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Set at the time of the Jacobite uprising, The Master of Ballantrae tells of a family divided. James Durie, Master of Ballantrae, abandons his ancestral home to support the Scottish rebellion - leaving his younger brother Henry, who is faithful to the English crown, to inherit the title of Lord Durrisdeer. But he is to return years later, embittered by battles and a savage life of piracy on the high seas, to demand his inheritance. Turning the people against the Lord, he begins a savage feud with his brother that will lead the pair from the Scottish Highlands to the American Wilderness. Satanic and seductive, the Master was regarded by Stevenson as 'all I know of the devil'; his darkly manipulative schemes dominate this subtle and compelling tragedy.

This edition takes as its text the Edinburgh Edition of the novel, the last approved by the author. The introduction considers the novel's inspiration and its place as one of Stevenson's greatest studies in cruelty.

Michael DC Drout has now transformed his classic “King Alfred's Grammar” into a comprehensive guide for learning Old English. Appropriate for students and enthusiasts alike, Drout's Quick and Easy Old English presents the basics of the language in an accessible form. Even the most novice student can learn to read the classics of medieval literature in their original language with this system. Drout's Quick and Easy Old English covers:

• The history of Old English
• Orthography, covering the unfamiliar characters of Old English writing
• Pronouncing Old English
• Grammar, from nouns and verbs to pronouns and adjectives
• Tricks for translation

With the help of Bruce Gilchrist and Rachel Kapelle, Drout provides exercises to reinforce the lessons. After years of testing in classrooms and online, these exercises have been thoroughly vetted for accuracy by scholars around the world, and have guided countless students through their first lessons in Old English.

In Shakespeare's Foreign Worlds, Carole Levin and John Watkins focus on the relationship between the London-based professional theater preeminently associated with William Shakespeare and an unprecedented European experience of geographic, social, and intellectual mobility. Shakespeare's plays bear the marks of exile and exploration, rural depopulation, urban expansion, and shifting mercantile and diplomatic configurations. He fills his plays with characters testing the limits of personal identity: foreigners, usurpers, outcasts, outlaws, scolds, shrews, witches, mercenaries, and cross-dressers.

Through parallel discussions of Henry VI, The Taming of the Shrew, and The Merchant of Venice, Levin and Watkins argue that Shakespeare's centrality to English national consciousness is inseparable from his creation of the foreign as a category asserting dangerous affinities between England's internal minorities and its competitors within an increasingly fraught European mercantile system.

As a women's historian, Levin is particularly interested in Shakespeare's responses to marginalized sectors of English society. As a scholar of English, Italian Studies, and Medieval Studies, Watkins situates Shakespeare in the context of broadly European historical movements. Together Levin and Watkins narrate the emergence of the foreign as portable category that might be applied both to "strangers" from other countries and to native-born English men and women, such as religious dissidents, who resisted conformity to an increasingly narrow sense of English identity. Shakespeare's Foreign Worlds will appeal to historians, literary scholars, theater specialists, and anyone interested in Shakespeare and the Elizabethan Age.