, a seemingly well-meaning neighbor offers to take care of her dog in her absence. Unaware of his violent past, she gives him a key to her home...

As Aldrich's trial is making headlines, her boss warns Emily that this high-profile case will reveal personal matters about her, such as the fact that she had a heart transplant. And, during the trial, Emily experiences sentiments that defy all reason and continue after Gregg Aldrich's fate is decided by the jury.

In the meantime, she does not realize that her own life is now at risk.

A compelling novel that probes the mysteries of the human heart and mind, Just Take My Heart is Mary Higgins Clark's most spellbinding tale.

At the center of her novel is Kay Lansing, who has grown up in Englewood, New Jersey, daughter of the landscaper to the wealthy and powerful Carrington family. Their mansion -- a historic seventeenth-century manor house transported stone by stone from Wales in 1848 -- has a hidden chapel. One day, accompanying her father to work, six-year-old Kay succumbs to curiosity and sneaks into the chapel. There, she overhears a quarrel between a man and a woman who is demanding money from him. When she says that this will be the last time, his caustic response is: "I heard that song before."

That same evening, the Carringtons hold a formal dinner dance after which Peter Carrington, a student at Princeton, drives home Susan Althorp, the eighteen-year-old daughter of neighbors. While her parents hear her come in, she is not in her room the next morning and is never seen or heard from again.

Throughout the years, a cloud of suspicion hangs over Peter Carrington. At age forty-two, head of the family business empire, he is still "a person of interest" in the eyes of the police, not only for Susan Althorp's disappearance but also for the subsequent drowning death of his own pregnant wife in their swimming pool.

Kay Lansing, now living in New York and working as a librarian in Englewood, goes to see Peter Carrington to ask for permission to hold a cocktail party on his estate to benefit a literacy program, which he later grants. Kay comes to see Peter as maligned and misunderstood, and when he begins to court her after the cocktail party, she falls in love with him. Over the objections of her beloved grandmother Margaret O'Neil, who raised her after her parents' early deaths, she marries him. To her dismay, she soon finds that he is a sleepwalker whose nocturnal wanderings draw him to the spot at the pool where his wife met her end.

Susan Althorp's mother, Gladys, has always been convinced that Peter Carrington is responsible for her daughter's disappearance, a belief shared by many in the community. Disregarding her husband's protests about reopening the case, Gladys, now terminally ill, has hired a retired New York City detective to try to find out what happened to her daughter. Gladys wants to know before she dies.

Kay, too, has developed gnawing doubts about her husband. She believes that the key to the truth about his guilt or innocence lies in the scene she witnessed as a child in the chapel and knows she must learn the identity of the man and woman who quarreled there that day. Yet, she plunges into this pursuit realizing that "that knowledge may not be enough to save my husband's life, if indeed it deserves to be saved." What Kay does not even remotely suspect is that uncovering what lies behind these memories may cost her her own life.

I Heard That Song Before once again dramatically reconfirms Mary Higgins Clark's worldwide reputation as a master storyteller.

At age eighty-two and in failing health, Olivia Morrow knows she has little time left. The last of her line, she faces a momentous choice: expose a long-held family secret, or take it with her to her grave.

Olivia has in her possession letters from her deceased cousin Catherine, a nun, now being considered for beatification by the Catholic Church—the final step before sainthood. In her lifetime, Sister Catherine had founded seven hospitals for disabled children. Now the cure of a four-year-old boy dying of brain cancer is being attributed to her. After his case was pronounced medically hopeless, the boy’s desperate mother had organized a prayer crusade to Sister Catherine, leading to his miraculous recovery.

The letters Olivia holds are the evidence that Catherine gave birth at age seventeen to a child, a son, and gave him up for adoption. Olivia knows the identity of the young man who fathered Catherine’s child: Alex Gannon, who went on to become a world-famous doctor, scientist, and inventor holding medical patents.

Now, two generations later, thirty-one-year-old pediatrician Dr. Monica Farrell, Catherine’s granddaughter, stands as the rightful heir to what remains of the family fortune. But in telling Monica who she really is, Olivia would have to betray Catherine’s wishes and reveal the story behind Monica’s ancestry.

The Gannon fortune is being squandered by Alex’s nephews Greg and Peter Gannon, and other board members of the Gannon Foundation, who camouflage their profligate lifestyles with philanthropy.

Now their carefully constructed image is cracking. Greg, a prominent financier, is under criminal investigation, and Peter, a Broadway producer, is a

suspect in the murder of a young woman who has been extorting money from him.

The only people aware of Olivia’s impending choice are those exploiting the Gannon inheritance. To silence Olivia and prevent Monica from learning the secret, some of them will stop at nothing—even murder.

Who has not read about—or experienced—with a sinking feeling the fear that someone else out there may be using your credit cards, accessing your bank account, even stealing your identity.

In I ll Walk Alone, Alexandra “Zan” Moreland, a gifted, beautiful interior designer on the threshold of a successful Manhattan career, is terrified to discover that somebody is not only using her credit cards and manipulating her financial accounts to bankrupt her and destroy her reputation, but may also be impersonating her in a scheme that may involve the much more brutal crimes of kidnapping and murder. Zan is already haunted by the disappearance of her own son, Matthew, kidnapped in broad daylight two years ago in Central Park—a tragedy that has left her torn between hope and despair.

Now, on what would be Matthew’s fifth birthday, photos surface that seem to show Zan kidnapping her own child, followed by a chain of events that suggests somebody—but who? Zan asks herself desperately, and why?—has stolen her identity.

Hounded by the press, under investigation by the police, attacked by both her angry ex-husband and a vindictive business rival, Zan, wracked by fear and pain and sustained only by her belief, which nobody else shares, that Matthew is still alive, sets out to discover who is behind this cruel hoax.

What she does not realize is that with every step she takes toward the truth, she is putting herself— and those she loves most—in mortal danger from the person who has ingeniously plotted out her destruction.

Even Zan’s supporters, who include Alvirah Meehan, the lottery winner and amateur detective, and Father Aiden O’Brien, who thinks that Zan may have confessed to him a secret he cannot reveal, believe she may have kidnapped little Matthew. Zan herself begins to doubt her own sanity, until, in the kind of fast-paced explosive ending that is Mary Higgins Clark’s trademark, the pieces of the puzzle fall into place with an unexpected and shocking revelation.

ALL AROUND THE TOWN

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Ellie Cavanaugh was only seven years old when her fifteen-year-old sister, Andrea, was murdered near their home in Oldham-on-the-Hudson, a rural village in New York's Westchester County. There were three suspects: Rob Westerfield, nineteen-year-old scion of a wealthy, prominent family, whom Andrea has been secretly dating; Paul Stroebel, a sixteen-year-old schoolmate, who had a crush on Andrea; and Will Nebels, a local handyman in his forties.

It was Ellie who had led her parents to a hideout in which Andrea's body was found -- a secret hideaway in which she met her friends. And it was Ellie who was blamed by her parents for her sister's death for not telling them about this place the night Andrea was missing. It was also Ellie's testimony that led to the conviction of the man she was firmly convinced was the killer. Steadfastly denying his guilt, he spent the next twenty-two years in prison.

When he comes up for parole, Ellie, now an investigative reporter for an Atlanta newspaper, protests his release. Nonetheless, the convicted killer is set free and returns to Oldham. Determined to thwart his attempts to whitewash his reputation, Ellie also returns to Oldham, intent on creating a Website and writing a book that will conclusively prove his guilt. As she delves deeper into her research, however, she uncovers horrifying and heretofore unknown facts that shed new light on her sister's murder. With each discovery, she comes closer to a confrontation with a desperate killer.

Margaret and Steve Frawley celebrate the third birthday of their twin girls, Kelly and Kathy, with an afternoon party in their new home, a modest fixer-upper in Ridgefield, Connecticut.

The evening of the twins' birthday party, Steve and Margaret attend a black-tie dinner in New York. When they return home, the police are in the house, and they are told that the babysitter had been found unconscious, the children are gone, and a note demanding an eight-million-dollar ransom had been left in their room.

Steve Frawley's firm, a global investment company, agrees to pay the ransom. The kidnapper, who identifies himself as the "Pied Piper," makes his terms known -- on delivery of the ransom, a call will come, revealing the girls' whereabouts. The call comes, but only Kelly is in the car parked behind a deserted restaurant. The driver is dead from a gunshot wound and has left a suicide note, saying he had inadvertently killed Kathy and had dumped her body in the ocean.

At the private memorial Mass for Kathy, Kelly tugs Margaret's arm and says: "Mommy, Kathy is very scared of that lady. She wants to come home right now." More unexplainable occurrences follow, indicating that Kelly is in touch with Kathy. At first, no one except the mother believes that the twins are communicating and that Kathy is still alive. As Kelly's warnings become increasingly specific and alarming, however, FBI agents set out on a search for Kathy. The novel reaches a breathtaking climax as they close in on the Pied Piper and his accomplices, while Kathy's life hangs by a thread.

In delving into the well-documented but still unexplained phenomenon of twin telepathy, Mary Higgins Clark tells a spellbinding tale that takes us deep into the minds of her characters while lifting us to the heights of suspense.

Slipped under the door of her Georgetown home, the note was an ominous reminder of Pat Traymore's past. The beautiful young television journalist had come to glamorous, high-powered Washington to produce a TV series. Her subject: Senator Abigail Jennings, slated for nomination as the first woman vice president of the United States.