[sic]: A Memoir

Where, Carlos Fuentes asks, is a modern-day vampire to roost? Why not Mexico City, populated by ten million blood sausages (that is, people), and a police force who won’t mind a few disappearances?

A new edition of a French modernist classic - a Parisian scene told ninety-nine different ways - with new material written in homage by the likes of Jonathan Lethem, Rivka Galchen, and many more.

On a crowded bus at midday, Raymond Queneau observes one man accusing another of jostling him deliberately. When a seat is vacated, the first man appropriates it. Later, in another part of town, Queneau sees the man being advised by a friend to sew a new button on his overcoat.

Exercises in Style — Queneau’s experimental masterpiece and a hallmark book of the Oulipo literary group — retells this unexceptional tale ninety-nine times, employing the sonnet and the alexandrine, onomatopoeia and Cockney. An “Abusive” chapter heartily deplores the events; “Opera English” lends them grandeur. Queneau once said that of all his books, this was the one he most wished to see translated. He offered Barbara Wright his “heartiest congratulations,” adding: “I have always thought that nothing is untranslatable.Here is new proof.”

To celebrate the 65th anniversary of the 1947 French publication of Exercises de Style, New Directions has asked several writers to contribute new exercises as a tribute. Tantalizing examples include Jonathan Lethem’s “Cyberpunk,” Harry Mathew’s “Phonetic Eros,” and Frederic Tuten’s “Beatnik” exercises. This edition also retains Barbara Wright’s original introduction and reminiscence of working on this book — a translation that in 2008 was ranked first on the Author’s Society’s list of “The 50 Outstanding Translations of the Last 50 Years.”

Dust to Dust is an extraordinary memoir about ordinary things: life and death, peace and war, the adventures of childhood and the revelations of adulthood. Benjamin Busch—a decorated U.S. Marine Corps infantry officer who served two combat tours in Iraq, an actor on The Wire, and the son of celebrated novelist Frederick Busch—has crafted a lasting book to stand with the finest work of Tim O'Brien or Annie Dillard.

In elemental-themed chapters—water, metal, bone, blood—Busch weaves together a vivid record of a pastoral childhood in rural New York; Marine training in North Carolina, Ukraine, and California; and deployment during the worst of the war in Iraq, as seen firsthand. But this is much more than a war memoir. Busch writes with great poignancy about the resonance of a boyhood spent exploring rivers and woods, building forts, and testing the limits of safety. Most of all, he brings enormous emotional power to his reflections on mortality: in a helicopter going down; wounded by shrapnel in Ramadi; dealing with the sudden death of friends in combat and of parents back home.

Dust to Dust is an unforgettable meditation on life and loss, and how the curious children we were remain alive in us all.

THE CLOUD COLLECTOR'S HANDBOOK fits into the pocket, allowing cloudspotters to identify cloud formations anytime and anywhere. All the common cloud types are represented, as are many of the rare ones, each fully described and illustrated with a range of photographs. Not only is THE CLOUD COLLECTOR'S HANDBOOK an invaluable resource for anyone who wants to be able to identify and understand every cloud that floats by, it also caters for the competitive cloudspotter. Points are awarded for each cloud type identified - the rarer the cloud, the greater points - and there's space to fill in where and when it was sighted.
 
Beautifully designed, in colour throughout, and full of the humour that made THE CLOUDSPOTTER'S GUIDE so engaging, the HANDBOOK is the essential reference for anyone with their head in the clouds.